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This volume engages women¿s lifeworlds, practices, and experiences in relation to Orthodox Christianity in multiple, varied localities, discussing both contemporary and pre-1989 developments. It critically engages the pluralist and changing character of Orthodox forms of institutional and social life in relation to gender by using feminist epistemologies and drawing on original ethnographic research.

Living in Death descends into the ordinary life of people who execute hundreds every day, the same way others go to the office. Bringing philosophical sophistication to the ordinary, the book constitutes both an anthropology of mass killers and a challenge to the conditions that make genocide possible.

This volume engages women¿s lifeworlds, practices, and experiences in relation to Orthodox Christianity in multiple, varied localities, discussing both contemporary and pre-1989 developments. It critically engages the pluralist and changing character of Orthodox forms of institutional and social life in relation to gender by using feminist epistemologies and drawing on original ethnographic research.

An electrifying feminist poetics combining language and visual collage to explore gender, landscape, taxidermy, and the idea of a ¿natural body¿An innovative book-length poem that delves into the intricacies of natural history dioramas, taxidermy, landscape, and women naturalists, Her Wilderness Will Be Her Manners is an experience of looking for ¿Woman¿s Work¿ in American natural history museums. Why, for instance, have the contributions of taxidermist and naturalist Martha Maxwell, the first person to create a ¿habitat group¿ display in the United States, and Delia Akeley, the wife of the ¿father of modern taxidermy,¿ been largely erased?Sarah Mangold mines language from natural history texts and taxidermy manuals from the 1800s to explore the perception and the reception of women in male-dominated scientific pursuits, as well as the doctrine of nature as pure, unpopulated, and outside historical and political time. A stunning work of visual and textual collage, Her Wilderness Will Be Her Manners creates a vibrant textual ecology that utilizes language as landscape while reshaping notions of nature and the natural.

Failures to listen or mishearings can be a matter of life and death. Shattering Biopolitics elaborates the intimate and complex relation between life and sound in philosophy, political theory, and sound-art.

Class Acts looks at two often neglected aspects of Derrida's work as a philosopher, his public lectures and his teaching, along with the question of the "speech act" that links them, that is, the question of what one is doing when one speaks in public in these ways.

This book elaborates the political and intimate possibilities of going beyond the tendency toward destruction that Freud identified in human nature. Martinez argues that Eros is the force that can help us resist this destructive drive, and that resistance must take the form of unceasing ethical vigilance and political action.

Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction)The first collection of essays to address Satan¿s ubiquitous and popular appearances in filmLucifer and cinema have been intertwined since the origins of the medium. As humankind¿s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers¿ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the ¿prince of darkness¿ merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system.From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary¿s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation.Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe.Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O¿Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock

An interdisciplinary collaboration that explores what it means to live with concepts, rather than think of them as mere tools for analysis.

This book investigates the religious identity and authority of Stephen Colbert and his character Stephen Colbert. By exploring Colbert's position as a lay catechist and televised comedian, this book examines how Catholicism shapes Colbert's experiences, and how Colbert and his persona nuance American Catholicism and the polarized American religious landscape.

Adam Kotsko makes the case for the continued relevance of Christian theology for contemporary intellectual life, demonstrating its vibrancy as a creative and constructive pursuit outside the church, rethinking its often rivalrous relationship with philosophy, and tracing the theological roots of modern models of governance and racial oppression.

The untold story behind one of America's greatest dramasIn early 1957, a low-budget black-and-white movie opened across the United States. Consisting of little more than a dozen men arguing in a dingy room, it was a failure at the box office and soon faded from view.Today, 12 Angry Men is acclaimed as a movie classic, revered by the critics, beloved by the public, and widely performed as a stage play, touching audiences around the world. It is also a favorite of the legal profession for its portrayal of ordinary citizens reaching a just verdict and widely taught for its depiction of group dynamics and human relations. Few twentieth-century American dramatic works have had the acclaim and impact of 12 Angry Men.Reginald Rose and the Journey of "e;12 Angry Men"e; tells two stories: the life of a great writer and the journey of his most famous work, one that ultimately outshined its author. More than any writer in the Golden Age of Television, Reginald Rose took up vital social issues of the day-from racial prejudice to juvenile delinquency to civil liberties-and made them accessible to a wide audience. His 1960s series, The Defenders, was the finest drama of its age and set the standard for legal dramas. This book brings Reginald Rose's long and successful career, its origins and accomplishments, into view at long last.By placing 12 Angry Men in its historical and social context-the rise of television, the blacklist, and the struggle for civil rights-author Phil Rosenzweig traces the story of this brilliant courtroom drama, beginning with the chance experience that inspired Rose, to its performance on CBS's Westinghouse Studio One in 1954, to the feature film with Henry Fonda. The book describes Sidney Lumet's casting, the sudden death of one actor, and the contribution of cinematographer Boris Kaufman. It explores the various drafts of the drama, with characters modified and scenes added and deleted, with Rose settling on the shattering climax only days before filming began.Drawing on extensive research and brimming with insight, this book casts new light on one of America's great dramas-and about its author, a man of immense talent and courage.Author royalties will be donated equally to the Feerick Center for Social Justice at Fordham Law School and the Justice John Paul Stevens Jury Center at Chicago-Kent College of Law.

The central Christian belief in salvation through the suffering, death, and resurrection of Jesus Christ remains one of the most intractable mysteries of Christian faith. Throughout history, it has given rise to various theories of atonement, many of which have been subject to critique as they no longer speak to contemporary notions of evil and sin or to current conceptions of justice. One of the important challenges for contemporary Christian theology thus involves exploring new ways of understanding the salvific meaning of the cross.In Atonement and Comparative Theology, Christian theologians with expertise in Judaism, Islam, Hinduism, Buddhism, Daoism, and African Religions reflect on how engagement with these traditions sheds new light on the Christian understanding of atonement by pointing to analogous structures of sin and salvation, drawing attention to the scandal of the cross as seen by the religious other, and re-interpreting aspects of the Christian understanding of atonement. Together, they illustrate the possibilities for comparative theology to deepen and enrich Christian theological reflection.

A first-hand account of providing mental health support on the front line of the migrant crisis across Europe and Central America in the last 5 years, combined with direct testimony from child migrants sharing their life stories, hopes and dreams.

Mr. Larry's Aid Memoir follows the experiences of Larry Hollingworth, head of UNHCR efforts in Bosnia during the Bosnian conflict of the early to mid 90's. Mr. Hollingworth develops a narrative that traces humanitarian attempts to deliver food and aid to besieged, isolated, and desperate communities throughout the Balkans, including Sarajevo, Banja Luka, and Srebrenica.

This engrossing ethnography of one of South Asia's third gendered or trans populationsreveals not a group of marginalized others but a way of life composed of laughter, struggles, and desires. The book shows how hijras trouble how we read queerness, kinship, and the psyche.

Radical Hospitality addresses a timely and challenging subject for contemporary philosophy: the ethical responsibility of opening borders, psychic and physical, to the stranger. The book engages urgent moral conversations concerning identity, nationality, immigration, peace, and justice for the work of living together.

Crowning six decades of literary, rhetorical, and historical scholarship, Harry Berger, Jr., offers readers another trenchant reading. Berger subverts the usual interpretations of Plato's kalos kagathos, showing Socrates to be trapped in a double ventriloquism, tethered to his interlocutors' speech acts even as they are tethered to his.Plato's Republic and Protagoras both reserve a small but significant place for a poet who differs from Homer and Hesiod: the lyric poet Simonides of Ceos. In the Protagoras, Socrates takes apart a poem attributed to Simonides and uses this to finish off the famous and supposedly dangerous sophist, Protagoras. Couch City is a close reading of the comic procedures Socrates deploys against Protagoras as he reduces him to silence. But it also shows that Socrates takes the danger posed by Protagoras and his fellow sophists seriously. Even if they are represented as buffoons, sophists are among the charismatic authority figures-poets, rhapsodes, seers, orators, and lawgivers-who promote views harmful to Athenian democracy. Socrates uses Simonides's poem to show how sophists not only practice misinterpretation but are unable to defend against it.Berger ports his roots as a pioneering literary theorist into this rhetorical discussion, balancing ideas such as speech-act theory with hard-nosed philology. The result is a provocative and counterintuitive reassessment of Plato's engagement with democracy.