Bøker utgitt av Frye Art Museum

"Published by the Frye Art Museum in conjunction with the exhibition of the same name, Stephanie Syjuco: After/Images brings together lens-based artworks from the past six years of Syjuco's practice. The catalogue scrutinizes the archive as both concept and tangible thing. Syjuco's photographic interventions in imperial archives demonstrate the ability to see without being seen as the position of power, a stance the colonizer has long recognized and occupied. Across photographs, videos, and installations, Syjuco employs visual disruptions, annotations, and other cues of constructedness. These artistic actions explode the implied innocence of the archival regime, instead urging us to read images-and history-through multiple lenses of narrative distortion"--

"Clarissa Tossin (born 1973, Porto Alegre, Brazil) works across artistic mediums including film, sculpture, and drawing to explore the intersections of climate change and global capitalism's frontier mythologies. Published by the Frye Art Museum as the artist's first monograph, this catalogue presents an overview of Tossin's career through full-color reproductions that span from 2008 to 2023, including images of several new artworks commissioned by the Frye. Through their seamless melding of synthetic and organic materials, the artist's works embody the tension between capitalist-driven ecological destruction and reciprocal caretaking approaches of Indigenous communities. Essays by curator Vic Brooks, writer Leslie Dick, and exhibition curator Georgia Erger offer intimate assessments of the artist's practice at a timely moment"--

Mark Tobey and Teng Baiye: Seattle / Shanghai is the first book to explore artistic and intellectual exchanges between Chinese artist Teng Baiye (1900¿1980) and his American contemporary Mark Tobey (1890¿1976). Essays by Jo-Anne Birnie Danzker and David Clarke consider Teng¿s influence as both a cultural interpreter and an artistic practitioner on the development of Tobey¿s distinctive artistic practice and ¿ through Tobey ¿ on the discourse on abstraction in midcentury American art.

For more than four decades, Buster Simpson has been the ecological and social conscience for neighborhoods and cities undergoing transition, development, and renewal. His practice is grounded in a farsighted contract between an artist, where he lives, and how his art can benefit society.