Bøker utgitt av Georg Olms Verlag

The history of 20th-century music is particularly characterized by the phenomenon of emigration - often for political reasons, such as the persecution of musicians by totalitarian regimes. Many of these musical emigrants came from Eastern European countries. They also transferred their artistic and cultural heritage to their temporary or long-term host countries, where their music concepts came into interaction with local traditions and thus contributed to the internationalisation and global melting of ideas. This collective publication reinvestigates the paths of these émigré composers, music scholars and other artists. It examines their more or less fruitful interaction with their host cultures as well as their impact on the rise of new global trends of culture. A large part of the 14 articles, written by musicologists and other scholars from six countries, is dedicated to Russian émigrés who left their country after or even before the October Revolution. This first part is complemented by case studies on Slovenian, Czech, Polish, Lithuanian and Hungarian musicians, from the avant-garde to popular music cultures.

With this book, we are entering an area of public controversy: the field of museums. The focus is on a topic that is equally the subject of much critical reflection in the academic arena: religious things and how they are handled in museums.Museums are receiving currently a lot of public attention with regard to the material objects they host, and the historical and contemporary handling of these objects. There are global public debates about the origins, paths, and futures of museum things. Since at least 2018, with the report on the restitution of African cultural heritage, which Felwine Sarr and Bénédicte Savoy presented to the French president, the legitimacy of objects from colonial contexts in museums and collections in the global north has been widely debated. Furthermore, disciplines within cultural studies, including the study of religions, have taken a material turn, and now focus on the material, and thus also on museum things. This has brought the material dimension of religion into the focus of research in various disciplines. Studying materiality can thus open a pathway for potential critique of established patterns in research, historiography, and society, widening our perspective.