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  • av . Mattusch
    1 076,-

    The Villa dei Papiri at Herculaneum buried during the eruption of Mt. Vesuvius in A.D. 79, then rediscovered in 1750 contained a large collection of bronze and marble statuary and busts.

  • av . Jester
    686,-

    A guide to the materials used in architecture during the past century, as well as tips on building repair and restoration. With more than 200 illustrations, including a full-color photographic essay, it focuses on the history and conservation of modern building materials.

  • Spar 10%
    av Gail Feigenbaum
    831,-

    With a contextual approach that encompasses the full range of media, from textiles to stucco, this study traces the concept of a unified interior. It argues that art history - even the emergence of the modern category of fine art - was worked out as much in the rooms of palaces as in the printed pages of Vasari and other early writers on art.

  • av . Lyden
    647,-

    In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. This book explores the connections between photography and the monarchy through Victoria's embrace of the new medium and her portrayal through the lens.

  • av J.paul Getty Museum
    1 507,-

    A reference on all known aspects of Greek, Etruscan, and Roman cults and rituals encompassing the period from 1000 BC to AD 400. It features illustrated articles that address topics such as processions, sacrifices, libation, purification, consecration/foundation rites, heroization and apotheosis, dance, music, divination, prayer, and magic.

  • av . Sauerlander
    582,-

    A fresh consideration of the images of saints and martyrs Rubens created for the churches of Flanders and the Holy Roman Empire that offers a masterly demonstration of Rubens' achievements, liberating their message from the secular misunderstandings of the post-religious age and showing them in their intended light.

  • av . Clark
    258,-

    A study of the Spitz book of hours, one of the finest French manuscripts in the collections of the Getty Museum, painted in the International style. Gregory Clark places the manuscript in the turbulent context of Parisian culture around 1420. All the book's miniatures are reproduced in colour.

  • av . Muthesius
    349,-

    This text aims to define the elements of early modernist architecture according to notions of realism and simplicity. Its critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed as a cornerstone of the modern movement.

  • av . Kaltsas
    1 335,-

    A catalogue of the sculptures on display in the National Archaeological Museum of Athens. Each entry features a full bibliography and is written for both experts and the general reading public. The introduction offers an overview of sculpture from the archaic period to the end of antiquity.

  • av . Pedeli
    647,-

    The relationship between archaeology and conservation has long been complex and, at times, challenging. This guide to conservation practices on archaeological excavations covers both structures and artefacts, starting from the moment when they are uncovered. It is geared primarily for professionals engaged in the physical practice of excavation.

  • av . Wong
    712,-

    The Mogao Grottoes, a World Heritage Site in northwestern China, are located along the ancient caravan routes, collectively known as the Silk Road, that once linked China with the West. This book gives an account of a ground-breaking conservation project to conserve the cave paintings of the Mogao Grottoes in China.

  • av . Oakley
    403,-

    Presents a beautifully illustrated account of Ancient Greek vases and their role in human culture.

  • av . Weaver
    284

    Eighty-six near life-size figures of the male ancestors of Christ once looked down on the choir and eastern extension of the medieval cathedral and priory church of Canterbury. Dating from the 12th-century, the surviving windows are among the oldest panels of stained glass in England. This book explores how the windows were perceived.

  • av . Collins
    349,-

    The St Albans Psalter is one of the most important, famous, and puzzling books produced in 12th-century England. It was probably created between 1120 and 1140 at St Albans Abbey. In 2012, scholars conservators, and scientists at the J Paul Getty Musesum conducted an examination of the Psalter. This title deals with these 12th-century manuscripts.

  • av . Brooks
    264

    Presenting a study of 45 spectacular works of art - from some of the greatest draftsmen, including Leonardo da Vinci, Raphael, Rembrandt, Ingres, Goya, Seurat, and Van Gogh, this title allows the readers to see the techniques and materials used.

  • av . Hunt
    777,-

    In an era of intense religious conflict in Europe, the "Ceremonies et costumes religieuses de tous les peoples du monde" (1723-37), written by Jean Frederic Bernard, set a new agenda for thinking about faith and provided a lasting visual template for representing the world's religions. The authors approach this work from a variety of angles.

  • av . Schnapp
    711,-

    The term antiquarianism refers to engagement with the material heritage of the past - an engagement that preceded the modern academic discipline of archaeology. This book explores the concept of antiquarianism and recasts its role for a new generation.

  • av . Martineau
    349,-

    A visual celebration of one of photography's most enduring and evocative subjects. It surveys the subject of nudity from the earliest surviving images of Greek and Roman sculpture through studies of living nude models to the burgeoning practice of exploring the human body as pure form.

  • av . Hyde
    686,-

    Depicting Francois Boucher's individuality, this title presents the diversity of his talents, and also the variety of visual and intellectual traditions with which he engaged. It examines the artist's identity in relation to his portraits and self-portraits, his ingenious genre scenes, and his overlooked religious paintings.

  • av . Behdad
    453,-

    The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. This book explores the interplay between 19th-century photography and Europe's vision of the Middle East.

  • av . Harping
    647,-

    Presents an introduction to the use of controlled vocabularies. This book presents readers with a "how-to" guide to building controlled vocabulary tools, and indexing cultural materials with terms and names from controlled vocabularies, and how to use vocabularies in search engines and databases to enhance discovery and retrieval online.

  • av Antione Hermary
    2 914

    Focuses on all known aspects of Greek, Etruscan, and Roman cults and rituals. This title delivers both a sweeping overview and an in-depth investigation from Homeric times (1000 BCE) to late Roman times (AD 400). It explores festivals and religious links to neighbouring societies.

  • av . Clark
    246

    What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colours? This volume offers definitions and descriptions of these and many other Greek vase shapes, painters and techniques encountered in museum exhibitions and publications.

  • av . Quiccheberg
    401

    Samuel Quiccheberg's Inscriptiones, first published in Latin in 1565, is an ambitious effort to demonstrate the pragmatic value of curiosity cabinets, or Wunderkammer, to princely collectors in 16th-century Europe and, by so doing, inspire them to develop their own such collections. This is a translation of Quiccheberg's seminal 16th century text.

  • av . Dubin
    453,-

    Drawing on a range of materials, this title interprets Robert's artworks as harbingers of a modern appetite for self-destruction: the paintings are examined as expressions of the pleasures and perils of a risk economy.

  • av . Heckert
    310

    An illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. It features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.

  • av . Stierli
    647,-

    An illustrated reevaluation of the seminal architectural manifesto Learning from Las Vegas. It explores the significance of this controversial publication by situating it in the artistic, architectural, and urbanist discourse of the 1960s and '70s, and by evaluating the book's enduring influence of visual studies and architectural research.

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