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Demonstrates Sicily's essential role in the development of the ancient Mediterranean world. This title focuses on the watershed period between 480 BC and the Roman conquest of Syracuse in 212 BC - a time of great social and political ferment.
Peter Paul Rubens was one of the most talented and successful artists working in 17th-century Europe. During his illustrious career as a court painter and diplomat, he expressed a fascination with exotic costumes and headdresses. This title presents an exploration of the mystery that surrounds of Ruben's most well-known and intriguing drawings.
This text discusses a 14th-century Armenian manuscript, introducing its illuminators and examining its place in Western European, Byzantine and Islamic artistic traditions. The volume reproduces 60 pages of the manuscript, which is in the collection of the UCLA.
A collection of images from one of Japan's most important early photographers. It focuses on traditional architecture, scenic views, and subjects associated with Japanese culture, such as national festivals, military tableaux, ritual customs, costumed geisha, and flowers.
In the 18th and early 19th centuries first modern, public museums of art appeared throughout Europe, setting a standard for nature of such institutions that has made its influence felt to present day. This book includes chapters on fifteen of the earliest major examples, from Capitoline Museum in Rome, opened in 1734, to Alte Pinakothek in Munich.
Eliot Porter was a pioneer in use of colour photography. His work also became a powerful visual argument for environmental conservation. Possessing a gift for close observation, Porter explored new ways of depicting nature, building blinds in trees so he could study his avian subjects at closer vantage.
Louis Lumiere is perhaps best known for his seminal role in the invention of cinema, but his most important contribution to the history of photography was the autochrome. This book treats the technology of the autochrome, including the technical challenges of plate fabrication, described in detail, and a thorough account of autochrome manufacture.
A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research.
Lucio Fontana (1899-1968) is widely regarded as one of the most influential and innovative post-World War II Italian artists. This title presents a technical study in English of this important painter and an informative overview of Fontana's life and work.
Offers investigation of the material and philosophical aspects of conserving contemporary art. This title gives a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.
Drawn from a range of works in the Getty Museum's collection, this title explores gardens on many levels, from the literary Garden of Love and the biblical Garden of Eden to courtly gardens of the nobility, and reports on the many activities - both reputable and scandalous - that took place there.
Gathers more than 65 texts that have been influential in the development of thinking about the conservation of cultural heritage, from antiquity to the present day. This title includes John Evelyn's 17th-century tract on air pollution in London and the founding manifesto of the Society for the Protection of Ancient Buildings by William Morris.
How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations.
Argues that art should address a broad audience and explains the painter's responsibility to his spectators. This book explains how - even if the archbishop did not succeed in reforming the arts - Paleotti's treatise constituted one last synthesis of art as a reading of creation and salvation history, and "sacred" art as a vehicle of devotion.
Offers fresh insights into the evolution of the forms and meanings of Roman art. The author offers a cultural history of the functions of the visual arts, the messages that these images carried, and the values that they affirmed in late Republican Rome and the Empire.
Photography and leisure go hand in hand. Although cameras are part of our everyday lives, we are never more likely to take a picture or to be photographed than when we are at play. This title traces the relationship between the growing importance of leisure over the years and the part that photography has played in changing how we see ourselves.
Herb Ritts (1952-2002) was a Los Angeles-based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits. This book traces the life and career of the iconic photographer through a selection of photographs and two insightful essays.
By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.
Precisely rendered to dazzle the eye with their botanical accuracy, the sumptuous arrays of fruit and flowers by Dutch painter Jan van Huysum (1682-1749) were among the most avidly collected paintings of the 18th century. This little book explores two of Van Huysum's most important still-life paintings, "Vase of Flowers" and "Fruit Piece".
The architectural photographer Julius Shulman (1910-2009) is one of the few image makers to have documented, as well as witnessed, nearly an entire century of Los Angeles history. This title presents a pictorial history of the City of the Future. It features 60 images and an informative essay exploring Shulman's talent.
Tells the story of Edward Weston and Margrethe Mather. Both photographic artists at the centre of the Bohemian cultural scene of Los Angeles during the 1910s and 20s, Weston would go on to become an influential American photographer of the 20th century, while Mather, who Weston ultimately expunged from his journals, would vanish into obscurity.
Jean Paul Riopelle (1923-2002) was one of the most important Canadian artists of the 20th century. This title presents an overview of Riopelle's life and situate his work within the context of 20th century art. It addresses Riopelle's materials and techniques, focusing on his oil paintings, mixed media works, and conservation issues.
Examines the making of the first modern catalogue - La galerie electorale de Dusseldorff. This book showcases this one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum.
Offers a personal account of the author's consuming passion for art collection. This title also offers a portrait of an idiosyncratic and personal passion for art - and how his first serious forays into art collecting in the 1930s would turn into a love that ends with the foundation of one of the world's finest museums.
Focuses on the topic of plants in Greek and Roman myth. Suitable for readers ranging from those interested in archaeology, classical literature, and ancient history to garden enthusiasts, this book comes with an original translation of selections from Ovid's Metamorphoses, an extensive bibliography, and glossary of names and places.
Amber has fascinated mankind since the Palaeolithic era. This book examines the myths and legends woven around amber - its employment in magic and medicine, its transport and carving, and its incorporation into jewellery, amulets, and other objects of prestige.
An account of the seismic and volcanic activity leading up to the eruption of Vesuvius in AD 79, as well as a detailed description of the event itself and its aftermath. The authors rely on a range of scientific, artistic and literary sources, including the eyewitness account of Pliny the Younger.
Describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.
Explores the issues surrounding the study and conservation of earthen architecture. This title addresses such themes as earthen architecture in Mali, conservation of living sites, local knowledge systems and intangible aspects, seismic and other natural forces, and the management of archaeological sites.
Part of the American Painter's on Technique series, this title offers an overview of an important but largely unknown aspect of American art from 1860 to 1945. It is based primarily on firsthand descriptions of the materials and techniques that artists used to make paintings. It is into two parts: 1860 to 1910 and 1910 to 1945.
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