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The regions that compose the current state of Israel and the emerging state of Palestine have yielded a wealth of archaeological evidence, from the Dead Sea Scrolls found in a cave in 1947 by a Bedouin searching for a lost sheep, to the remains of Roman camps and King Herod's luxurious palaces at the besieged city of Masada.

An introduction to this ancient library that describes the difficult history of attempts to unwind the damaged rolls. This book discusses the texts that have been deciphered and puts them in the context of literacy and Roman society of the time. It also describes the form of books in antiquity and the papyrus sheets on which they were written.

A reference on all known aspects of Greek, Etruscan, and Roman cults and rituals. It delivers both a sweeping overview and an in-depth investigation from Homeric times (1000 BCE) to late Roman times (AD 400). It also includes illustrated scholarly articles that treat such topics as processions, sacrifices, libations, dedications, music, and dance.

A multivolume reference work on various aspects of Greek, Etruscan, and Roman cults and rituals. Providing both an overview and in depth investigation, this work covers the period from Homeric times (1000 BC) to late Roman times (AD 400). It deals with the elements of cult, such as: divination; prayer, gestures, and acts of prayer; and others.

Born in Brussels and trained by his grandmother, Jan Brueghel the Elder (1568-1625) was called "Velvet Brueghel" for his skill at painting rich and delicate textures. The story of Noah's ark provided a subject well suited to Brueghel's abilities. In his painting, a few curious villagers standbeside a stream, which foreshadows the coming deluge, and watch as Noah herds ostriches, goats, camels, and other exotic animals toward the ark. Next to a prancing white stallion, a lion and lioness chase each other's tails, while a pair of leopards frolic under the watchful eye of a bull. Brueghelhas created a delightful scene celebrating the beauty and variety of creation. This monograph takes an interdisciplinary approach to the study of Brueghel's fascinating paradise landscape, exploring Renaissance zoology, religious views on nature, and the culture of collecting and cataloguing animals and natural specimens. The volume is brilliantly illustrated with paintingsof landscapes and animals by artists such as Albrecht Dürer, Peter Paul Rubens, and Lucas Cranach the Elder as well as by Brueghel himself. It presents an overview of the tradition of this type of painting and discusses both the cultural context and the artist's background, crucial to understandingBrueghel's approach to nature.

In his 'History of Early Rome', the ancient historian Livy tells the story of a Roman girl named Cloelia who was taken prisoner by Larth Porsena, the king of the Etruscans. 'Brave Cloelia' tells this exciting and true story.

Celebrating twenty years of collecting photographs at the Getty Museum Photographers of Genius at the Getty spolights the genius of thirty- eight seminal photographers selected from the hundreds of artists represented in the collection.

The Swiss scholar Jacob Burckhardt (1818-1897) was one of the first great historians of culture and art. In his manuscript on the genres of Italian Renaissance painting - still unpublished in the original German and published here in English for the first time - Burckhardt assayed a transformative approach to the study of art history.

With more than 100 photographs, this book illustrates the parallel histories of railroads and photography - from a photograph of George Stephenson's locomotion, to powerful images from the American Civil War, to a mid-20th-century photograph of a train roaring by a drive-in movie theatre.

The 19 papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators and a practising marble sculptor to discuss varying approaches to restoration of ancient stone sculptures.

Bringing innovative scientific techniques to an aesthetic endeavour, conservators face countless decisions as they implement a course of treatment for each picture in their care. The papers in this book explore the values, assumptions and goals that shape the work of paintings conservators.

Presented in glossary format, this volume gives precise definitions of the words and phrases most frequently encountered by museum visitors in exhibition labels and texts.

Museums worldwide face the challenge of finding non-toxic methods to control insect pests. This manual focuses on practical rather than theoretical issues in the use of oxygen-free environments. The accompanying CD-ROM contains the text, along with an index with terms linked to the text.

This volume brings together contributions from specialists in a wide range of fields who examine issues of sustainability as they relate to heritage conservation. The topics range in scale from individual buildings and sites to cities, landscapes and other historic environments.

Archaeological sites world-wide are threatened by different forces. This volume reports on the proceedings of a workshop held to discuss challenges faced by archaeological sites in the Mediterranean and to examine management planning methods that might generate effective conservation strategies.

A translation of the 1802 introduction to studio practices for sculpture students by Francesco Carradori, a sculptor, restorer and instructor of sculpture at the Academia in Florence from 1786 to 1821. Carradori covers the various tools and techniques used by ancient sculptors to execute work.

An illustrated study of rock art, perhaps the oldest form of artistic endeavour. An introductory chapter discusses the discovery of rock art and the importance of landscape and ritual. Subsequent chapters survey rock art sites worldwide, explaining how the art can be dated and how it was made.

Through a series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different times in Western culture. It covers multiple fields of creative endeavour and intellectual inquiry - from Descartes's writings to the Internet.

Carl Gustav Carus (1789-1869) - court physician to the King of Saxony - was a naturalist, amateur painter and theoretician of landscape painting, whose "Nine Letters on Landscape Painting" is an important document of early German Romanticism and an appeal for the integration of art and science.

El Pueblo de Los Angeles was founded in 1781 by settlers from present-day Mexico, as well as settlers of Indian, African and European descent. Illustrated in colour, this volume uses text, paintings and photographs to create a portrait of the pueblo, its history, and its heritage.

A study of the work of William Henry Fox Talbot, who is credited with being the inventor of photography as we know it. It reproduces 50 of his photographs from the Getty Museum's collection, along with commentary on each. There is also an edited transcript of a colloquium on Talbot's career.

An examination of Bernardo Bellotto's "View of the Grand Canal", a visual record of life in 18th-century Venice. The volume presents the painting in a series of details that allow the reader to examine it closely and the book jacket opens to become a small poster of the entire painting.

A review of the literature on the impact of light sources, particularly photo and reprographic flash, on art and archival materials. It should be useful to museum conservators, conservation scientists, and museum and technical libraries.

A catalogue of the almost life-size porcelain animals created for the elector of Saxony and king of Poland, Augustus the Strong, in 1735. This was perhaps the most significant commission for porcelain ever executed in Europe. The text discusses the challenges and solutions the work demanded.

Published in 1765, Giovanni Battista Piranesi's "Osservazioni" is an impassioned defence of the superiority of Roman architectural "invention" over the "beautiful and noble simplicity" of Ancient Greece. This is an English translation of Piranesi's three-part polemical work.

A catalogue of the European decorative art in the Getty Museum. It features photographs of each object, and identifies its creator or manufacturer, its materials, and the date it was created. Provenance information is provided for each object along with a bibliography of related reading.

This work pairs Mark Doty's elegy to his friend, Lynda Hull, with visual details of Murano glass. The poem originally appeared in "Sweet Machine" published by Harper Flamingo in 1998. The Murano glass is from the Getty collection.

This is a companion volume to "Seismic Stabilization of Historic Adode Structures: Final Report of the Getty Seismic Adode Project", and it offers guidance for planners, architects and engineers in the retrofitting of historic and culturally significant adode structures.

Jean-Baptiste Greuze created "The Laundress" in 1761. This work traces the history of the painting, compares it to other Greuze paintings of laundresses and places the artist in the social and cultural mores of the period.