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Archaeological sites world-wide are threatened by different forces. This volume reports on the proceedings of a workshop held to discuss challenges faced by archaeological sites in the Mediterranean and to examine management planning methods that might generate effective conservation strategies.

An illustrated study of rock art, perhaps the oldest form of artistic endeavour. An introductory chapter discusses the discovery of rock art and the importance of landscape and ritual. Subsequent chapters survey rock art sites worldwide, explaining how the art can be dated and how it was made.

El Pueblo de Los Angeles was founded in 1781 by settlers from present-day Mexico, as well as settlers of Indian, African and European descent. Illustrated in colour, this volume uses text, paintings and photographs to create a portrait of the pueblo, its history, and its heritage.

A study of the work of William Henry Fox Talbot, who is credited with being the inventor of photography as we know it. It reproduces 50 of his photographs from the Getty Museum's collection, along with commentary on each. There is also an edited transcript of a colloquium on Talbot's career.

A review of the literature on the impact of light sources, particularly photo and reprographic flash, on art and archival materials. It should be useful to museum conservators, conservation scientists, and museum and technical libraries.

A catalogue of the almost life-size porcelain animals created for the elector of Saxony and king of Poland, Augustus the Strong, in 1735. This was perhaps the most significant commission for porcelain ever executed in Europe. The text discusses the challenges and solutions the work demanded.

A catalogue of the European decorative art in the Getty Museum. It features photographs of each object, and identifies its creator or manufacturer, its materials, and the date it was created. Provenance information is provided for each object along with a bibliography of related reading.

This work pairs Mark Doty's elegy to his friend, Lynda Hull, with visual details of Murano glass. The poem originally appeared in "Sweet Machine" published by Harper Flamingo in 1998. The Murano glass is from the Getty collection.

This is a companion volume to "Seismic Stabilization of Historic Adode Structures: Final Report of the Getty Seismic Adode Project", and it offers guidance for planners, architects and engineers in the retrofitting of historic and culturally significant adode structures.

Jean-Baptiste Greuze created "The Laundress" in 1761. This work traces the history of the painting, compares it to other Greuze paintings of laundresses and places the artist in the social and cultural mores of the period.

In this volume, first published in German in 1927, Walter Curt Behrendt presents a revisionist concept of style that places equal emphasis on form and function. Behrendt calls on architects to return to basic geometries and to express the new social and economic realities.

A challenge for professionals involved in the cultural heritage sites in tropical environments, is the biodeterioration of stone. This volume discusses the types and causes of stone biodeterioration in hot and humid climates, and preventive and remedial treatments.

This is a collection of photographs by avant-garde artist and photographer Man Ray, from the John Paul Getty Museum. The photographs date from 1910 to the 1940s, and each image is provided with a commentary. Also included is an edited transcript of a colloquium on Man's career.

Arising from the proceedings of two symposia, this text is composed of contributions by scholars who examine the social, intellectual and historical contexts of the work of the Italian Renaissance artist Giovanni di Lutero, who used the name Dosso.

Presents a biography of J. Paul Getty and a history of the collections and the buildings that have housed them. Documents and photographs help to illustrate Getty's life as he travelled the world, and over 100 reproductions show the range and depth of the collections.

A selection of photographs by young people from Cape Town, who have photographed what they consider to be their city's distinctive landmarks. A short biography and a photograph of each of the contributors is also included.

This work, covering the years 1816-1820, makes the contents of some of the tens of thousands of sales catalogues published during the 19th century accessible to scholars. Information provided includes sales dates and lot numbers, prices and names of buyers and sellers, and locations of auctions.

This is the Spanish edition of "The Unbroken Thread". It details the efforts to conserve an important collection of traditional garments created by indigenous weavers in the Oaxaca region of Mexico and documents the use of the textiles in daily life and ceremony.

A survey of the Getty Museum's 17th- and 18th-century French textiles. The book includes lists of artists and weavers, date and place of manufacture, and materials and techniques used. Also included is an accompanying commentary.

The letters of the alphabet are illustrated for children in details from 26 paintings in the collection of the John Paul Getty Museum. The book also contains reproductions of the 26 paintings.

. Vincent van Gogh painted Irises in the last year of his life, in the garden of the asylum at Saint-Remy, where he was recuperating from a period of mental illness. Featuring colour illustrations, this title presents a study of this Vincent van Gogh's most famous paintings.

European historian Corboz takes the previous European analyses of the American city to task, centering his critical eye on the terrain of postmodern Los Angeles.

This teaching guide covers the identification, deterioration, and conservation of artifacts made from plants. It will be a valuable resource for conservators and students alike.

Contributors discuss current research, new findings, and specific problems, innovations, methods, and materials.

This series supports scholarship in the field of art education and disseminates ideas about the theory and practice of discipline-based art education.

This historic 1933 publication documents the important collection of Egyptian, Greek and Italian pottery assembled in the early years of what is now the Kelsey Museum of Archaeology.

In eight decades photographer Manuel Alvarez Bravo created works of art that display an array of styles and themes. This volume contains 50 images with extended commentaries on each by Robert Tejada, a curator and critic. There is also a transcript of a symposium on Manuel Alvarez Bravo.

A discussion of 59 Greek funerary monuments at the J. Paul Getty Museum. The title considers their relationships to the art and society of the period. It should be suitable for scholars and students of antiquities, and museum and art libraries.

Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collection around the world. This illustrated volume presents many examples of Italian painting and illumination by noted artists such as Girolamo da Cremona, Pacino de Bonaguida, and Pisanello.

During the Renaissance, artists from Italy to Flanders and England to Germany depicted nature in their religious art to intensify the spiritual experience of the viewer. Devotional manuscripts for personal or communal usewere filled with some of the most beautiful nature studies of this period.