Bøker utgitt av GILES

An accessible, lightweight, and affordable guide showing the breadth of the Chrysler's collections through forty masterworks that are consistently on view in the museum's galleries. The Chrysler Museum of Art's expansive collection contains more than 30,000 objects across history and the globe. This compelling new guide offers a snapshot of the collection through forty key works consistently on view in the Museum's galleries in Norfolk, Virginia. Lusciously illustrated, each object is accompanied by entries by the Museum's curators offering compelling insights into their history, makers, and meaning. Chrysler Museum of Art: 40 Works is perfect for those who want something to guide their visit throughout the galleries, or to take home with them as a souvenir of their experiences.

"A visually appealing, playful, and thought-provoking book about Katsushika Hokusai's Sazai Hall at the Temple of the Five Hundred Arhats and James McNeill Whistler's Variations in Flesh Colour and Green - The Balcony. With a mirrored presentation that divides the book into two equal parts, A Tale of Two Balconies explores what makes each of these artworks unique. The text examines the circumstances of production and the particularity of their depicted locations in Edo Japan and Victorian England. The authors also explore the balcony as a construct that is at once both private and public. It creates a view, that allows one to visualize and juxtapose different cultural domains both within and beyond the balcony railing. These images are also immersive for the viewer, as they are tacitly included as part of the group of figures depicted within the scene"--

"George Bellows (1882-1925) was a painter, illustrator and printmaker. His career already established, in late 1915 he turned to lithography. Over the next nine years he almost single-handedly elevated lithography to a fine art in America. The inherent flexibility of the process, its potential for drawing in vigorous strokes and its richness of tone were well suited to his style. The subjects that fascinated him range from intimate studies of his family and friends to snap shots of American life, the atrocities of World War I and what first caught the public's attention: boxing. All were new and undeniably American. George Bellows: American Life in Print features two essays. Firstly "George Bellows: Advocate for Lithography" followed by an in depth examination of sixty-six lithographs and drawings. The second essay explores the artist's rise to fame in "George Bellows and the 'Art Palace of the West,'" focusing on his long term relationship with the Cincinnati Art Museum and its Annual Exhibition of American Art"

An English/French bilingual volume that traces the enduring legacy of geometric abstraction through the last six decades of electronic art and culture.One of the most popular artistic styles of the twentieth century, Op art transformed European geometric abstraction into a global phenomenon in the mid-1960s. Its disorienting patterns and illusions, rendered with machine-like precision, became icons of the futuristic Space Age. As the 1960s faded, Op became a short-lived fad, dismissed by art historians and critics as visual kitsch. Over the last 15 years, however, many museums have re-introduced Op to audiences who enthusiastically embrace it as a reflection of contemporary life. Emerging at precisely the same time as mainstream video technologies and the modern digital computer, Op helped shape the aesthetics of electronic media, becoming the first artistic movement of the Information Age.Juxtaposing plates of approximately 123 artworks by 88 international artists and collectives from the 1960s to the present (including Victor Vasarely, Vera Molnar, Lillian Schwartz, JODI, Ryoji Ikeda, and Cory Arcangel), Electric Op offers a scholarly re-evaluation of the legacy of abstraction and the surprisingly intertwined histories of contemporary and digital art. It is also a blockbuster of dazzling works that appeal to all ages, including iconic masterpieces alongside rarely-seen gems. Outstanding works from the collections of the Buffalo AKG Art Museum and the Musée d'arts de Nantes are supplemented with key loans from other major museums, private collections, and artists.

An entirely new exploration of the life and career of the expat American artist Julius LeBlanc Stewart (1855-1919), who spent nearly all his life in Paris, and whose oil paintings feature in private collections and those of many major museums on both sides of the Atlantic.Stewart's paintings are highly engaging and attractive, covering a broad cross-section of later nineteenth- and early twentieth-century American Expat Parisian high society, its genteel past-times, and travel, in a style of painting that was uniquely his own, and that was lauded in both Europe and America. This new volume presents over seventy major paintings, pastels and drawings across thematic sections, with a new introduction to Stewart's life, career, and world through essays by major specialists on nineteenth and early twentieth century American art and history.The authors look variously at Stewart's early career and training at the École des Beaux-Arts, his later tutelage under French and Spanish masters, Eduardo Zamacoïs, Jean-Léon Gérôme, and Raimundo Madrazo, his family's involvement in the production of sugar; then the world of the American Expat society in which Stewart circulated, and the evolution Stewart's later style, in the mid 1880s towards multi-figured, narrative scenes of his family, friends and meticulous depictions of their costumes; then for a brief period later the sensuous Arcadian nudes bathed in sunlight, celebrating the attributes of Diana and the Bachenates. Collectively these provide the first major exploration of Stewart's world and work with, new contribution to our understanding of the importance and legacy of his art, and his advocation for his community of fellow American artists in France.

An enthralling study of a founding American dynasty -the Peirces and the Princes--in an interwoven story of family heritage that extends from the earliest settlements to the mid-twentieth century.From Pilgrims to Robber Barons, martyred witches to Confederate officers, artists to statesmen, founders of towns, states, and industries, from journalists to pirates, or pioneers to war heroes, each person in the narrative has an individual destiny and a distinct story. Yet each individual character occupies a place and a moment in the larger story of the United States, was shaped by and helped to shape that moment in time. Each person is linked to the others in a kind of golden braid of DNA and family heritage that extends from the earliest settlements to the present.Chasing Chance is richly illustrated with one hundred images, portraits, and photographs drawn from Prince family archives and museums and historical societies elsewhere. In addition, each chapter includes "mini-genealogies" which focus specifically on the characters in that chapter and their relationship to one another and the modern family.

A wide-ranging study of the intertwined notions of home and homeland that were central to the art and material culture of Denmark, Norway, Sweden, and Finland in the second half of the nineteenth century.The arts played a crucial role in reinforcing a shared sense of belonging amongst Nordic countries as they strove to identify and celebrate authentic local and national identities. "Home" was a central metaphor in the nation building activities of each country. The links between land, landscape, handicraft and domestic dwellings as dimensions of home are embedded in this survey which brings the extensive collection of David and Susan Werner into public view for the first time.The catalogue encompasses an impressive range of paintings, drawings, furniture, textiles, glass, metalwork, and ceramics. Highlights include rare tapestries and a wooden cabinet by Norwegian artist Gerhard Munthe, Finnish ceramics by Alfred William Finch, landscape paintings by Hilma af Klint, Akseli Gallen-Kallela, Gustav Fjaestad and Pekka Halonen, and functional objects by outstanding handicraft artists covering embroidery, metalwork and wooden implements.

Bold, stately, and elegant furniture is revealed in this entirely new survey of design, regional varieties and workshop collaborations in the American East Coast in the early nineteenth century.Collectors Randy and Kelly Schrimsher began collecting American Classical decorative art in the late 1980s. Their notable collection now comprises over 100 pieces of furniture by some of the most celebrated cabinetmakers from across 5 key centers of Classical furniture production that emerged in the United States at the end of the eighteenth century: Boston, New York, Philadelphia, Baltimore, and Washington, DC, with works by Duncan Phyfe, Charles-Honoré Lannuier, Isaac Vose, William Hancock, the Finley Brothers, Anthony Quervelle, and Joseph Barry. It is this exploration of "the inter-city connections" through a series of thematic essays, case studies, and accompanying illustrated catalogue entries by heralded furniture historians, that set this new volume apart.Wonderful examples of objects by all these makers and their shops are explored by city to illustrate regional varieties and workshop collaborations. In addition to the 100 full-page color illustrations of different pieces of furniture from the Schrimsher Collection across the main production cities, the book features nearly 90 additional comparative illustrations covering pattern books, designs, prints and historic views, plus photos of chair legs, supports, capitols, gilding, and a pictorial glossary. Arranged across approximately 4-5 appendices, this provides an important source of new information for scholars.

A dynamic, personal, and poignant collection of over 90 works from Eric Key's extensive collection of art by American artists of African descent, spanning the Harlem Renaissance to the twenty-first century.Since he started collecting in the 1990s, Eric Key's intent has always been to help preserve America's Black experience in the arts, and to benefit the many communities of which he has been a part--opening gateways for artists, African Americans, and conversations about race, identity, and America. Featured in the volume are selected works by some of the most recognizable contemporary African American artists, including Sam Gilliam, Jacob Lawrence, Elizabeth Catlett, William Artis, Samella Lewis, and Renee Stout. Together, these artists work to dispel the many stereotypes and misunderstandings about African American art and people, but also remain a form of personal narrative. As Eric Key states, the works in his collection are an extension of himself, a Black man in a still mostly white art world; they are an extension of the country in which he lives and an extension of the artists who created them.

Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, from March 28, 2024, to August 26, 2024.

This brand-new, lavishly illustrated, publication features over 90 works by Woo Chong Yung, (Wu Zhongxiong), most of which have never been published or publicly displayed.Woo Chong Yung, (Wu Zhongxiong), (1898-1989), also known in the USA as C. Y. Woo, was a highly accomplished painter, calligrapher, and poet from Shanghai. During the 1920s to 1940s, Woo was at the center of China's cultural world, feted in art circles in both Shanghai and Beijing. However, faced with political persecution in the 1960s, he migrated to Ohio before the onset of the Cultural Revolution. Once in the United States, he became an active presence in the local community, teaching classes in Chinese painting and martial arts, exhibiting and lecturing in local colleges, and contributing his talents to local arts councils and ethnic festivals in Columbus and central Ohio. His lifetime works were collected almost exclusively by Cincinnati Art Museum and the Frank Museum of Art at Otterbein University which, until now, have gone unseen by the public.This ground-breaking catalog illustrates Woo's unique position in Chinese painting history. His remarkable experience of emigrating from China in the face of political persecution in the 1960s and becoming an American utterly transformed and reshaped both his life and painting.

"This latest volume in the Frick Diptych series focuses on Rosalba Carriera's "Man in Pilgrim's Costume." An essay by Xavier F. Salomon, Deputy Director and Peter Jay Sharp Chief Curator, is paired with a contribution from the artist Nicolas Party"--

"This book traces the evolution of narrative art among Native nations of North America's Great Plains region, from historical hides, muslins, and ledger books to more than 50 contemporary works commissioned by the National Museum of the American Indian (NMAI). Illustrating everything from war deeds and ceremonial events to pop culture, the selected artworks are as diverse as the individuals who created them. Plains narrative art took shape through various media such as painted hide tipis, robes, and shirts. In the late 19th century, as trade broadened, artists created scenes of battles and ceremonies on muslin and paper. Some artists filled the pages of ledger books with narrative drawings to record their past and preserve their cultures. Native artists began reviving 'ledger art' in the 1970s, creating a vibrant form that takes on contemporary topics, uses a variety of media, and is widely collected. Edited by NMAI curator Emil Her Many Horses (Oglala Lakota), Unbound features historical masterworks by 14 artists and unveils new works from 11 contemporary artists. The book also includes scholarly and personal essays by Her Many Horses, David W. Penney, Michael Paul Jordan, and Lauren Good Day"--

An introduction to sixty unknown treasures, wonderful objets d'art made by world-renowned jeweler André Chervin, founder of the premiere New York atelier, Carvin French.André Chervin (b. 1927) is a world-renowned jeweler and founder of the premiere New York atelier, Carvin French. Recognized today as masters of fine jewelry-making whose dazzling creations have been sold by top retail houses such as Tiffany, Van Cleef & Arpels, Verdura, Cartier, and Bulgari, Chervin and his firm enjoy a stellar reputation among the clients who wear their refined jewelry. Unbeknownst to his many fans, Chervin also created a collection of precious objets d'art, dating from 1957 through 2013. Expressive of his artistic imagination, passion for raw materials and bygone techniques, and inimitable sense of style, these captivating treasures have never been shown to the public. Until now.Enchanting Imagination: The Objets d'Art of André Chervin and Carvin French Jewelers introduces Chervin's miniature masterpieces--one-of-a-kind lamps, clocks, boxes, personal accessories, and table decorations fashioned from gold, silver, gems, and minerals, like rubies, diamonds, sapphires, jade, lapis lazuli, amethyst, and quartz. Conceived by Chervin and fabricated under his watchful eye, each object evolved over the course of many years, taking five, ten, even twenty-five years, to complete to perfection.

""The Three Philosophers" by Giorgione (ca. 1477-1510) in the Kunsthistorisches Museum in Vienna and "St. Francis in the Desert" by Giovanni Bellini (ca. 1424 / 35-1516) in The Frick Collection are two of the most celebrated paintings of the Venetian Renaissance. Documentation suggests that between at least 1525 and 1556 the two paintings were displayed in the same house in Venice, the palazzo of Taddeo Contarini (ca. 1466-1540), a member of one of Venice's wealthiest patrician families. For the first time in more than four hundred years, these two masterpieces will be reunited in the exhibition at the Frick that this publication accompanies. This book explores the origins of the paintings and re-evaluates their histories in the collection of Taddeo Contarini"--

"This catalogue accompanies an exhibition at The Frick Collection on view September 30, 2021-September 11, 2022"--

This fourth volume in a series celebrating the Olympic Games presents stunning photographs from the Winter Games in PyeongChang 2018. Photographers John Huet, David Burnett, Jason Evans and Mine Kasapoglu were granted access to the training zones and accompanied the athletes as they prepared for their events before the arrival of the crowds.

"Series editor: Ruth Bowler, Volume editor: Adriana Proser, with a foreword by Julia Marciari-Alexander, Andrea B. and John H. Laporte Director, The Walters Art Museum."