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Beautifully crafted by a prize winning author, these wonderful stories resonate with humanity - its subtleties, omissions, follies and frailties. This is a powerful Australian voice, adept at creating a lattice of the unsaid. The characters have experiences we can connect to, drawing us to see beyond the surface.Acutely observed settings and juxtapositions reveal the complexity of life. A boy builds a model solar system while his world falls apart; a reviled outcast searches for a Christmas gift; a young constable confronts ugliness in a beautiful landscape. Thieves, farmers, prison guards, real estate agents, factory workers, surfers, storm-drenched characters in a tinny - human hearts behind the mask and the uniform.J. S. Scholz's writing has won many prestigious awards, and been published as far afield as Norway. Now, a unique selection of his stories is gathered here - small islands in a big sea.

A vibrant bilingual collaboration between Australian and Japanese poets which celebrates the connection between the twin cities Canberra and Nara and compares aspects of life in each of the places.

This is a first collection from Stephen Smithyman, whose poetry has won a number of awards and been published in magazines such as Australian Poetry Journal and Cordite. It covers the years 1976 to 2012 and a wide range of subjects, including growing up in New Zealand, relationships, family, travel, country living and the ageing process. Its themes include the search for love, happiness and some sort of sustaining belief, transience and the preciousness of life, faced with the omnipresence of death. There is a strong political and environmental interest throughout. The poems are characteristically witty and concise, phrased in clear, accessible language with a deft use of original and , at times, amusing imagery. Snapshot in the Dark is an entertaining, touching and thought-provoking introduction to Smithyman's poetry.

'Courage and inspiration are what you feel when you read these exceptional stories of everyday families coping with what life has dealt them. The harsh reality of organ and tissue donation is that we are dealing with life and death. The courage of donor families at a time of tragedy is magnificent and the inspiration donor families receive at a later time from transplant recipients must truly be the circle of life.' - Robyn Hookes

Spending time in nature and with grandchildren, we are able to observe the smaller things in life - the opportunity to observe nature, enjoy holidays and watch little people enjoy their surroundings. Recording those observations as poems provides memories for children and opens the window to another life for them to see. These poems were inspired by watching children, sitting in the garden, observing the small details and the lessons and history that reside within the words.

wild /waild/ adj. 1. living in a state of nature, as animals that have not been tamed or domesticated. 2. growing or produced without cultivation or the care of humans, as plants, flowers, fruit, honey, etc… 3. uncultivated, uninhabited, or waste, as land. 4. a. native to Australia and New Zealand: wild violet; wild cat. b. escaped to the wild… 5. living in an uncivilised state. 6. of unrestrained violence, fury, intensity, etc… 7. characterised by or indicating violent excitement, as actions, the appearance, etc. 8. frantic; distracted, crazy, or mad… 9. violently excited: wild with rage, fear, or pain. 10. undisciplined, unruly, lawless, or turbulent… 11. unrestrained, untrammelled, or unbridled: wild gaiety; wild orgies. 12. disregardful of moral restraints as to pleasurable indulgence. 13. unrestrained by reason or prudence: wild schemes. 14. extravagant or fantastic: wild fancies. 15. disorderly or dishevelled: wild locks. 16. wide of the mark: a wild throw. 17. Colloquial intensely eager or enthusiastic. 18. Cards (of a card) having its value decided by the wishes of the players or the player who holds it. -adv. 19. in a wild manner; wildly. -n. 20. (often plural) an uncultivated, uninhabited, or desolate region or tract; a waste; a wilderness; a desert. -phr. 21. in the wild, in natural surroundings or habitat: animals in the wild. 22. run wild, a. to grow without cultivation or check. b. to behave in an unrestrained or uncontrolled manner… (From Macquarie ABC Dictionary)Join 159 poets from across Australia in an exhilarating and often surprising foray into the many facets of 'wild' - human, animal, environmental and metaphorical.

New Year's Eve 1969. Feisty, red-haired Julia King places her drunken arm around the shoulders of shy Shane McCarthy and invites him to join her band the Moonbirds. Man has just set foot on the moon; huge crowds march through the capital cities of the world to protest against the Vietnam War. Both teenagers are from the backwaters of Portmagee, a coastal town in south-west Victoria. Their homeland is dotted with hallowed grounds, where, if you listen, you can hear the hymns of land and tide. Julia's clan come from the Dreamtime and shipwrecks; Shane's, Irish migrants fleeing the Famine. Music courses through the blood of both of these kids. A rock band offers the opportunity to realise the ultimate dream. Together they create a unique sound which they take to the rest of the world. Join their odyssey of love, ambition and creativity, where they conquer, but pay an unforeseen cost.

Tony Steven Williams, a Canberra poet, describes his maiden poetry collection Sun and Moon, Light and Dark as ';not unlike our journey through life, where we constantly steer through the contrasting dimensions of sun and moon, bitterness and sweetness, feast and famine, steepness and gentleness, life and death, freedom and persecution, joy and sorrow. Such are just a few of the dualities that dominate our human existence.' In these refreshingly multifarious poems are to be found ';small clusters of like-minded pieces of meandering content such as narratives, travel, observations, moods, ekphrastic comments and outright fun, reflections on how life works a voyage through the light and the dark'.

After years of living in the harsh Australian outback, Iris Bloom returns with her ailing husband to her hometown in the south. Old memories surface and begin to disturb and haunt her. Iris tries to make sense of her murky past through her writing. But she discovers that dangerous writing can sometimes have fatal consequences. Fearing she might reveal a dark secret they buried long ago, Iris's family refuse to accept her back into the fold. After her death, Iris leaves her unpublished manuscript - dedicated to someone called Rose - in the hands of her solicitor. Iris's letters are interwoven with her stories about intriguing but deeply troubled characters. Just what is fact and what is fiction in the stories Iris leaves behind? Why does this matter so? And who is Rose? Immensely readable, this psychological mystery is both emotionally shocking, but captivating until the end.'The spirit of Australian Gothic survives and thrives in Mary Pomfret's Hard Seed, although few rural mysteries are as profound, or as captivating.' Laurie Steed

'This book showcases the tanka of four contemporary Japanese poets. It emerges at a time when global interest in the genre is flourishing and it offers guidelines and inspiration by example for those who read and write this genre in English. Its editor, Saeko Ogi, has selected the contributors carefully. The poetic voices of two men and two women of diverse ages, backgrounds and interests come together in unity but retain individuality. Their writing demonstrates just how effectively this diminutive genre can document our lives, address humanitarian concerns, and home in on the essence of all we experience or observe. When shared, they can promote harmony and understanding around the world.' - Beverley George