Bøker utgitt av GLASS LYRE PR

"Eye sockets of a whale, salmonberries, rocky shoreline and seawall, crows and goldeneye, moon and tides, barnacles, dogwinkle, and limpet, krill and kelp, deer, even a mink... there is such rich imagery in Vivian Faith Prescott's Marigram that I feel physically present at her coastal Southeast Alaska fishcamp while reading these poems. Prescott is deeply immersed in her natural surroundings, and I applaud both her commitment to place and her exquisite writing." -Anne Coray, author of Late Fall Bucolics

These stark, candid, and radiant poems in Gloria Mindock's new collection give shape and space to voices lifted from the clutter and clamor that is the matrix of war. The war is upon us now, but poets forever have sung such lamentations and haunted us all too often throughout history. One thinks of Homer, Wilfred Owen, and Carolyn Forche. A fierce and generous tenderness and enviable humanity ungirds these unflinching poems. Mindock's is the voice we need to hear at this very moment.-Eric Pankey, author of Not Yet Transfigured

A delicious fever, a fervent tapestry, a bone-bearingly honest epistolary journey-Allison Blevins and Josh Davis' fiery poppies bruising their own throats is a richly textured exploration of disability, queerness, relationship, and the profoundness of intimacy that only poets know. This is a book for people who know darkness is a necessity for light, who know loss makes meaning, and who know the precise moment when bodies bend until they break-before coming together again to face the darkness and light as new.-Sarah Clark, editor of beestung and ANMLY

Representing a breadth of renowned contemporary poets, with varying aesthetics, this second volume of Aeolian Harp Series showcases the talents of ten poets as they revel in the fierce joy of writing. In this anthology David Cazden, Karen L. George, N.G. Haiduck, Josh Humphrey, Michelle Murphy, Claire Donohue Roof, Russell Sebring, Annette M. Sisson, Richard Allen Taylor, and Sharon Tracey reveal the best of their work and their underlying philosophies.

What Is Left to Say is Cheryl Dumesnil's love letter to a country on the brink, a state on fire, a world more broken than we ever thought possible. From climate refugees in California to imprisoned immigrants at the border, Dumesnil's poems locate the flicker of a butterfly's wings, the shimmer of light in the smoke, the beauty in a cultural and spiritual landscape hellbent on breaking us. At a time when hope feels dangerous and stupid, she reminds us of these simple, sacred truths: that we are never alone, that we must love, and keep on loving. It hurts how much I adore this book.- Domenica Ruta, author of With or Without You and Last Day