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For anyone who has ever wondered about the ethics of killing animals for food, this is the definitive collection of essays on the ethical debate. Written by internationally recognized scholars on both sides of the debate, the provocative articles here compiled will give vegetarians and meat-eaters a thorough grounding in all aspects of this controversial issue.After an introduction to the nature of the debate by editor Steve F. Sapontzis, Daniel Dombrowski reviews the history of vegetarianism. There follows a discussion of health issues and what anthropology has to tell us about human diet. Also included are the classic cases for vegetarianism from philosophers Peter Singer and Tom Regan, and new essays rebutting those classic positions from humanists Roger Scruton and Carl Cohen, among others. Various scholars then examine religious teachings about eating animals, which are drawn from Judaism, Christianity, and Islam, as well as Native American and Eastern traditions. Finally, Carol J. Adams, Deanne Curtin, and Val Plumwood, among other outstanding advocates, debate the ethics of eating meat in connection with feminism, environmentalism, and multiculturalism.Containing virtually a "Who's Who" of philosophers, social critics, environmentalists, feminists, and religious scholars who have participated in the vegetarianism debate over the past quarter century, this outstanding anthology of expert articles, most of them new, provides the latest thinking on a subject of increasing public interest.

In this fresh evaluation of Western ethics, noted philosopher Richard Taylor argues that philosophy must return to the classical notion of virtue as the basis of ethics. To ancient Greek and Roman philosophers, ethics was chiefly the study of how individuals attain personal excellence, or "virtue," defined as intellectual sophistication, wisdom, strength of character, and creativity. With the ascendancy of the Judeo-Christian ethic, says Taylor, this emphasis on pride of personal worth was lost. Instead, philosophy became preoccupied with defining right and wrong in terms of a divine lawgiver, and the concept of virtue was debased to mean mere obedience to divine law. Even today, in the absence of religious belief, modern thinkers unwittingly continue this legacy by creating hairsplitting definitions of good and evil.Taylor points out that the ancients rightly understood the ultimate concern of ethics to be the search for happiness, a concept that seems to have eluded contemporary society despite unprecedented prosperity and convenience. Extolling Aristotle's Nicomachean Ethics, Taylor urges us to reread this brilliant and still relevant treatise, especially its emphasis on an ethic of aspiration.

THE STANISLAVSKY TECHNIQUE: RUSSIA

Within two weeks of the Argentine invasion of the Falkland Islands, four men of Boat Troop, B Squadron, 22 SAS, are on the islands too. It is the mission of these four men to gather vital intelligence without being detected by Argentine patrols. The rest of B Squadron are tasked with a suicide mission-an attack on the Argentine airbase in the mainland. In charge is a man unafraid to risk the lives of his men in search of greater personal glory.

The greatest backup group in the history of recorded music undoubtedly was the Jordanaires, a gospel group of mostly Tennessee boys, formed in the 1940s, that set the standard for studio vocal groups in the ''50s, ''60s, ''70s, and beyond. In their sixty-five-year career, from 1948 through 2013, the recordings they sang on have sold an estimated eight billion copies.They sang on more than 200 of Elvis''s recordings, including most of his biggest hits. They were in three of his best-known movies, appeared with him on most of his early nation-wide TV shows, and toured with him for many years. Throughout Elvis''s early career, they were his most trusted friends and probably his most positive influence. "No telling how many thousands of miles we rode together over those fourteen years," remembered Gordon Stoker, the group''s manager and high tenor, "and most of those miles were good miles, with lots of laughs, and lots of talk about life."While the Jordanaires'' bread and butter may have been Nashville''s burgeoning recording industry, it seemed that there was always a plane waiting to take them cross country to the pop sessions in L.A. They sang on most of Ricky Nelson''s biggest hits and over the years backed up Andy Williams, Fats Domino, Willie Nelson, Dolly Parton, Dinah Shore, The Everly Brothers, Glen Campbell, Patti Page, Neil Young, Perry Como, Loretta Lynn, Ringo Starr, Tom Jones, Andy Griffith, Bobby Vinton, Brenda Lee, Patsy Cline, Billy Ray Cyrus, Clyde McPhatter, and about 2,100 other recording acts.

Who doesnΓÇÖt want to be a rockstar? After years of producing rock tours throughout the world and working with icons like Roger Daltrey, Ringo Starr, Joe Walsh, and so many more, David Fishof wanted to capture the rock ΓÇÿnΓÇÖ roll experience for everyone. He was inspired to create the one-of-a-kind Rock and Roll Fantasy Camp, where over the past twenty-five years 6,000 campers and counselors have lived, played, and become family with rockstars. Campers get to meet and jam with their musical idolsΓÇöincluding Joe Perry, Vince Neil, Jack Bruce, and Jeff BeckΓÇöin such legendary venues like Abbey Road Studios in London, Whisky a Go Go in Hollywood, and Atlantis Resort in the Bahamas.Rock Camp: An Oral History shares the history of the camp through interviews from the people who got to live out their dreams. Fishof gives a behind-the-scenes look at the origins, early struggles, and challenges he faced to meet the level of excellence he envisioned for the campers and rockers. With original photos and illustrations, the camp experience comes to life and celebrates the heart of its mission: ordinary fans right in the middle of it all!A portion of the proceeds from the book directly benefit the Rock and Roll Fantasy Camp Foundation.

Rent's importance transcends the musical and its fans¿it was and is one of the most important musicals of the twentieth century, and its impact resonates far beyond its own productions. Seasons of Love offers analysis on why Rent has had such a profound impact on the landscape of musical theatre.

This anthology includes a collection of fifty plays by writers from across the world commissioned for Climate Change Theatre Action 2021. The plays envision what a Global Green New Deal might look like and offer visions of a just, sustainable, and thriving future.

With never-before-seen photos and new interviews, Superstar presents a detailed account of the life of the musical from 1969-1973.

If Hollywood had a superhero throne, Spider-Man would be sitting on it.

The Book of Broadway Musical Debates, Disputes and Disagreements is purposely meant to start arguments and to settle them.

Rush's record Moving Pictures changed everything: the trajectory of the band's career and its impact on a growing legion of fans. Now, forty years after its release, Will Romano investigates the how and why behind this landmark album.

Ginell's research of contemporary theater reviews and in-depth studies of productions' back stories play off his knowledge gained from his quarter century as a theater critic in Southern California.The combination is a complete overview of American history on the stage from the coveted balcony seat.

When a US Embassy in Southeast Asia is bombed by followers of terrorist Osama bin Laden, the United States and the United Kingdom decide it is time to act against the terrorist leader by striking at his stronghold in Afghanistan.

Addicted to Noise collects the best interviews, profiles, and essays Michael Goldberg has written during his forty-plus years as a journalist.

Music + Revolution: Greenwich Village in the 1960s brings to life the songs, singers, and songwriters who made history and changed everything with a strum heard 'round the world.

Spanning more than fifty years of modern music history, Peter Asher: A Life in Music highlights every turn in Peter Asher''s amazing career. Over a dozen years of research has gone into telling his story, with numerous interviews conducted with Asher, along with first-hand observations of him at work in various recording studios around Los Angeles. The author also had access to Asher''s archives, which offered rare photographs and other career memorabilia to help illustrate this biography.Over one hundred artists, friends, and colleagues agreed to be interviewed, and they help to provide insight into Asher''s personality and working methodology. Included are singers Jackson Browne, David Crosby, Marianne Faithfull, Carole King, Kenny Loggins, Graham Nash, Aaron Neville, Randy Newman, Bonnie Raitt, Linda Ronstadt, JD Souther, and James Taylor; producers Lou Adler, Mike Curb, Richard Perry, Al Schmitt, and Sir George Martin; musicians Hal Blaine, Andrew Gold, Danny Kortchmar, Paul Shaffer, and Waddy Wachtel; and actors Kevin Kline and Robin Williams. Many of these participants also provided previously unseen photographs. Asher was also one of the first producers to list the musicians that played on his sessions, realizing how important they were to the success of each project. These mini-portraits not only contribute to the telling of his story, they ultimately give the reader a history lesson on the last fifty years of popular music. Of course, Asher''s life and work did not occur in a vacuum, and David Jacks places his progress in context with what was occurring in the culture that surrounded him, from the pervasive doldrums that America was experiencing right before the Beatles (and Peter and Gordon) exploded upon its shores to the civil rights tensions that surrounded the interracial tour Dick Clark sent through the Southern US in 1965, to the end of the 1960s and the public''s need for a soothing confessional tone in their music after a decade of turmoil, which artists like James Taylor provided.Asher has also had a unique insider''s view into the changing world of the music businessΓÇöfrom the mid-1960s explosion of British artists to the 1970s corporate takeovers of independent labels, from the MTV era of the mid-1980s to the modern era of 360 degree deals and digital streaming. He is practically alone in his success as a hit-making artist, a hit-making producer, and a manager for hit-making talent. His ability to produce projects with such a broad rangeΓÇörock, pop, folk, country, rhythm and blues, jazz, dance, Latin, classical, comedy, and Broadway and movie soundtracksΓÇöis almost unheard of. And in a business rife with shady characters, his intelligence, honesty, and business sense has earned the respect of all he''s worked with. Still producing exciting work in the entertainment industry, Peter Asher has quite a story to tell.

About the influential and philosophical comedy of George Carlin, Outside Looking In traces his evolving ideas from street humor to larger questions about the meaning of life.

Four Scores and Seven Reels Ago: The U.S. Presidency Through Hollywood, Real and Unreal investigates the numerous ways Hollywood has portrayed the presidency of the United States, both through biographical portraits of those who served and fictional presidents for dramatic and fantastical movies.

Infused with a raw and energetic sound that stripped rock ''n'' roll to the bone, punk rock transformed rock''s landscape in the 1970s, deconstructing bloated arena rock and leaving a lasting influence on the music and cultural scene in the United States and overseas. Punk was all about extending a middle finger to the status quo while pushing boundaries in uncharted directions. According to punk poet laureate Patti Smith, "To me, punk rock is the freedom to create, freedom to be successful, freedom to be not successful, freedom to be who you are. It''s freedom." Punk: The Definitive Guide to the Blank Generation and Beyond focuses on the origins of punk, ranging from disparate influences such as Dadaism, the Beat Generation, the garage bands of the 1960s, the Paris-based Situationist International movement, Jamaican ska bands, Stanley Kubrick''s dystopian masterpiece A Clockwork Orange, and the glam rock of the early 1970s. Rich Weidman highlights the best and worst punk bands, the greatest punk songs and albums, the most notorious concerts, and the rise of American hardcore punk. Legendary venues such as CBGB and classic punk films and documentaries like The Decline of Western Civilization propelled the rise of pop punk bands into the mainstream and every other aspect of punk subculture, including its lasting impact on rock ''n'' roll and society as a whole.

Hamlet calls death "that undiscovered country from whose bourn no traveler returns."But he''s wrong. Some do return.Each night after the applause dies, the curtain falls, the audience vanishes, the cleaners dust, and the lights are killed, great theatres become dark and silent places. But not always quite empty. That''s when the theatre ghosts make their entrance and strut and fret their hour upon the shadowed boards, illuminated only by the ghost light, the solitary lamp that is required to burn through the night on every Broadway stage.Many of Broadway''s busiest theatres continue to be just as busily haunted by spirits, some with well-known names and histories. Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway''s ghosts) is about the ghosts that haunt theatres in New York and around the world.Broadway is the playground of stars, so it''s probably not surprising to learn that even its ghosts are stars. Meet some of Broadway''s best known—and most active—celebrity ghosts. Don''t worry: like Casper, they tend to be friendly. For the most part. There''s something special about theatres, something especially conducive and welcoming to ghosts. Charles J. Adams III wrote, "By its very nature, a theatre is a vault within which every human emotion is at once imprisoned, impersonated, imitated, and elicited. Tangles of cords and ropes…tall curtains and backdrops which fade into high darkness…cubicles and trap doors and passageways."Good Morning, Olive takes readers on a tour of that world.

While Paul Dooley was the on-screen dad to Julia Roberts, Molly Ringwald, Toni Collette, Robin Wright, and Helen Hunt, his personal life held a painful secret.

How Nashville Became Music City, U.S.A. was first published in 2006 and quickly became the go-to reference for those seeking to understand the Nashville music industry, or write about it. Now, Michael Kosser, prolific songwriter and author, returns with an updated and expanded edition, bringing the history of Music Row up to the present, since so much has changed over the last fifteen years. This new edition of How Nashville Became Music City, U.S.A. details the history of the Nashville song and recording industry from the founding of its first serious commercial music publishing company in 1942 to the present. Kosser tells the history of Music Row primarily through the voices of those who made and continue to make that history, including record executives, producers, singers, publishers, songwriters, studio musicians, studio engineers, record promoters, and others responsible for the music and the business, including the ambitious music executives who struggle to find an audience who will buy country records instead of just listening to them on the radio. The result is a book with insight far beyond the usual media stories, with plenty of emotion, humor, and historical accuracy. Kosser traces the growth and cultural changes of Nashville and the adventurous souls who fly to it to be a part of the music. He follows the changes from its hillbilly roots through its ¿Nashville Sound¿ quasi-pop days, from the outlaws, the new traditionalists, and the mega-sellers to the recent bro country and the rise of mini-trends. This edition also bears witness to the huge influence of Music Row on pop, folk, rock, and other American music genres.

Many of the worldΓÇÖs biggest bands have imploded amid bitter and violent grudges over money, publishing, ego-driven power plays, relationships, drugs, and that famous old bromide, ΓÇ£musical differences.ΓÇ¥ Iconic bands like The Beach Boys, Fleetwood Mac, Pink Floyd, The Supremes, The Clash, The Eagles, The Band, The Police, Cream, and Guns ΓÇÿnΓÇÖ Roses all suffered rancorous break-ups that have cast long shadows over their legacies.MusicalΓÇöand realΓÇöbrotherhoods such as The Everly Brothers, Jagger-Richards, Ray and Dave Davies, Simon and Garfunkel, and Lennon-McCartney fractured as private brawls transitioned into toxic, public blame games. Yet, as music lovers, we canΓÇÖt help but be strangely captivated by the internecine warfare that is part of their shared antiquity, no matter the era you belong toΓÇöalong with the timeless music they left behind. Ken McNabΓÇÖs You Started It charts these tales of rock ΓÇÿnΓÇÖ roll excess and internal strife. He captures unique accounts from eye-witnesses of these legendary bands and their legendary breakups, bringing to life the divisions that produced domino effects of animus that followed them through the decades. McNab provides fresh takes on the human stories behind the in-fighting that saw a stairway to heaven become a highway to hell for the biggest bands of this or any other time.

Roman Polanski: Behind the Scenes of His Classic Early Films is a rare portrait of the artist in the act of creation.

John Pearce's promotion means that he is free to follow his own wishes. While Pearce is indulging himself in London, his trio of friends are shipped off to the Mediterranean. Pearce vows to liberate them from the brutal tyrant they are serving under. But Pearce is obliged to embark on a dangerous mission before he can free his friends.

Set to the formative years of the U.S. economy, Captain Richard Cutler commands the American steam vessel Suwannee to the distant land of New Zealand to establish a secure trade route to fruitful oversea markets and protection from opposing naval forces.

1794. Lieutenant John Pearce is caught between a feuding trio of admirals. One puts him in a position of danger while another asks him to undertake a hazardous commission in order to protect his friends, the Pelicans. Meanwhile, Pearce is also trying to construct a perjury case against Admiral Ralph Barclay. Barclay''s own wife has turned against him, but by law she cannot testify against her husband. Her cowardly nephew has become a pawn in the Admiral''s game, the objective of which is to finally silence Pearce.