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From black cats to iconic snowscapes, Maud Lewis paints our waking dreams.One of Canada's most beloved folk artists, Maud Lewis was famous in her lifetime for her brightly coloured and endearing paintings of rural Nova Scotia. Working from her tiny, road-side house in Marshalltown, she produced hundreds of small works that captured aspects of rapidly changing country life. Until now, the story of her difficult life has dominated the discussion of her art: her triumph over her physical disabilities and poverty, the harsh treatment she received at the hands of her family, and her alliance by chance with her husband Everett Lewis, who enabled her successful painting career over many decades.This book, accompanied by an exhibition at the McMichael Canadian Art Collection, will examine the aesthetic achievements of Maud Lewis's paintings -- her serial repetition of images and motifs and the dizzying variety that she brought to the problems of picture making. From her black cats and kittens, to her cart horses and oxen hauling logs, to her quayside scenes of ships in port and the Maritime landscape in all seasons, Maud Lewis made paintings that still delight in their optimism and buoyant vitality.Featuring a comprehensive selection of paintings drawn from leading Maud Lewis collectors in Nova Scotia, Maud Lewis: Paintings for Sale offers a unique opportunity to experience the range and depth of her work.

The Aroostook War of 1839, an oft-forgotten incident in the storied history of Canada-US relations, is a misnomer. It was an undeclared war with no real combat. Its underpinnings were a two-fold reaction to the 1793 Treaty of Paris -- which ended the American Revolutionary War but left the border between Maine (then part of Massachusetts) and British North America unsettled -- and the War of 1812, when parts of northern Maine were occupied by Britain. Concluding that a negotiated border might negatively afect their claim for the disputed territory, the Maine government set out to occupy the Aroostook River valley in early 1839. In preparation for armed conflict, British regulars, New Brunswick militia, and Maine militia were deployed in the dead of winter, laying the kindling for a third major Anglo-American conflagration. Although a truce negotiated in late March 1839 prevented the outbreak of hostilities, confrontations between the Maine volunteers and New Brunswick's warden, magistrates, and seizing officers continued. Ultimately, cooler heads prevailed and an agreement was reached, which resulted in the Ashburton-Webster Treaty of 1842. A multifaceted story of friction, greed, land grabs, and rivalry, this tale of a border dispute and near-war is an intriguing chapter in the history of Canada and the United States.

polari (pe 'la: ri) from Italian parlare, a coded anti-language or idiolect at one time spoken by gay men for cover -- or a précis of John Barton's unique experience of language. In this expansive collection, there are no boundaries of time, geography, or subject. Giving voice to history, to political and environmental anxieties, to the immediate past and the fluid present, Barton understands that we all live and speak in code, whether in language common to millions, in 0s and 1s, or in gestures, silences, and the most intimate of glances. > is John Barton's eleventh collection of poetry.

Published in conjunction with the exhibition of the same name held at Art Gallery of Ontario June 16-August 12, 2018.

Escaping from the evils of the modern world into the vivid colours of a bird's plumage, Michael Trussler's 10:10 plunges into the mystery and horror of living at the beginning of the Anthropocene. How can there be both terrible violence and extraordinary beauty in the world? How can birdwatching coexist with genocide? How can nature be loved and destroyed all at once? Trussler's poetic voice is delightfully fluid: moments and images from movies, aesthetic theory, and animal life collide in each poem, sometimes in a single line. From lyrics to prose, high art to emails, Trussler sifts through the shards of society to seek refuge in the beauty and strangeness of words, the beguiling richness of images, the intensity of the natural world.

Calling all adventure seekers: the 10th edition of Hiking Trails of Mainland Nova Scotia is now available. This gorgeously illustrated trail guide shows off the most beautiful hiking routes that Nova Scotia has to offer. Written by the East Coast's most accomplished hiker, Michael Haynes, Hiking Trails of Mainland Nova Scotia highlights 60 of the province's most picturesque trails, organized by location based on some of the area's iconic scenic drives, including the Halifax and the Eastern Shore's Marine Drive, the South Shore's Lighthouse Route, and Kejimkujik National Park. Each trail entry features detailed maps, route descriptions, and an array of useful information -- including highlights and notable sites along the trail, facilities, trail conditions, and potential hazards. From shorter day hikes such as the Mill Falls Trail to the 50 km, multi-day hike through Cape Chignecto Provincial Park, Hiking Trails of Mainland Nova Scotia gives hikers of all stripes the opportunity to plan the perfect outdoor adventure.

Shortlisted, 2018 Taste Canada Awards and 2018 Writers' Federation of New Brunswick Book Award for Non-FictionLonglisted, 2018 RBC Taylor PrizeJan Wong knows food is better when shared, so when she set out to write a book about home cooking in France, Italy, and China, she asked her 22-year-old son, Sam, to join her. While he wasn't keen on spending excessive time with his mom, he dreamed of becoming a chef. Ultimately, it was an opportunity he couldn't pass up.On their journey, Jan and Sam live and cook with locals, seeing first-hand how globalization is changing food, families, and cultures. In southeast France, they move in with a family sheltering undocumented migrants. From Bernadette, the housekeeper, they learn classic French family fare such as blanquette de veau. In a hamlet in the heart of Italy's Slow Food country, the villagers teach them without fuss or fanfare how to make authentic spaghetti alle vongole and a proper risotto with leeks. In Shanghai, they home-cook firecracker chicken and scallion pancakes with the nouveaux riches and their migrant maids, who comprise one of the biggest demographic shift in world history. Along the way, mother and son explore their sometimes-fraught relationship, uniting -- and occasionally clashing -- over their mutual love of cooking.A memoir about family, an exploration of the globalization of food cultures, and a meditation on the complicated relationships between mothers and sons, Apron Strings is complex, unpredictable, and unexpectedly hilarious.

Winner, J.J. Talman Award In May 2016, Jon S. Dellandrea came into possession of a box of the last effects of an obscure artist, William Firth MacGregor. The contents of the box chronicled a major, and long forgotten, trial involving forgeries of the art of Tom Thomson and the Group of Seven.The Great Canadian Art Fraud Case takes readers back to 1962, a time when forgeries were turning up on gallery walls, in auction houses, and (unwittingly) being hung in the homes of luminaries across Canada. Inspector James Erskine, enlisting the help of A.J. Casson, the youngest living member of the Group of Seven, set out to discover where the forgeries were coming from. Fifty years later, Dellandrea follows Erskine's hunt to the end, uncovering the masterminds behind the forgeries.Lavishly illustrated with reproductions and archival images, The Great Canadian Art Fraud Case unravels the mystery of the greatest art fraud trial in Canadian history. Along the way, it also tells the story of a talented artist whose career might have been so very different.

"Tom Thomson is the undisputed master of the oil sketch. A towering figure in the history of Canadian art after just five years of professional practise, he stunned audiences with his fresh and avant-garde experimentation, evoking his experience of the Ontario landscape in dozens of dazzling miniature masterworks. Thomson's death in 1917 triggered the formation of the Group of Seven and the ascendancy of landscape painting as a national preoccupation. Tom Thomson: North Star is the first book to focus on Thomson's small-scale sketches and brings together a variety of voices to interpret his legacy with fresh eyes. Among them are the McMichael's Executive Director Ian A.C. Dejardin, historian Douglas Hunter, and Algonquin knowledge-keeper and cultural activist Christine McRae Luckasavitch, as well as a number of contemporary Canadian artists from all parts of Canada. The essays in combination with more than 150 reproductions of Thomson's painted sketches cast new light on the enduring influence of one of Canada's most iconic artists."--

"A remarkable and magical place enriched and enlivened by Kevin's tenderness, sensitivity, and skill." -- Deborah Carr, author of Sanctuary: The Story of Naturalist Mary Majka. Every year, thousands of visitors from around the world descend the staircase at Hopewell Rocks to walk on the ocean floor. Many of those visitors have been greeted by author and photographer Kevin Snair, who spent years working as an Interpretive Guide for the Hopewell Rocks Park. Bay of Fundy's Hopewell Rocks combines Snair's luminous descriptions of tidal action and geology with his stunning photography to capture the breathtaking experience of New Brunswick's famous natural wonder. Now revised and updated from the original 2016 edition and full of intriguing tidbits on the human and natural history of the Rocks, Bay of Fundy's Hopewell Rocks offers an intimate, behind-the-scenes tour of this striking and fascinating place.

A groundbreaking meditation on pain, painkillers, and dependence from a prescription opioid user. Her writing has been described as "measured," "sensuous," and "compelling." In 2016, Carlyn Zwarenstein's short narrative on pain made the Globe and Mail's Top 100 Books. Now, she returns with a seductive dive into opioids and the nature of dependence.North Americans are the world's most prolific users of opioid painkillers. In On Opium, Zwarenstein describes her own use of opioid-inspired medicines to cope with a painful disease. Evoking both Thomas De Quincey and Frida Kahlo, she travels from the decadence of recreational drug use in past eras to the misery and privation of the overdose crisis today.Speaking with users of prescribed morphine, illicit fentanyl, and smoked opium, Zwarenstein investigates uncomfortable questions about why people use substances and when substance use becomes addiction. And she exposes causes of drug-related harms: the debilitating effects of poverty, isolation, and trauma; the role of race, class, and gender in addressing pain; and a system of prohibition that has converted age-old medicines into taboo substances.Through all of this, Zwarenstein finds hope. Drawing on solidarity between illicit drug users and people in pain; in a wise understanding of what humans need to be well; and in radical drug policies like legalization and safe supply, she lays out a vision of a world where suffering is no longer lauded, and opioids are no longer demonized.

"Few fish have captured the souls and minds of men and women quite like wild Atlantic salmon." -- Bill Taylor, President, Atlantic Salmon FederationCelebrating 75 years of conservation, the Atlantic Salmon Treasury works as a "best of" for the influential Atlantic Salmon Journal. This fascinating volume includes a curated selection of articles and essays by some of North America's best writers on the art and lore of the wild Atlantic salmon. Beginning in 1948, the Atlantic Salmon Journal began publishing information and conservation material about the "king of fish." In 1975, it released a Treasury from its first 25 years. This new edition takes up where the earlier volume ended, tracing the rise of salmon angling as a sport and into the era of conservation and the catch-and-release movement. The result is a journey through time with acclaimed writers such as Harry Bruce, Joan Wulff, Wilfred Carter, Thomas McGuane.

"The art of Gerard Collins resists categorisation. Over a 50-year career, Collins's conceptual imagination and dizzying array of influences has produced a body of work as eclectic as it is stimulating. His oeuvre, ranging from still lifes to landscapes, from realism to neo-conceptualism, remains undeniably embedded in Saint John, while partaking in--and pushing against--national and international conversations about art and theory. Featuring over 75 reproductions of Collins's work, including examples from his famous Women in Hats, 100 Portraits, and Harlequin series, Gerard Collins: Fifty Years of Painting is the first book to encompass Collins's entire career, from his early training at St. Martin's School of Art and under the "NSCAD school," to his return to Saint John and pandemic era experiments with online pop-up galleries. Robert Barriault, a contemporary of Collins at NSCAD, develops a fresh critical methodology to analyze Collins's enigmatic vocabulary, drawing connections and identifying distinctive features of Collins's massive body of work."--

"Tom Sherman: Exclusive Memory provides a long-overdue retrospective on the work of the Governor General's Award-winning artist Tom Sherman--from his early experiments with video art in 1970s Toronto to his recent explorations of text and image in the landscape of Nova Scotia's South Shore. Arriving in Canada from the United States in the early 1970s, Sherman quickly became a fixture in Toronto's burgeoning artist-led cultural scene. In an era captivated by the development of new media and its possibilities, Sherman's Faraday Cage, a six-foot square enclosure of aluminum sheeting, captured the prevailing zeitgeist. At the centre of Tom Sherman: Exclusive Memory is an essay by Sherman about his early experiences in Toronto and the development of video art as the medium best suited for conveying ideas derived from text and image. Readers will find several of Sherman's previously published texts that reflect on technology and art, including his seminal multimedia installation Exclusive Memory, as well as more recent unpublished text-image works. The result is a compendium that spans almost five decades, chronicling the career of an artist whose work remains highly detailed and unquestionably current."--

"What does it mean to be exiled? For the landmarks of your past to disappear? In 1943, Wanda Gizmunt was ripped from her family home in Poland and deported to a forced labour camp in Nazi Germany. At the end of the war, she became one of millions of displaced Europeans awaiting resettlement. Unwilling to return to then-Soviet-occupied Poland, Wanda became one of 100 young Polish women brought to Canada in 1947 to address a labour shortage at a Quâebec textile mill. But rather than arriving to long-awaited freedom, the women found themselves captives to their Canadian employer. Their treatment eventually became a national controversy, prompting scrutiny of Canada's utilitarian immigration policy. Wanda seized the opportunity to leave the mill in the midst of a strike in 1948. She never looked back, but she remained silent about her wartime experience. Only after her death did her daughter-in-law assemble the pieces of Wanda's life in Poland, Nazi Germany, and finally, Canada. In this masterful account of a hidden episode of history, Faubert chronicles both Wanda's life story--from Poland to Nazi labour camps and immigration to Canada--and the tragedy of exile and the meaning of silence for those whose traumas were never fully recognized. Note: The book also contains information about the story of Wanda's husband, Casey Surdykowski. Casey also grew up in Poland, was deported to Siberia by the Soviets, and then fought in the Anders Army across the Middle East and Italy before immigrating to Canada and meeting Wanda there."--

In 1922, a 16-year-old Canadian girl, fed up with life in a French convent school, answered an ad for a travelling secretary. Tall, blonde, and swaggering with confidence, she landed the job. Her assignment was to become the first woman to drive around the world. Her name was Aloha Wanderwell. Aloha's mission was foolhardy in the extreme. Cars were alien to much of the world, and drivable roads were scarce. The Wanderwell Expedition modified a Ford Model T for the journey, with gun scabbards and a sloped back that could fold out to become a darkroom. All that remained was for Aloha to learn how to drive. Aloha became world-famous. She was photographed in front of the Eiffel Tower, parked on the back of the Sphinx, firing mortars in China, greeting the Emperor of Japan, and smiling as the guest of honour at a tickertape parade in Detroit. By the time she was 26, she had become a pilot, a film star, an ambassador for world peace, and the centrepiece of one of the biggest unsolved murder mysteries in California history. Her story defied belief, but it was true. Every bit of it. Except for her name. Drawing upon Aloha's diaries and travel logs, as well as films, photographs, newspaper accounts, and previously classified government documents, Aloha Wanderwell tells the astonishing story of one of the greatest -- and most outrageous #8212; explorers of the 1920s.

It's 1977. Seventeen-year-old Violet has been left by her parents to manage The Purple Barn, their busy roadside antique store, for the summer. Her restless older brother, Bliss, has disappeared, leaving home without warning, and her parents are off searching for clues. Violet is haunted by her brother's absence while trying to cope with her new responsibilities. Between visiting a local hermit, who makes twig furniture for the shop, and finding a way to land the contents of the legendary Vaughan estate, Violet acts out with her summer boyfriend and wonders about the mysterious boneyard. But what really keeps her up at night are thoughts of Bliss's departure and the white deer, which only she has seen. All the Things We Leave Behind is a novel about remembrance and attachment, about what we collect and what we cast off. In highly affecting prose, Nason explores the permeability of memory and the sometimes confusing bonds of human emotion.

Ken Danby (1940-2007) was one of Canada's foremost practiioners of contemporary realism. Inspired by his rural Ontario roots, Danby's now-famous images, his sense of place, and his uncompromising lens reflect a profound connection to the Canadian landscape and he Canadian psyche. At the Crease, a 1972 egg tempera painting depicting a nameless hockey goalie viewed from ice level, was his best-known work, and for many, it defined him as an artist. Ken Danby's career extended far beyond that one defining work. An accomplished painter, watercolourist, and printmaker, Danby emerged as an artist with a modernist narrative in the 1960s and 1970s. Influenced by the fervent nationalism expressed in the folk music of the period, Danby's paintings, says art historian Patrick Hutchings, bring us "face to face with a moment of our own time." Ken Danby: Beyond the Crease explores the depth and breadth of Danby's work: his carefully structured compositions, the complex relationship between line, place, and space, the rigourous handling of egg tempera, the vigour and immediacy of his watercolours, and his masterful printmaking. Demonstrating the full force of Danby's creative practice, this magnificent book features dozens of archival photographs and more than seventy reproductions of his major paintings, drawings, and prints, including At the Crease, Lacing Up, Pancho, and Pulling Out. The volume also includes two perceptive essays by Ihor Holubizky and Greg McKe as well as Danby's own words -- from an unpublished memoir and a celebrated interview with Andrew J. Oko -- which together offer fresh insight into the origins of Danby's work and its enduring significance. Art works by Ken Danby may be found in numerous private and public collections, including Art Gallery of Hamilton; Museum of Modern Art, New York; National Gallery of Canada; Montreal Museum of Fine Arts; Art Gallery of Vancouver; Art Institute of Chicago; and Brooklyn Museum. He was appointed to the Order of Canada in 2001.

"When the pandemic began in March 2020, Calgary emergency physician Heather Patterson was already feeling burnt out. Photography had always been a way of unwinding for her and, as the pandemic gathered speed, Patterson decided to begin chronicling it. Shadows and Light presents a selection of Patterson's images, taking readers to the frontlines of the COVID-19 pandemic and giving them an illuminating, behind-the-scenes view of the real impact of the virus and the heroic frontline workers who have been fighting it for over two years. Patterson's expert lens gives incredible insight into the life of healthcare workers--physicians, nurses, and hospital support staff--during the pandemic, and what patients experience when hospitalized with COVID. Yet, amid the isolation of lockdowns and seemingly never-ending cycle of new restrictions associated with new variants, Patterson finds hope and a renewed sense of purpose in the resilience of the human spirit and the inspiring fortitude of Canada's often invisible pandemic heroes."--

"The author of Alder Music, Gary Saunders returns with an evocative, lyrical, and immersive collection of personal essays on our relationship with nature and with each other. In nine sections, Earthkeeping ruminates on the necessity of love and earthkeeping, on forage fish and robinsongs, and on the stewardship of our ecological landscape. Offering an antidote to the world's anxiety about climate change, plastic pollution and biodiversity loss and illustrated with around 50 pieces of Saunders's art, Saunders writes with a deep connection with the natural world and his signature humane zest for life. Lovingly illustrated with Saunders' own artwork, the result is a joyful, personal, and deeply attentive stroll through an enchanted land of blue and green."--

"From acclaimed author Mark Anthony Jarman comes Touch Anywhere to Begin, his first travel book since the critically acclaimed Ireland's Eye in 2002. In 18 head-spinning essays, Jarman can drift through Venice amid the revelry of carnival and the arrival of the pandemic or visit a private club along Shanghai's Huangpu River to be serenaded by a band of retired People's Liberation Army singers. In "Panthers and Gods Prowl a Palace of Sin," an invitation to the Kala Ghoda Festival in Mumbai forges a connection with a jetlagged pair of Arctic throat singers and a doctor fascinated by Canada. In "Jesus on the Mainline," an extended hospitalization beside the intubated victim of a drunk-driving accident reveals a difficult family drama. And this, of course, is only the beginning. Masterfully written, Touch Anywhere to Begin penetrates the impressionistic moments and intimacies of travel to reveal character and place like none other, creating an appetite for that long-ago time when travel was possible and the unknown alluringly attractive."--

Between 1887 and 1896, a young Tappan Adney ventured into the uncharted New Brunswick wilderness, writing, sketching, and photographing all that caugth his attention. He learned about the Maliseet people, recorded their names for plants and animals, took detailed notes on their technology -- snowshoes, snares, and birchbark canoes -- and commented astutely on the sometimes difficult relationships between Natives and newcomers. Presenting the third, fourth, and fifth of Adney's journals, The Travel Journals of Tappan Adney: Vol. 2, 1891-1896 vividly narrates Adney's continuing travels in western New Brunswick, relating tales of hunting, trapping, and fishing with an assortment of colourful characters from lumberjacks and hunting guides to members of parliament, including a moose-hunting expedition on behalf of the American Museum of Natural History. This volume, like its predecessor, preserves Adney's distinctive style and the idioms and spellings of the period. It also includes reproductions of his original sketches and numerous photographs.

A prime minister determined to keep the troops in action. Waning support for the war effort. A country divided. These aren't today's headlines. Picture this: Canadian troops die by the thousands in the muddy fields of Europe. Russia is descending into civil war, and will soon be lost to the Allies. The French army has mutinied. The United States has declared war on Germany, but their army needs time to prepare. German U-boats are turning the seas into floating graveyards. Back in Canada, fewer and fewer men are volunteering to join the fray. Prime Minister Borden's government proposed conscription to replace the dead and wounded. Farmers, fishermen, francophones, and the Liberal Party opposed the Military Service Act. Canada was in upheaval. Many reduced the issue to tension between pro-British Ontario and anti-war Quebec, but there was more. In New Brunswick, ruptures emerged between rural and urban, liberal and conservative, north and south, Protestant and Catholic, and French and English. The legacy of bitterness and ethnic tensions echo to this day.

At one time a single settlement shared both sides of the Saint John River, until a political trade-off split it down the middle. From that inauspicious start, the Maine-New Brunswick border, the first boundary to be drawn between Canada and the U.S., has served as a microcosm for relations between the two nations. For centuries, friends, lovers, schemers, and smugglers have reached across the line. Now, post 9/11, political paranoia has led to a sharp divide, disrupting the lives of residents caught in the middle of world events. An elderly Canadian couple's driveway touches the border, leading to a Kafkaesque overreaction by homeland Security. The Tea Party calls for complete border shutdown. Once friendly neighbours have become increasingly isolated from each other. In this timely exploration, Jacques Poitras travels the length of the border -- from Madawaska and Aroostook counties through Passamaquoddy Bay to a tiny island still in dispute -- to uncover an arbitrary line that shouldn't be there, almost wasn't there, and can be difficult to find even when it is there. The stakes are high as New Brunswick and Maine re-imagine their relationship for the 21st century.

"All the Gold Hurts My Mouth" pulls no punches. Combining a visceral feminism with sharp eroticism, Katherine Leyton takes on sexual politics in the twenty-first century. As she holds up a mirror up a mirror to the male gaze, she unflinchingly interrogates the nature of images and masks as they work through television, movies, and the Internet the hyperreality that influences our perceptions and interactions. Yet, for all of that, this vivid collection is also a rich quest for identity, authenticity, and nature uncorrupted. Gloriously reaching for connection and love, for honesty and intimacy, Leyton gives voice to a bold, resounding feminism in this manifesto for our age. - 20160304"