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Tuck & Roll builds a queer community situated in the Midwest of America and examines what a utopia could look like in domestic and private landscapes through the lens of magical realism. Using the artist's close friends and trans siblings as stand-ins for biological family, Houston's images 'manifest a desire to have unconditional relationships' without losing the landscape they grew up in. The images are made up of materials fundamental to queer nightlife and include friends, family, partners, interiors, and landscapes addressing the multi-layered erasure queer communities have experienced.

The Uncanny is a personal visual exploration of the Democratic Republic of Congo by Belgian photographer Léonard Pongo. Collaborating with friends and family in the country, Pongo became immersed in their vision. He let them decide what he should witness as he attempted to understand the region.

Kiss it! is the result of a long-term collaboration between photographer Abbie Trayler-Smith and Shannon, a young woman living with obesity.

Over the course of 15-years, photographer Magnum photographer Ian Berry travelled the globe to document the inextricable links between landscape, life and water. This new book brings together a selection of the resulting images which collectively tell the story of man's complex relationship with water.

Twenty years ago, Moises Saman was working in Iraq as a photojournalist during the US-led invasion and occupation. Glad Tidings of Benevolence combines his photographs taken during this period and the following years with disparate documentation and texts.

From the Heads of the Hollers is a collection of images of the people and culture of the secluded mountain life of Appalachia.

Thatcher's Children, a long-term project by photographer Craig Easton, examines the intergenerational nature of poverty as experienced by three generations of the Williams family in the north of England. The passage of time shown in the book demonstrates how deprivation is connected to the social policy failures of successive governments. Thatcher's Children was born out of a series first made in 1992 focusing on two parents and six children living in a hostel for homeless families in Blackpool, England. The project was made in response to a speech by Peter Lilley, then Secretary of State for Social Security, in which he announced his determination to 'close down the something-for-nothing society.' French newspaper Libération dispatched a journalist to northern England to find out what this society looked like, and Easton was commissioned to take the accompanying photographs.

The Shipping Forecast, originally published in 1996, is Mark Power's illustration of the UK's Shipping Forecast, broadcast four times a day on BBC Radio 4. Beyond its useful and (at times life-saving)use to mariners it is also listened to by millions of people who tune in across the UK.

Architecture + Beauty is the second monograph by John Balsom combining the artist's main interests of history, documentary, casting and in the photographer's words, 'graphicness.'

We DonâEUR(TM)t Say Goodbye is the result of a 10-year journey by Italian photographer Lorenzo Meloni across the Middle East and North Africa. Expecting to find and record the dawn of a new era of democratisation in the region, this journey turned into MeloniâEUR(TM)s first conflict reportage which lasted a decade.

Hunter S. Thompson was an American journalist who became a legendary icon known for his counter culture lifestyle. Chloe Sells worked as a personal assistant for Hunter and this book combines Sells' photographs of Hunter's home -documenting the interior, his possessions and handwritten notes.

This long-term project, by South African photographer Alice Mann, explores the unique sport of drum majorettes. The images depict the aspirational subculture surrounding all-female teams of drum majorettes affectionately known as 'Drummies'.

Leave and Let Us Go presents a portrait of Iraq -a country often misunderstood and misrepresented. In this new book, Alexandra Rose Howland combines her own photographs with found images and written testimonies, her aim is to challenge and expand the ways that geopolitical events are communicated.

The Settlements is an architectural portrait of the settlements in Israel from a broad sampling of all types, sizes, densities, ages and regions.

Sour-Puss came into being some five years ago. Her creators, Portuguese photographer Diogo Duarte and psychotherapist Jessica Mitchell, who originally hails from Brooklyn, speak of her as being 'born.' In reality, the birth of Sour-Puss has been a gradual one, and her character has developed as her story has unravelled.

Mischling 1 by Sara Davidmann is an investigation into the fate of the artist's family during the Holocaust. The book connects past and present, silence and story, memory and identity through family photographs, propaganda, artworks, texts, artefacts and documentation.

Photographer Tariq Zaidi spent three years documenting and travelling across El Salvador with unprecedented access to prisons and holding cells across the country providing a rare look inside the country's penal system. With the help of the police force, was also able to document the state's war against the gangs

Photographer Richard Sharum travelled across Cuba to document the lives of isolated farmers, or 'Campesinos,' and their wider communities at a time of national transition.

Since 2015, French photographer Cyprien Clement-Delmas and South African photographerLindokuhle Sobekwa have collaborated to create a portrait of Daleside, a small Afrikanersuburb south-east of Johannesburg, South Africa.