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To the Ends of The Earth, is a twelve year photographic project that depicts the underrepresented and often unseen dynamics of the relationships between a lesbian, her straight mother, and her girlfriend.

Through an exploration of iconic Australian events, small towns and his own extended family, Big Sky byAustralian photographer Adam Ferguson, attempts to capture a personal vision of Australia that commentson a way of life that is in decline.

The photographs in JML NYC 02-23 were made over two decades as Joseph Michael Lopeztraversed the streets of the boroughs of New York by foot. Devoid of the visual tropes associatedwith the city, the images instead present a vision of New York as it was experienced.

João Pina draws upon his family history to tell the story of the Portuguese concentration campat Tarrafal, Cape Verde which operated between 1936 and 1974.

Faultlines (2015-20) locates fragments of contested landscapes within the UK Oil and Gas Authority onshore licence blocks under threat from shale gas extraction.

Chernobyl by photographer Pierpaolo Mittica is a document of the communities who inhabit andpass through the exclusion zone-an area covering approximately 2600 km2 around the site of theChernobyl nuclear reactor disaster of 1986.

Over the course of three years, Greg Gulbransen photographed Malik, a set leader of the violentstreet gang, the Crips. Malik was shot and paralysed in 2018 by the bullet from a rival gang, and as aresult his world now centres around his small Bronx apartment in New York.

Fugue by Lydia Goldblatt is a body of work about love and grief, mothering and losing a mother, intimacy and distance, told through photographs and writing.

This new book presents a typology of 100 portraits of households in Newcastle, New South Walestaken in 2020 during some of the strictest COVID-19 lockdowns in the world. The restrictionsallowed photographer Luke David Kellett a unique opportunity compile a visual representation ofarchitecture and inhabitants of Newcastle.

The Greatest brings together nearly 100 photographs of Muhammad Ali at the height of his careerby Chris Smith. The images are accompanied by Smith's memories of his time spent with Ali fromthe early days of his career until his final years before retirement.

In Silent Witness, photographs of private houses and public buildings in which war crimes-specifically rapes of women of all ethnic groups living in Bosnia and Herzegovina-werecommitted during the Bosnian War (1992-1995) are combined with testimonies from the womenwho survived.

In Silent Witness photographs of private houses and public buildings in which war crimes‿specifically rapes of women of all ethnic groups living in Bosnia and Herzegovina‿were committed during the Bosnian War (1992-1995) are combined with testimonies from the women who survived.

The year in which photographer Jillian Edelstein turned 40 she came across an image of her greataunt Minna, of whose existence she had been unaware. The photograph of Minna became thecatalyst for a journey to unearth her family history and the discovery of an unknown branch ofher family living in Ukraine.

On New Years Eve in 2020, Valentin Goppel began to photograph his friends and acquaintances in an attempt to both process and represent the disorientation he felt during the time of Covid.

Photographer Jason Gardner travelled across 15 countries to document traditional Carnival in its myriad of manifestations.

In his book Haiti, Bruce Gilden opens our eyes to this fascinating and ultimately tragic country.

The over 140 images in the book-some rarely published or previously unseen-were edited by McCullin through the process of revisiting his archives and reassessing photographs made from the late 1950s until last year.

High Visibility (Blaze Orange) combines original images, performance, archival photographs and maps to show the impact of late capitalism and settler colonisation on the landscapes of the Western United States.

Tuck & Roll builds a queer community situated in the Midwest of America and examines what a utopia could look like in domestic and private landscapes through the lens of magical realism. Using the artist's close friends and trans siblings as stand-ins for biological family, Houston's images 'manifest a desire to have unconditional relationships' without losing the landscape they grew up in. The images are made up of materials fundamental to queer nightlife and include friends, family, partners, interiors, and landscapes addressing the multi-layered erasure queer communities have experienced.

The Uncanny is a personal visual exploration of the Democratic Republic of Congo by Belgian photographer Léonard Pongo. Collaborating with friends and family in the country, Pongo became immersed in their vision. He let them decide what he should witness as he attempted to understand the region.

Kiss it! is the result of a long-term collaboration between photographer Abbie Trayler-Smith and Shannon, a young woman living with obesity.

Over the course of 15-years, photographer Magnum photographer Ian Berry travelled the globe to document the inextricable links between landscape, life and water. This new book brings together a selection of the resulting images which collectively tell the story of man's complex relationship with water.

Twenty years ago, Moises Saman was working in Iraq as a photojournalist during the US-led invasion and occupation. Glad Tidings of Benevolence combines his photographs taken during this period and the following years with disparate documentation and texts.

From the Heads of the Hollers is a collection of images of the people and culture of the secluded mountain life of Appalachia.

Thatcher's Children, a long-term project by photographer Craig Easton, examines the intergenerational nature of poverty as experienced by three generations of the Williams family in the north of England. The passage of time shown in the book demonstrates how deprivation is connected to the social policy failures of successive governments. Thatcher's Children was born out of a series first made in 1992 focusing on two parents and six children living in a hostel for homeless families in Blackpool, England. The project was made in response to a speech by Peter Lilley, then Secretary of State for Social Security, in which he announced his determination to 'close down the something-for-nothing society.' French newspaper Libération dispatched a journalist to northern England to find out what this society looked like, and Easton was commissioned to take the accompanying photographs.

The Shipping Forecast, originally published in 1996, is Mark Power's illustration of the UK's Shipping Forecast, broadcast four times a day on BBC Radio 4. Beyond its useful and (at times life-saving)use to mariners it is also listened to by millions of people who tune in across the UK.