Bøker utgitt av Grove Atlantic

"The police call him Merkury. He's a killer who chooses his victims seemingly at random. He leaves no evidence behind, and no witnesses. Except for one. When Kate Summerlin was eleven years old, she climbed out her bedroom window on a spring night, looking for a taste of freedom in the small college town where she was living with her parents. But what she found as she wandered in the woods near her house was something else: the body of a beautiful young woman, the first of Merkury's victims. And before she could come to grips with what she was seeing, she heard a voice behind her - the killer's voice - saying: "Don't turn around." Now, at the age of twenty-nine, Kate is a successful true crime writer, but she has never told anyone the truth about what happened on that long-ago night. When Merkury claims yet another victim - a college student named Bryan Cayhill - Kate finds herself drawn back to the town where everything started. She sets out to make sense of this latest crime, but the deeper she gets into the story, the more she comes to realize that it's far from over. Her search for the truth about Merkury is leading her down into a dark labyrinth, and if she hopes to escape, she'll have to meet him once again - this time face-to-face."--

"From the National Book Award-longlisted author of Finding Florida, a sparkling, sweeping chronicle of the author's life and discoveries in an ancient town in "Deep France," from nearby prehistoric caves to medieval dynastic struggles to the colorful characters populating the area today. When T. D. Allman purchased an 800-year-old house in the mountain village of Lauzerte in southwestern France, he aimed to find refuge from the world's tumults. Instead, he found that humanity's most telling melodramas, from the paleolithic to the postmodern, were graven in its stones and visible from its windows. Indeed, the history of France can be viewed from the perspective of Lauzerte and its surrounding area-just as Allman, from one window, can see Lauzerte unfold before him in the Place des Corniáeres, where he watches performances of the opera Tosca and each Saturday buys produce from "Fred, the Foie Gras Guy"; while from the other side facing the Pyrenees he surveys the fated landscape that generated many events giving birth to the modern world. The dynastic struggles of Eleanor of Aquitaine, he finds, led to Lauzerte's remarkably progressive charter issued in 1241, which even then enshrined human rights in its 51 articles. From Eleanor's marriage to English king Henry II in 1154 dates the never-ending melodrama pitting English arrogance against French resistance; in 2016 Brexit demonstrated that this perpetual contretemps is another of the vaster conditions life in Lauzerte illuminates. Allman chronicles the many conflicts that have swirled in the region, from the Catholic Church's genocidal campaign to wipe out "heresy" there; to France's own sixteenth-century Wars of Religion, which saw hundreds massacred in the town square, some inside his house; to World War II, during which Lauzerte was part of Nazi-occupied Vichy. In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities-Cahors, Moissac, Montauban-all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. "The onward march of history, my House keeps demonstrating, never takes a rest," he observes, pulling us vividly into his world"--

"First published in English in 2011 by Portobello Books, London, UK"--T.p. verso.

A History of the Future is the third thrilling novel in Kunstler’s "World Made By Hand" series, an exploration of family and morality as played out in the small town of Union Grove.Following the catastrophes of the twenty-first century—the pandemics, the environmental disaster, the end of oil, the ensuing chaos—people are doing whatever they can to get by and pursuing a simpler and sometimes happier existence. In little Union Grove in upstate New York, the townspeople are preparing for Christmas. Without the consumerist shopping frenzy that dogged the holidays of the previous age, the season has become a time to focus on family and loved ones. It is a stormy Christmas Eve when Robert Earle’s son Daniel arrives back from his two years of sojourning throughout what is left of the United States. He collapses from exhaustion and illness, but as he recovers tells the story of the break-up of the nation into three uneasy independent regions and his journey into the dark heart of the New Foxfire Republic centered in Tennesee and led by the female evangelical despot, Loving Morrow. In the background, Union Grove has been shocked by the Christmas Eve double murder by a young mother, in the throes of illness, of her husband and infant son. Town magistrate Stephen Bullock is in a hanging mood.A History of the Future is attention-grabbing and provocative, but also lyrical, tender, and comic—a vision of a future of America that is becoming more and more convincing and perhaps even desirable with each passing day.

In his critically acclaimed work, Blechman delves into life in a gated retirement community and offers a hilarious, first-hand report on all its peculiarities. He also takes a serious look at the consequences of such instant cities and examines the implications of millions of Americans dropping out of society.

Edward II is, in a sense, Bertolt Brecht's only tragedy. Based on Christopher Marlowe's classic of the same name, it departs from its source as widely as The Threepenny Opera departs from Gay's Beggar's Opera. Brecht has made a multitude of technical changes calculated to streamline the play, with a smaller cast and simpler action, and he has created virtually new and totally compelling characters with his extravagant variations on Anne, Edward's queen, and Mortimer, the villain of the piece. Brecht also reinterprets Marlowe's famously homosexual protagonist, creating an Edward initially more crudely homoerotic and ultimately more truly heroic. Brecht's Edward is a hero for the modern era: an existential hero defying a meaningless universe with his courage.

Providing a collection of the ideas that are exerting enormous influence on American foreign and defense policy, this reader also serves as an important reminder of how a loose-knit band of intellectuals and politicians thought, wrote, and preached their way into the halls of power.

A breathless (heavily autobiographical) novelistic account of the life of a young woman who sells her body for a living, "Whore" is a searing look at the world's oldest profession and a confessional in the tradition of Sylvia Plath.

In the tradition of "The Prize," Kleveman gives readers the 21st-century chapter on the history, passion, and politics of oil and gas resources and the struggle to control them in a critical part of the world.

This collection is vintage Heimel and reminds us how much we truly need her to guide us through the maelstrom of our times. Where else can a woman find such expert dating advice as: "My new rule is to never believe a person is interested until you feel his tongue down your throat." Get Your Tongue Out of My Mouth, I'm Kissing You Good-bye shows Heimel at her wicked best. She is our downtown Dorothy Parker, and an antidote to this absurd world for smart, sane women.

Called "enchanting" by British "Elle, " this sensual debut novel of metamorphosis and discovery is from a young writer who is being hailed as one of Britain's most promising new talents.

The tiny, arid Greek island of Patmos is one of the most sacred places in the Christian world, and a place of bewitching power, where people come for a brief summer visit and end up returning, year after year, for the rest of their lives. In A Place of Healing for the Soul, BBC commentator Peter France -- who arrived on the island a hardened skeptic -- tells how he came to change his life perspective. Learning from the island's gregarious inhabitants and its religious eccentrics-hermits, ascetics, monks, and nuns -- he discovered the pleasure and security of living simply and doing without, in a timeless realm where history, myth, and spirituality are endlessly alive.

Arthur Schnitzler described Reigen, his loose series of sexual sketches, as "completely unprintable," and indeed its premiere in 1921 spurred an obscenity suit. It was only when Max Oph"ls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy chain. The Blue Room is a brilliant meditation on men and women, sex and social class, actors and the theater. With deft insight about the gap between the sexes, The Blue Room takes the treacherous Freudian subject of projection and desire and reinvents it in a bittersweet landscape that is both eternal and completely up-to-date.