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Der vierzehnte Band von Christian Weises Sämtlichen Werken trägt mit der Edition zweier früher Dramen und eines späten Stücks zur Vervollständigung der Ausgabe bei: "Die Triumphirende Keuschheit" (1668) und "Die Beschützte Unschuld" (1673) entstammen der Zeit bevor Weise als Rektor des Zittauer Gymnasiums das frühneuzeitliche Schultheater reformierte: Noch sind die dargestellten Konflikte weniger komplex angelegt und die Figurenensembles überschaubarer. In der Mischung von Gattungselementen unterschiedlicher Stilhöhen zeichnen sich Verfahren der späteren Dramen jedoch bereits ab. In den frühen Stücken werden mit Fragen nach ,politischem' Verhalten auch maßgebliche Themen vorgeprägt - hier unter noch deutlichem Einfluss italienischer und französischer Höflichkeitslehren von Sprezzatura und Galanterie. Als drittes Drama wird "Die Unvergnügte Seele" aus dem Jahr 1688 vorgelegt, ediert nach dem ersten erhaltenen Druck von 1690. Der Geschichte um die Genesung eines Melancholikers durch seine christliche Läuterung ist die Wendung von Christian Weises Dramenkunst in den späten Jahren abzulesen: hin zu zeitgenössischen Diskursen um protestantische Frömmigkeit und einer Neukonfiguration der Humoraltheorie als ethische Gemütslehre.

This book provides an introduction into the modern theory of classical harmonic analysis, dealing with Fourier analysis and the most elementary singular integral operators, the Hilbert transform and Riesz transforms. Ideal for self-study or a one semester course in Fourier analysis, included are detailed examples and exercises.

The operation of everything in the universe needs a special "material"-energy. The earth is no exception. There are many kinds of energy sources on earth. But where does the earth's energy come from? The answer is that everything grows under the sun. Developing renewable energy is of strategic importance to achieve sustainable energy supply. Simulating natural photosynthesis is the ultimate goal of effi cient solar energy conversion. Photovoltaic technology has been widely used in industry and will be one of the major energy sources in the future. Developing new materials and structures, the photoelectric conversion effi ciency of solar cells will be improved day by day, and solar cells will attract more and more attention. This book presents principles of solar photovoltaic conversion, and introduces the physical and chemical processes involved. Mechanisms which affect solar cell performance are also discussed.

This book presents the emerging technologies of Industry 4.0. It describes the growing trend towards automation and data exchange in the manufacturing industry, with a focus on the internet of things (IoT), the industrial internet of things (IIoT), cyberphysical systems (CPS), smart factories, cloud computing, cognitive computing, and artificial intelligence.

Nihilism seems to be linked to violence per definition. This historical and intellectual context has shaped the way in which philosophers, writers and artists thought about violence, in its different manifestations, during the 20th century. This volume explores the various modern and contemporary configurations of the link between violence and nihilism, both in the real world and in fiction.

Brand Fusion: Purpose-driven brand strategy presents a compelling case for what consumers, customers, employees, and wider society are now demanding from companies - the development of brands that deliver profit with purpose, are sustainable, and create mutually beneficial meaning. It fuses theory-practice-application to purpose-driven brand strategies in order to develop a unique approach that has comprehensive theoretical underpinning as well as practical and thought-provoking lessons from industry. Data-driven case studies from a broad range of brands and contexts show the application of this learning-from micro-brands to corporates; charities to technology companies; retirement villages to aspiring high-growth start-ups. Brand Fusion: Purpose-driven brand strategy is an in-depth analysis of the philosophy and practice behind creating a purposeful brand.

It could be alleged that present-day French linguistics is characterized by a specific connection between the epistemology of text and that of discourse. The contributions gathered in this volume aim to reconsider this link - or dichotomy? - in light of the latest research developments. They are organized in three parts: the first explores the text-discourse connection, while the second and third tackle the epistemologies of text and discourse.

Mediterranean studies flourish in literary and cultural studies, but concepts of the Mediterranean and the theories and methods they use are very disparate. This is because the Mediterranean is not a simple geographical or historical unity, but a multiplicity, a network of highly interconnected elements, each of which is different and individual. Talking about Mediterranean literature raises the question of whether the connectivity of Mediterranean literature can or should be limited in some way by constructing an inside and an outside of the Mediterranean. What kind of connectivity and fragmentation do literary texts produce, how do they build and interrupt references (to the real, to fictional forms of representation, to history, but also to other texts and discourses), how do they create and deny communication, and how do they engage with and reflect literary and non-literary concepts of the Mediterranean? These and other questions are considered and discussed in the over twenty contributions gathered in this volume.

The volume uses an interdisciplinary approach to examine how 21st-century British theatre increasingly intercuts dystopian and utopian elements to create innovative strategies for addressing current social and political concerns. In the case studies, a key role is given to the ways in which the selected plays use real and fictional spaces on stage and thereby manage to construct interactional spaces which the spectators are invited to share.

The volume asks how the literatures of the Americas and the Caribbean present multiple or internally differentiated spaces and how these are distinguished or traversed by different temporalities. The historical and (post)colonial experiences of these areas turns them into especially fertile ground for the exploration of the connections between landscape/geography and historical/temporal palimpsests as well as the specificities of literary form. The contributions are dedicated to individual, yet conceptually interconnected studies of staggered, multiple, non-simultaneous temporalities in modern and contemporary literature. The volume adopts a comparative perspective throughout and intends to foster the dialogue between the study of Latin/American and Caribbean literatures-in Spanish, Portuguese, French, and English. Therefore, the individual essays are not grouped according to geographical or linguistic areas, but follow a trajectory from spatiotemporal constellations of the 19th century to ruined/catastrophic landscapes and the geopoetic inscriptions of time in regions. The essays should appeal to all readers interested in World Literature, Hemispheric Studies as well as temporal approaches to space and geography.

Scientific experiments and medical improvements in recent years have augmented our bodies, made them manipulable; our personal data have been downloaded, stored, sold, analyzed; and the pandemic has given new meaning to the idea of 'virtual presence'. Such phenomena are often thought to belong to the era of the 'posthuman', an era that both promises and threatens to redefine the notion of the human: what does it mean to be human? Can technological advances impact the way we define ourselves as a species? What will the future of humankind look like? These questions have gained urgency in recent years, and continue to preoccupy cultural and legal practitioners alike. How can the law respond and adapt to a world shaped by technology and AI? How can it ensure that technological developments remain inclusive, while simultaneously enforcing ethical limits to its reach? The volume explores how fictional texts, whether on the page or on screen, negotiate the legal dilemmas posed by the increasing infiltration of technology into modern life.

While the very existence of global literary studies as an institutionalised field is not yet fully established, the global turn in various disciplines in the humanities and the social sciences has been gaining traction in recent years. This book aims to contribute to the field of global literary studies with a more inclusive and decentralising approach. Specifically, it responds to a double demand: the need for expanding openness to other ways of seeing the global literary space by including multiple literary and cultural traditions and other interdisciplinary perspectives in the discussion, and the need for conceptual models and different case studies that will help develop a global approach in four key avenues of research: global translation flows and translation policies, the post-1989 novel as a global form, global literary environments, and a global perspective on film and cinema history. Gathering contributions from international scholars with expertise in various areas of research, the volume is structured around five target concepts: space, scale, time, connectivity, and agency. We also take gender and LGBTQ+ perspectives, as well as a digital approach.

Even though the literary trope of the flâneur has been proclaimed 'dead' on several occasions, it still proves particularly lively in contemporary Anglophone fiction. This study investigates how flânerie takes a belated 'ethical turn' in its more recent manifestations by negotiating models of ethical subjectivity. Drawing on Michel Foucault's writings on the 'aesthetics of existence' as well as Judith Butler's notion of precariousness as conditio humana, it establishes a link between post-sovereign models of subject formation and a paradoxical constellation of flânerie, which surfaces most prominently in the work of Walter Benjamin. By means of detailed readings of Ian McEwan's Saturday, Siri Hustvedt's The Blindfold, Teju Cole's Open City, Dionne Brand's What We All Long For and Robin Robertson's The Long Take, Or a Way to Lose More Slowly, this book traces how the ambivalence of flânerie and its textual representation produces ethical norms while at the same time propagating the value of difference by means of disrupting societal norms of sameness. Precarious Flânerie and the Ethics of the Self in Contemporary Anglophone Fiction thus shows that the flânerie text becomes a medium of ethical critique in post-postmodern times.

This volume focuses on the under-explored topic of emotions' implications for ancient medical theory and practice, while it also raises questions about patients' sentiments. Ancient medicine, along with philosophy, offer unique windows to professional and scientific explanatory models of emotions. Thus, the contributions included in this volume offer comparative ground that helps readers and researchers interested in ancient emotions pin down possible interfaces and differences between systematic and lay cultural understandings of emotions. Although the volume emphasizes the multifaceted links between medicine and ancient philosophical thinking, especially ethics, it also pays due attention to the representation of patients' feelings in the extant medical treatises and doctors' emotional reticence. The chapters that constitute this volume investigate a great range of medical writers including Hippocrates and the Hippocratics, and Galen, while comparative approaches to medical writings and philosophy, especially Plato, Aristotle, and the Stoics, dwell on the notion of wonder/admiration (thauma), conceptualizations of the body and the soul, and the category pathos itself. The volume also sheds light on the metaphorical uses of medicine in ancient thinking.

The author explores the thought of one of the most important contemporary philosophers, Axel Honneth, in his attempt to develop a critical theory of society and to develop a third way between liberalism and republicanism. At the heart of this attempt is the concept of recognition, which is explored in all its multiple dimensions in order to develop a new image of subject, society, and freedom.

The end of the Cold War marks the geopolitical peak of America's global primacy. The centerpiece of U.S. Foreign Policy in the pre-pandemic world order was the assumption that promoting human rights and democracy will secure peace. However, the Coronavirus Pandemic challenged the U.S.-dominated globalized order. The international system in the post-pandemic age embodies a paradox of the American primacy and the Chinese struggle for global domination. Pandemics Among Nations: U.S. Foreign Policy and the New Grand Chessboard addresses the geopolitical puzzle of the post-pandemic world order and seeks to explain how COVID 19 has remastered Brzezinski's theory of the Grand Chessboard. In this book, Ivanov offers a two-level approach, emphasizing the consequences of the Pandemic and their impact on U.S. Foreign Policy. He also argues that if the United States wants to maintain its leadership in the post-pandemic world order, Washington should develop a new concept of smart power to deter the Chinese Art of War. The foremost goal of Pandemics Among Nations is to analyze how America could overcome the geopolitical effects of the Pandemic. The author examines three possible scenarios for the future role of the United States on the post-pandemic Chessboard. The analysis rests on the testing of a series of research hypotheses across a structured comparison of all elements of the remastered Grand Chessboard, not just on isolated case studies such as China's rise, Russian New Imperialism or European ambitions for a mutual defense.

The present work deals with the representation of trauma and violence in coming-of-age stories written by African-American and Afro-Caribbean women authors in the United States. The kinds of violence explored in this work are related to the post-colonial condition the women protagonists experience, in which racism, sexism, classism, among other kinds of discrimination, are co-created in an intersectional experience of oppression. The titles analyzed in this work are: Lucy (1990), written by Jamaica Kincaid; Breath, Eyes, Memory (1994), written by Edwidge Danticat; Bone Black - Memories of Girlhood (1996), written by bell hooks; and God Help the Child (2015), written by Toni Morrison. The Bildungsroman genre serves as the form with which the authors are able to display the different forms of violence experienced during the the process of growing up female and black in the United States, and also in the Caribbean islands of Antigua and Haiti, in the cases of Kincaid and Danticat respectively. The coming-of-age stories written by women, and more specifically by African-American and Afro-Caribbean women, tend to showcase narratives in which the tensions between the protagonists' self-determination and the influence of social and cultural factors in their development opportunities are negotiated. The genre is adapted and subverted by the authors, deviating from its canonical European origins, becoming a site in which the authors are able to represent different kinds of violence, and the subsequent traumatic consequences caused by it.

Heterogeneous catalysts are an important tool for greener catalytic processes due to the ease of their removal from the reaction mixture and feasibility of reuse. When these catalysts can operate in the ideal green solvent, water, they improve the sustainability of the process. This book explores aqueous mediated heterogeneous catalysts and their use in synthesis.

Cancer is an incredibly diverse and difficult disease to treat, and even after decades of research there is no definitive cure. Heterocyclic anticancer agents are an important class of drugs for cancer therapies. This book explores different heterocycles and their use as anticancer therapies. Topics covered include different heterocyclic derrivatives, the impact of heterocycles on anticancer agent development, and naturally occuring heterocycles.

The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro-America into globally intelligible analyses.

This volume proposes new ways of understanding the historical semantics of the relationship between humans and nature in South America in the eighteenth and early nineteenth centuries. The authors in this volume use the notion of asymmetry to discuss the representations of and forms of knowledge about nature circulating in, and about, colonial and postcolonial South America. They argue that the production of knowledge about the American natural space widened the power gap between the Europeans colonizers and the local population. This gap, therefore, rests on what we call 'asymmetric ecologies': Eurocentric epistemic orders excluded forms of indigenous, mestizo, and Creole knowledge about nature. By looking at literary as well as non-literary sources, such as natural histories, travel narratives, encyclopaedias or medical writing, the essays in this volume trace the origins of new theoretical paradigms (ecocriticism, biopolitics, transarea studies, etc.), and examine the regional cultural, identity, and epistemic conflicts that undercut the Eurocentric narrative of enlightened modernity.

This book bridges the gap between a clinician's and material scientists' knowledge by elucidating upon the different biomaterials used in anatomical systems and how those materials react to the human body. It explores both established and future prospective of biomaterial types/designs, and considerations in material selection and synthesis, to guide students from non-clinical background in understanding the relations of material science and the human body.

Funerary rituals and the cult of the dead are classics of research in religious studies, especially for ancient Egypt. Still, we know relatively little about how people interacted in daily life at the city of Memphis and its Saqqara necropolis in the late second millennium BCE. By focussing on lived ancient religion, we can see that the social and religious strategies employed by the individuals at Saqqara are not just means on the way to religious, post-mortem salvation, nor is their self-representation simply intended to manifest social status. On the contrary, the religious practices at Saqqara show in their complex spatiality a wide spectrum of options to configure sociality before and after one's own death. The analytical distinction between religion and other forms of human practices and sociality illuminates the range of cultural practices and how people selected, modified, or even avoided certain religious practices. As a result, pre-funerary, funerary and practices of the subsequent mortuary cults, in close connection with religious practices directed towards other ancestors and deities, allow the formation of imagined and functioning reminiscence clusters as central social groups at Saqqara, creating a heuristic model applicable also to other contexts.

This is the first book on the boundary-pushing practice of the artist, dancer, and educator Suzanne Harris (1940-1979). Harris was a protagonist in key avant-garde projects of the downtown New York City artists' community in the 1970s (the Anarchitecture group, 112 Greene Street, FOOD, The Natural History of the American Dancer, Heresies); yet her own oeuvre fell into abeyance. Harris' postminimalist work broke the mold of art categories, (feminist) art practices, art spaces, and the common notion of space. By transcending sculpture and dance, she created ephemeral, site-specific installations, which she conceived as body-oriented choreographic situations. Her approach of sensory awareness led to a holistic philosophy of space, which again is paradigmatic for a materialist approach to (social) space that emerged in the arts at the time.

On the seventh day, God rested and thus completed his creation. Likewise, man should rest on the seventh day and every seven years leave the fields fallow to rest. If you like, a divine economic and environmental programme is encountered here. "Subdue the earth" is not to be misunderstood as a mandate to subjugate and exploit, but on the contrary as a call to preserve God's "very good" creation. Its current explosiveness illustrates precisely this fundamental relationship. Even secular circles now speak of the "integrity of creation" as a matter of course. And in Muslim countries, scholars and activists are preparing to launch a "green Islam", based of course on Quranic principles. At the same time, faith communities and churches with their commitment to nature and to a just world of work are moving into the concrete focus of public attention and are serious players in the current discourse. Reason enough, then, to get to the bottom of the concept of "environment" in the world religions. How do religions position themselves on the ecological question? What are the foundations of their decisions? And can they make a significant contribution to the current problem and to the enquiries of many people?

This monograph takes stock of the situation in higher spin gauge theories for the first time. Besides a thorough recapitulation of the field's history, it reviews the progress that has been made and offers a pedagogical introduction to the subject. Abstract approaches to the theory are offered to facilitate a conceptual rethinking of the main problems and to help see patterns hidden by heavy formalism.

Taking its cues from both classical and post-classical narratologies, this study explores both forms and functions of the representation of dementia in Anglophone fictions. Initially, dementia is conceptualised as a narrative-epistemological paradox: The more those affected know what it is like to have dementia, the less they can tell about it. Narrative fiction is the only discourse that provides an imaginative glimpse at the subjective experience of dementia in language. The narratological modelling of four 'narrative modes' elaborates how the paradox becomes productive in fiction: Depending on the narrative perspective taken, but also on the type of narration, the technique for representing consciousness and the epistemic strategy of narrating dementia, the respective narrative modes come with different prerequisites and possibilities for narrating dementia. The analysis of four contemporary Anglophone dementia fictions based on the developed model reveals their potential functions: Fiction allows readers to learn about the challenges of dementia, grants them perspective-taking, it trains cognitive flexibility, and explores the meaning of memory, knowledge, narrative and imagination, and thus also offers trajectories of a cultural coping with dementia.

In this volume, we approach the phenomenon of slavery and other types of strong asymmetrical dependencies from two methodologically and theoretically distinct perspectives: semantics and lexical fields. Detailed analyses of key terms that are associated with the conceptualization of strong asymmetrical dependencies promise to provide new insights into the self-concept and knowledge of pre-modern societies. The majority of these key terms have not been studied from a semantic or terminological perspective so far. Our understanding of lexical fields is based on an onomasiological approach - which linguistic items are used to refer to a concept? Which words are used to express a concept? This means that the concept is a semantic unit which is not directly accessible but may be manifested in different ways on the linguistic level. We are interested in single concepts such as 'wisdom' or 'fear', but also in more complex semantic units like 'strong asymmetrical dependencies'. In our volume, we bring together and compare case studies from very different social orders and normative perspectives. Our examples range from Ancient China and Egypt over Greek and Maya societies to Early Modern Russia, the Ottoman Empire and the Islamic and Roman law.

This book explores the possible applications of Artificial Intelligence in Virtual environments. These were previously mainly associated with gaming, but have largely extended their area of application, and are nowadays used for promoting collaboration in work environments, for training purposes, for management of anxiety and pain, etc.. The development of Artificial Intelligence has given new dimensions to the research in this field.

The book re-examines the religious thought and receptions of the Syrian poet Abu l-¿Ala al-Mäarri (d.1057) and one of his best known works - Luzum ma la yalzam (The Self-Imposed Unnecessity), a collection of poems, which, although widely studied, needs a thorough re-evaluation regarding matters of (un)belief. Given the contradictory nature of al-Mäarri's oeuvre and Luzum in particular, there have been two major trends in assessing al-Mäarri's religious thought in modern scholarship. One presented al-Mäarri as an unbeliever and a freethinker arguing that through contradictions, he practiced taqiya, i.e., dissimulation in order to avoid persecution. The other, often apologetically, presented al-Mäarri as a sincere Muslim. This study proposes that the notion of ambivalence is a more appropriate analytical tool to apply to the reading of Luzum, specifically in matters of belief. This ambivalence is directly conditioned by the historical and intellectual circumstances al-Mäarri lived in and he intentionally left it unsolved and intense as a robust stance against claims of certainty. Going beyond reductive interpretations, the notion of ambivalence allows for an integrative paradigm in dealing with contradictions and dissonance.