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  •  
    188

    This unique collection of fiction, nonfiction and poetry brings together a diverse group of writers who delve into tattoos in terms of class, body image, history, empowerment and transformations. It's an investigation into why people get tattoos and how they transform a person's life.Our 19 contributors are debut and award-winning. Their work includes memoir, transgressive fiction, horror, magical realism, sci-fi, literary fiction, poetry and personal essays. We have published a number of them in our previous anthologies including Liam Hogan, Karla Linn Merrifield, Claire Askew, Julian Bishop and Michä Kamil Piotrowski.Here's an excerpt:"Growing up, tattoos, alongside piercings and brightly coloured hair, were absolutely anathema. The reasons were many and varied: I would be rejected by polite society; if I ever got arrested, I would be easily identifiable by the authorities; no-one would ever hire me; it would signify emotional instability and arrested development; I would be perceived as a n'er-do-well, a reprobate, a criminal; I should not disrespect my body in this way; it would attract the wrong kind of associates... I could probably keep adding to this list of introjects and conditions of worth that shaped my own distorted beliefs about tattoos for many years." - Liz Beth TurnerHere's the full list of contributors:Claire Askew, Julian Bishop, Valerie Bence, Harriet Bradshaw, Maisie Brown, Meredith Davidson, Daniela Esposito, Callum Henderson, Liam Hogan, Erin Hosfield, Maria Jastrz¿bska, Di Lebowitz, Dominic Lyne, Louisa Mastromarino, Karla Linn Merrifield, Michä Kamil Piotrowski, Emily Ricard, Liz Beth Turner and Sabrina Woolf.We are delighted to share with you their take on the tattoo.xx guts

  • av Deborah Price
    202,-

    'A window into a time of raw energy and rough edges, Deb Price paints a vivid picture of life in the squats of South London. By turns amusing and alarming, but always engaging, we accompany a teenager as she navigates her way to womanhood in a sub-culture on the margins.' - Allie Rogers, author of Little Gold and Tale of a ToothA coming-of-age memoir about a young woman living in squats in London in the late 70s during the emerging counterculture scene.Set in South London (Crystal Palace), Deborah mingled with some of the biggest names to emerge from the scene. She booked The Damned's first show, served pints to Johnny Rotten, and attended a backyard gig from King Kurt.Squat life was sex, drugs and punk rock but it wasn't all fun and games. The Peanut Factory shows Deborah navigating a male-dominated scene, moving every few months and living with drug dealers, sex workers, people on the run, and working-class kids like her.Despite the chaos, the squatters were a family. They were kids creating their own rules. Making art. Living life on the fly. The Peanut Factory is an ode to the youthful rebellion of the 1970s and to London itself.

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