Bøker utgitt av Harrow and Heston

This collection of art works comprising Books 1 and 2, provides glimpses of the ways in which we and our ancestors have punished those who broke the rules and laws; to repeat, some real, some imagined. The reader, confronted with an expanse of horror, sits back relieved that we no longer treat criminals or misfits or sinners or women or children or animals in the ways depicted in these volumes. But pay close attention to the pictures of prison in Book 2, for they hide the horrors of modern punishment within them. Yet out of all this violence and dread, there is but one consolation for the existence and seeming necessity of punishment: it makes possible the highly regarded human trait of mercy. "A picture is worth a thousand words," said Fred R. Barnard in 1921. The pictures in these book provide an intense guide to the history, practice and philosophy of punishment in the Western World.and what Western civilizations do to those who break society's rules of behavior. Yet pictures do not necessarily, or maybe even rarely tell the truth, certainly never the whole truth. In these volumes they are rather an indication, guideposts maybe, to the human drives, initiative and imagination in recording the history and practice of punishment. Much of the art does tell a story, most often one of the sword in the hands of tyrants, egged on by a rousing crowd.Taken together, Books 1 and 2 do not represent a chronological history of the art of punishment, rather they are an attempt to locate the origins of punishment in Western thought and action. Book 1 begins with punishment as it was depicted in Greek mythology, followed by Judeo-Christian punishments, both imagined and practiced-an entire religion based on punishment. Saints and sinners alike are cruelly punished, as are women, children and animals, whose common lives battle with sainthood and sinfulness, do they not? Guilt pervades all and is presumed. Punishment follows logically; it lies internal. Book 2 focuses on the external objects of punishment, slaves, soldiers (the military itself the personification of punishment), and of course, the most celebrated objects of punishment, criminals. Here a different principle dominates: the more such objects are punished, the more guilty they are. In Book 1, punishment relieves guilt. In Book 2, punishment guarantees and confirms guilt.

Iranian terrorist Shalah Muhammad, long time manager of suicide bombers, and his neurotic Russian American apprentice, Sarah Kohmsky, hire a Russian mafia boss, Uncle Sergey, and his evil nuclear scientist, Turgo, to hit Ground Zero on the anniversary of 9/11. Hearing of the plan from the CIA, but estranged from her policing commissioner, New York Mayor Ruth Newberg asks Professor Larry Maciver, world renowned criminologist, for help. While the terrorists quietly orchestrate their attack, the drama unfolds as a battle between MacIver the careful scientist, and the impatient Buck Buick, Newark cop and former Marine bomb squad specialist. NYC politics doesn't help matters either, nor does the FBI when it embarks on sting operations that lead to CIA renditions and revelations of unwarranted surveillance.  Will it be a drone, a missile, or a repeat of the 9/11 bombings? Das, Maciver's geeky assistant, thinks he has the answer.  Can they save NYC or must it save itself? Predictably, things end up very ugly.

The opening story of MONA, inspired by the Museum of Old and New Art located in Hobart, Tasmania, sets the stage for this collection of short stories that adds an Australian flavor to Colin Heston’s acclaimed The Tommie Felon Show. As one reviewer of that collection noted “…vivid and real, some of the stories seem to jump out of the pages… engaging, hilarious, unique…  a commentary on human desires, shortcomings and the society we live in…. one has to look beyond the words and the events in these stories to really appreciate them.”  (Readers’ Favorite). The stories range across many styles, prose poems, jottings that are almost aphorisms, classic stories of human emotion and the contradictions of human existence, dystopian themes and settings, all engaging, never dull.  The stories in this volume are: 1. MONA. 2. The Tommie Felon Show. 3. Easter Story. 4. Veggies. 5. Wombattered. 6. Death at the Y. 7. Seductio ad absurdum. 8. Head's Up 9. Parodisiac. 10. A Meeting of Relative. 11. Leap of Faith. 12. Civilization. 13. Deconstruction. 14. Fake Truth. 15. Secret of the Sand. 16. Mixed Blessings. 17. Rounding Error.

In tis coming of age story, teen Chooka grows up in the weird world of 1950s Aussie pub life. When his alcoholic dad dies, he searches for his identity, and that of his shadowy underage girlfriend, Iris. Captivated by the pub’s many crazy customers and their raucous stories, Chooka becomes a boozer just like them. But Iris, after a miscarriage, disappears and Chooka sets out on a search that takes him to foreign places including Melbourne university and Vietnam. The search ends in a Melbourne pub, where they start over, but this time there’s a different ending. “…a brilliant, unforgettable book about real people…a sensitive, touching and poignant story.” - Reader’s favourite