Bøker utgitt av Harvard University Press

In US foreign policy, conflict has replaced diplomacy. At home, wars on crime, drugs, immigration, and terrorism dissolve barriers between law enforcement and combat. Tracing the origins of militarized policy to post-Vietnam fears of waning US power, Osamah Khalil argues that it is time to discard forever wars and invest in political solutions.

Elizabeth Ingleson explores the roots of bilateral trade between the United States and China. Telling the story of the 1970s US activists and entrepreneurs who pressed for access to China's vast labor market, Ingleson shows how not just Chinese reform but also US deindustrialization fueled a dramatic, unanticipated shift in global capitalism.

In readings attuned to the textual, sexual and historical specificities of Ashbery's poetic project, from Some Trees through the vast summation of Flow Chart, Shoptaw introduces readers to the poet's processes of production. The first reader with full access to Ashbery's manuscripts and source materials, he is able to reveal the poet at work. He shows us, for instance, how Ashbery built Europe and The Skaters upon children's books picked up at a Paris quai and how he drew on his own unpublished lyrics for the long dialogue Fantasia on 'The Nut-Brown Maid'.

The events of the 1920s and 1930s were crucial in the evolution of modern Vietnam. Yet our knowledge of this complex period of student strikes, revolt against the patriarchal family, debates on women's emancipation, and the search for a new worldview to replace the bankrupt Confucian ideology has been distorted by a preoccupation with the eventual establishment of a Communist regime there.

This text describes how the traumatic experience of five survivors of the Holocaust has been transmitted from one generation to the next. Genia spent two years in Auschwitz; Ze'ev fought with the Partisans; Olga hid in the Aryan section of Warsaw; Anya fled to Russia; and Laura lived in Libya under the Italian fascist regime. All five emigrated to Israel and started families there.

Peter Dronke illuminates a unique literary tradition: the narrative that mixes prose with verse. Highlighting a wide range of text, he defines and explores the creative ways in which mixed forms were used in Europe from antiquity through to the 13th century.

This is the first book that explores the relationship between the United States and Japan in terms of the competition for industrial raw materials. With startling consistency, their responses to similar problems appear to stem from each country's history and culture, almost as if the country had no choice but to pursue the policy selected. Vernon suggests that in this field of policy, political leaders are prisoners of their national environment more than anyone--including the leaders themselves--has been prepared to recognize. Examining in turn the world markets in oil, aluminum, copper, and steel, Vernon shows how Japan has learned to cope with its have-not status, using flexible and inventive national policies designed to help industries acquire what they need. The United States, on the other hand, lacking an explicit and consistent national policy, is torn between protecting domestic producers of these resources and trying to develop dependable sources of supplies abroad. The result is a haphazard and unstable raw-materials policy. This unique commingling of political and economic analysis will appeal not only to scholars of international relations, domestic political behavior, and commodity markets but also to the informed layman who wishes to understand what is likely to happen as two economic superpowers range the world to satisfy their appetites for raw materials.

England's 17th-century colonial empire in North America and the Caribbean was created by migration. This migration is captured in the London port register of 1635, the largest port register for any single year in the colonial period and unique in its record of migration to America and to the European continent. This work analyzes the 7500 people who travelled from London in that year, recreating individual careers, exploring colonial societies at a time of emerging viability and delineating a world sustained and defined by migration.

Cats is 'dogs', and rabbits is 'dogs', and so's parrots; but this 'ere 'tortis' is a insect, a porter explains to an astonished traveler in a 19th-century Punch cartoon. Railways were not the only British institution to schematize the world. This book aims to capture the fervor of the Victorian age for classifying and categorizing every new specimen, plant or animal, that British explorers and soldiers and sailors brought home. As she depicts a whole complex of competing groups deploying rival schemes and nomenclatures, Harriet Ritvo shows us a society drawing and redrawing its own boundaries and ultimately identifying itself.

The androgynous, asexual Buddha of contemporary popular imagination stands in stark contrast to the muscular, virile, and sensual figure presented in Indian Buddhist texts. In early Buddhist literature and art, the Buddha s perfect physique and sexual prowess are important components of his legend as the world s ultimate man. He is both the scholarly, religiously inclined brahman and the warrior ruler who excels in martial arts, athletic pursuits, and sexual exploits. The Buddha effortlessly performs these dual roles, combining his society s norms for ideal manhood and creating a powerful image taken up by later followers in promoting their tradition in a hotly contested religious marketplace. In this groundbreaking study of previously unexplored aspects of the early Buddhist tradition, John Powers skillfully adapts methodological approaches from European and North American historiography to the study of early Buddhist literature, art, and iconography, highlighting aspects of the tradition that have been surprisingly invisible in earlier scholarship. The book focuses on the figure of the Buddha and his monastic followers to show how they were constructed as paragons of masculinity, whose powerful bodies and compelling sexuality attracted women, elicited admiration from men, and convinced skeptics of their spiritual attainments."

More than a literary study, this book is an analysis of sexual attitudes and practices in the Romantic period, and a contribution to the history and theory of feminism. Shelley is shown to have anticipated in many ways the work of modern students of human sexual behavior. He was strikingly ahead of his time in his attitude toward women: his ideal of love postulated the equality of the sexes, and his theory of psychosexual identification, like mated to like, extended the feminist ideology of his mother-in-law, Mary Wollstonecraft. Moreover, in his own person and practice he came close to the androgynous ideal of the modern woman's movement. In exploring the many aspects of his subject, Brown compares Shelley with his contemporaries, particularly Byron, and draws upon extensive research into the laws, ideas, and practices of the period.

This richly suggestive book examines the common bonds of thought and shared manner of expression that unite Jewish writers working in America, Eastern Europe, and Israel. Murray Baumgarten shows how Jewish traditions are reflected in the themes and narrative style of a diverse group of writers, including Saul Bellow, Henry Roth, Sholom Aleichen, Isaac Babel, and S.Y. Agnon. Baumgarten finds in these writers a distinctive and symbolic use of the urban scene arid style of life--whether the city is Brooklyn, Chicago, Vienna, Warsaw, Odessa, or Jerusalem. He examines the pariah stance, and the different kinds of tension between freedom from communal ties and the pull of traditional culture. He demonstrates how Yiddish can flavor and inflect the syntax, how scripture can permeate the thinking and narrative devices, in writers of various nationalities.

Mark McGurl explores the connections between fiction and higher education in the United States by demonstrating how much literature comes to us mediated by writing programs.

They were not the Banquet Years, those anxious wartime years when poets and novelists were made to feel embarrassed by their impulse to write literature. And yet it was the attitude of those writers and critics in the 1930s and 1940s that shaped French literature - the ideas of Derrida, Foucault, de Man, Deleuze, and Ricoeur - and has so influenced literary enterprise in the English-speaking world since 1968. This literary history, the prehistory of postmodernism, is what Denis Hollier recovers in his interlocking studies of the main figures of French literary life before the age of anxiety gave way to the era of existentialist commitment.

One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.

Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Harold Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition: Is the mind reducible to physical properties? What constitutes personhood? How does physical form affect personal identity and continuity of the self? Testing instances in which these and related perplexities appear in literature, Skulsky systematically and provocatively interprets ten major illustrative texts drawn from diverse epochs and languages, including the works of Homer, Ovid, Apuleius, Marie de France, Dante, Donne, Spenser, Keats, Kafka, and Woolf. Through Skulsky's masterly analysis the victims of metamorphosis in narrative literature--whether werewolf, ass, beetle, swine, or tree--provide a profound insight into the complexities of human experience.

The concept of global cultures such as postcolonial, hybrid, nationalism, and cosmopolitanism are common. This book aims to expose the drama played out under the guise of globalism and to present a critique of cosomopolitanism, while exploring forces acting against globalism.

Here is an analysis of Tennyson's major poetry that clarifies the poet's relationship to the artistic traditions he so extensively exploited and so radically modified. It is a portrait of Tennyson as manipulator, not mere borrower, of forms.Tennyson and Tradition traces the threads that at the same time unite Tennyson's work and tie it to the traditions the poet believed he had inherited. Pattison shows why Tennyson considered the venerable idyll form a fitting vehicle for his modern portraits--above all the Idylls of the King. Analysis of In Memoriam brings further understanding of Tennyson's poetic credo.

From an array of intellectual reference points, Stephanson (history, Rutgers U.) has written a serious assessment of this complicated, often controversial, highly respected American policymaker. A work of general significance for a wide range of contemporary issues in foreign and domestic politics a

This book examines the great contraction of 2007 2010 within the context of the neoliberal globalization that began in the early 1980s. This new phase of capitalism greatly enriched the top 5 percent of Americans, including capitalists and financial managers, but at a significant cost to the country as a whole. Declining domestic investment in manufacturing, unsustainable household debt, rising dependence on imports and financing, and the growth of a fragile and unwieldy global financial structure threaten the strength of the dollar. Unless these trends are reversed, the authors predict, the U.S. economy will face sharp decline. Summarizing a large amount of troubling data, the authors show that manufacturing has declined from 40 percent of GDP to under 10 percent in thirty years. Since consumption drives the American economy and since manufactured goods comprise the largest share of consumer purchases, clearly we will not be able to sustain the accumulating trade deficits. Rather than blame individuals, such as Greenspan or Bernanke, the authors focus on larger forces. Repairing the breach in our economy will require limits on free trade and the free international movement of capital; policies aimed at improving education, research, and infrastructure; reindustrialization; and the taxation of higher incomes."

Discusses the nature of equality and looks at examples related to medical care, employment, political rights and religion.

The concept of generation as a historical category is used in Lost Comrades. The socialists of the Front Generation, young men in 1914, were driven into political activity and ideological exploration by the experience of World War I. Their efforts to renew socialism, to carry it beyond Marxism and beyond the working class, were profound and original, yet ultimately failed.

From the 1920s through World War II, hundreds of thousands of Americans took part in a campaign to overcome racial, ethnic and religious prejudices. They celebrated the 'cultural gifts' that immigrant and minority groups brought to society and encouraged pluralism in many areas of American life.

Much of our law is based on authoritative texts, such as constitutions and statutes. The common law, in contrast, is that part of the law that is established by the courts. Common law rules predominate in some areas of law, such as torts and contracts, and are extremely important in other areas, such as corporations. Nevertheless, it has been far from clear what principles courts use--or should use--in establishing common law rules. In this lucid yet subtly argued book, Melvin Eisenberg develops the principles that govern this process. The rules established in every common law case, he shows, are a product of the interplay between the rules announced in past precedents, on the one hand, and moral norms, policies, and experience, on the other. However, a court establishing a common law rule is not free, as a legislator would be, to employ those norms and policies it thinks best. Rather, it can properly employ only those that have a requisite degree of social support. More specifically, the common law should seek to satisfy three standards. First, it should correspond to the body of rules that would be arrived at by giving appropriate weight to all moral norms, policies, and experiential propositions that have the requisite support, and by making the best choices where norms, policies, and experience conflict. Second, all the rules that make up the body of the law should be consistent with one another. Third, the rules adopted in past precedents should be applied consistently over time. Often, these three standards point in the same direction. The central problems of legal reasoning arise when they do not. These problems are resolved by the principles of common law adjudication. With the general principles of common law adjudication as a background, the author then examines and explains the specific modes of common law reasoning, such as reasoning from precedent, reasoning by analogy, drawing distinctions, and overruling. Throughout the book, the analysis is fully illustrated by leading cases. This innovative and carefully worked out account of the common law will be of great interest to lawyers, law students, students in undergraduate legal studies programs, scholars interested in legal theory, and all those who want to understand the basic legal institutions of our society.