Bøker utgitt av Hatje Cantz

Grid and free-hand painting

In her work Sonia Leimer calls into question the conditions and future of our existential spaces. This theme is particularly topical in 2020, a year in which the entire world has had to reconsider its domestic spaces, adapt the habits of its living spaces, and acknowledge the fragility of global spaces.

Visualisation of thought process

What public institutions are capable of

A journey into the mystical Berlin night

Stimulating art from a stimulating physical zone

A time of new beginnings

"Europe's rebirth must be the goal." - Peter Weibel

You can find him on the stage or in front of a film camera, in the director's chair or at the mixing board-Lars Eidinger has many faces, and not just as an actor. His performances testify to a sheer, inexhaustible energy that makes every appearance a tour de force that infects and electrifies the audience in an almost magical way. No less can be expected from his photographic works, which are gathered together here for the first time in a publication. As diverse as the subjects of the pictures are, they still allow us to recognize Eidinger's signature: elements of film and theater unite to form a unique rhythm that transforms the everyday into a paradoxical world essence. Only one word can suitably describe the richness of these visual spheres and the way of seeing that they articulate: epic.LARS EIDINGER (*1976, Berlin) is one of Germany's best-known actors. Berliners can experience him close-up as a member of the Schaubühne's ensemble, while an international audience will know him from his fi lm performances. Autistic Disco is the title of both his photographic work and his DJ set.

The portrait offers the possibility of observation and introspection, and is at the same time one of the most private and representative artistic genres. But what distinguishes the specifically female gaze? On the occasion of the major fall exhibition 2021 at Fondation Beyeler, this catalog brings together nine women artists from Europe and America from the beginning of modernism to the present day, whose works represent an outstanding contribution to the history of the portrait. The individual view of the artists on themselves and on their surroundings in the course of time is expressed. In the catalog, renowned authors explore the individual artists and their fascinating ways of reflecting on themselves and on others. The featured artists are Mary Cassatt, Marlene Dumas, Frida Kahlo, Lotte Laserstein, Paula Modersohn-Becker, Berthe Morisot, Alice Neel, Elizabeth Peyton, and Cindy Sherman.

In a practice spanning nearly two decades, Jose Dávila has created an expressive body of work that explores the visual tropes and iconic symbols of art, architecture, and urban design. Initially trained as an architect and self-educated as a visual artist, Dávila creates sculptures, installations and photographic works that simultaneously emulate, critique, and pay homage to 20th-century avantgarde art and architecture, referencing artists and architects from Luis Barragán to Josef Albers and Donald Judd. Humor and melancholy co-mingle in works that often explore the tension between industrial and organic materials and the forces of compression and balance.This monograph assesses the full scope of Dávila's practice in all media for the first time, and includes texts attesting to the historical and social dimensions of Dávila's art. Essays address the artist's early pieces, his exercises on balance, sculpture, graphics and paintings, and his works in public space.JOSE DÁVILA (*1974, Guadalajara) studied architecture in the Instituto Tecnológico y de Estudios Superiores de Occidente in Guadalajara. His carefully constructed artworks are meditations on balance and the relationship between different combined elements. Dávila lives and works in Guadalajara, Mexico.