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Essays and speeches from 1889-1933, long unavailable in the US, on women's equality, labor, peace, and socialism.

A wide-ranging survey of debates within Marxism about the Soviet Union in the twentieth century.

The classic biography of Debs, one of the most important thinkers and activists in US.

A new, authoritative introduction to Rosa Luxemburg's most important works.

A collection of essays from the Stop Cop City movement on the fight for police abolition and for a liveable planet for all, with gripping reporting from activists on the ground and rousing articles from renowned radical academicsThe Stop Cop City movement is a decentralized effort to stop the construction of a $120 million police training facility and the destruction of 170 acres of the Weelaunee Forest outside of Atlanta, Georgia. This is the first collection of essays bringing together organizers and activists who have been involved in the years-long struggle to Stop Cop City. Connecting movements for environmental justice, police abolition, and Indigenous sovereignty, this expansive collection highlights the strategy, tactics, and ideologies that transformed a local collective action into a powerful international movement.Featuring the voices of forest defenders, environmental justice advocates, political prisoners, Indigenous activists, abolitionists, educators, legal scholars, and academics, these wide-ranging essays explore the history of the intersectional movement, the diverse tactics embraced by activists, tributes to Tortuguita, the 26-year-old queer Indigenous forest defender murdered by Georgia State Patrol troopers, and the intense police and legal repression faced by organizers. Making critical connections between oppression and resistance at home and abroad, the movement to Stop Cop City has expanded to a fight against a Cop World.

A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine.Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the "power to narrate," as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation.HEAVEN LOOKS LIKE US is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending.

From Mariame Kaba, New York Times-bestselling author of We Do This ‘Til We Free Us, and social worker Jane Ball comes a powerful book showing the harm that prisons cause and exploring alternatives, gorgeously illustrated by Olly Costello.Prisons, they do no good.They do not help. They do not teach.On a moonlit road, tucked away from prying eyes, a child sees a prison complex—cinder blocks, watch towers, barbed wire. Page by page, we come to see the prison as a child sees it. Prisons hurt people and leave them lonely, without loved ones to comfort them or lend a listening ear.As dandelion stars float up in the air, this dreamscape becomes a hope-scape, where love transcends the prison walls. All the families and friends of the people in the prison march and protest in beautiful song, march together to a new way and a new dawn—in this case a cooperative housing and community center, next to a neighborhood greenhouse for restoration and healing. A new world, where connection and repair are fundamental, and even tangible, as people around a table quilt messages, “I hear you. I’m sorry for what I did. How can I make it better?”In Prisons Must Fall, Mariame Kaba, a longtime activist, together with co-author Jane Ball, present solutions that do not involve incarceration, such as meeting people’s basic needs, restorative justice, and community support—seeds for a safe world. Illustrator Olly Costello provides textured images of a global majority community and a grey, monotone backdrop that is overtaken by joyful colors. A gentle but effective addition to all social justice bookshelves and libraries. Discussion questions included.Perfect for:Parents, teachers, and librarians looking for books on the prison industrial complex and prison reformKids who are interested in fairness and social justiceReaders who love exceptional and sophisticated illustration

An anthology of poetry on Nikkei incarceration, written by descendants of the WWII prisons and campsA tribute to the 150,000 people harmed by the United States and Canada during WWII, this anthology is the first of its kind. The poetry expresses a range of experiences and perspectives from the afterlife of this historical yet enduring injustice. With a foreword by acclaimed poet, activist, and concentration camp survivor, Mitsuye Yamada, and an introduction by the editors, poets Brynn Saito and Brandon Shimoda, The Gate of Memory explores intergenerational trauma as the contributors, all of whom are descendants of those who were incarcerated, sift through an intimate record of wartime incarceration.Contributors to this anthology include poets of Japanese American, Japanese Canadian, Okinawan American, Okinawan Canadian, Japanese Hawaiian, Alaska Native, mixed race Nikkei, and Japanese descent. Their poems reimagine, reinhabit, and retell the story of incarceration while embodying its many legacies, through a diversity of modes and themes, creating a panoramic portrait of anti-Asian racism, assimilation, loyalty, resistance, and redemption. The anthology illuminates individual perspectives and reveals collective experience. It insists upon the imperative of poetry in the processes of solidarity and transgenerational healing.

A pathbreaking book about world history, global justice, colonialism, and the climate "Coursing with moral urgency and propelled by brilliant prose, this is more than argument. It's how we build the power needed to win."-Naomi KleinA clear, new case for reparations as a "constructive," future-oriented project that responds to the weight of history's injustices with the equitable distribution of benefits and burdens. Centuries ago, Táíwò explains, European powers engineered the systems through which advantages and disadvantages still flow. Colonialism and transatlantic slavery forged schemes of injustice on an unprecedented scale, a world order he calls "global racial empire." The project of justice must meet the same scope.Táíwò's analysis not only discourages despair, it demands global resistance. Reconsidering Reparations suggests policies, goals, and organizing strategies. And it leaves readers with clear and powerful advice: act like an ancestor. Do what we can to shape the world we want our moral descendants to inherit, and have faith that they will continue the long struggle for justice. This understanding, Táíwò shows, has deep roots in the thought of Black political thinkers such as James Baldwin, Martin Luther King, Jr., Cedric Robinson, and Nkechi Taifa.Reconsidering Reparations is a book with profound implications for our views of justice, racism, the legacies of slavery and colonialism, and climate change policy.

The Polish Transformation takes an in-depth look at a hitherto unexplored part of the oeuvre of prominent Polish economist and historian of economic thought Tadeusz Kowalik: his thesis that the systemic transformation that took place in Poland in the late 1980s was a de facto "epigonic bourgeois revolution". Since Kowalik actually never extended his argument to support this thesis, the aim of this study is to answer the following question: If some important reflections on the revolutionary character of the Polish transformation scattered throughout Kowalik's works were to be found, would they together constitute a convincing justification for the thesis of the "epigonic bourgeois revolution"?

In his retelling of the boldness and tragedy of the Zhina uprising in Iran, Hamid Dabashi asks: What constitutes the success of revolutions and how do we measure their failures?In September 2022, a young Kurdish woman, Zhina Mahsa Amini, was killed in police custody for failing to observe the strict dress code imposed on Iranian women. Her death sparked a massive social uprising within and outside of Iran. The slogan, "Woman, Life, Freedom," spread like wildfire from Amini's hometown to solidarity protests held in London, New York, Melbourne, Paris, Seoul and beyond. The pain felt by millions of Iranians, caused by the Islamic Republic, was on the global stage again.Yet, misreadings of the Zhina uprising-both accidental and insidious-began to proliferate, with different parties vying for power. Iran in Revolt by author and scholar Hamid Dabashi cuts through the white noise of imperialist war mongers and social media bots to provide a careful and principled account of the revolution, and how it has forever altered the nature of politics in Iran and the wider region.Iran in Revolt argues that "democracy" and the "nation-state" are tired concepts, exploring what it means to fight for a just society instead. Through detailed political, philosophical, and historical analysis, Dabashi shows that the vulnerable lives and fragile liberties of nations have never been so intimately connected, just as the pernicious cruelties of ruling regimes have never been so identical as they are today.

A visual & lyrical declaration filled with fever & flight, REPRISE, Golden's second collection of poetry & photography maps a personal search for safety in a U.S. that offers none.Golden's collection illuminates a path through national uprisings, anti-trans violence, family loss, and a global pandemic. These sonically playful poems and assertive, color-saturated portraits reveal a stark vulnerability that invites readers to look deeply at times of great and, possibly, liberatory uncertainty.At its heart, this collection asks: Where is home? Who is free? What makes a nation?Golden seeks portals towards self-liberation. In their pursuit, we're invited to witness and learn from their interior revolution, from which they emerge more free to declare themselves in small and large ways: Whether stating I just want to wear my orange dress to the tennis courts & come back home unbothered or I am home in the arms of the armed. Building on their debut collection, A Dead Name That Learned How to Live and their award-winning self-portraiture series, On Learning How to Live, Golden honors the living siege & sorrow, rage & revival, joy & creation of being Black and trans in America.

From the author of Abolish the Family, a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we'll need to stand against fascism, nationalism, femmephobia, and cisness.In recent years, "white feminism" and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist.At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism.

A damning account of the latest transformation in mass incarceration, revealing how powerful nonprofits and so-called progressives used the language of social movements to build new jails.In 2019, after unyielding pressure from activists, New York City seemed poised to close the detested Rikers Island penal colony. The local press dutifully reported that the end of Rikers was imminent, and New Yorkers celebrated the closure of the country's largest urban jail, condemned as a moral stain on an otherwise great city. The problem, however, was that the city had not actually committed to closing Rikers. And at the same time, it laid the groundwork for the construction of more jails, a network of skyscraper facilities amounting to the largest carceral construction the city has seen in decades.How did this happen?In Skyscraper Jails, scholars and organizersJarrod Shanahan and Zhandarka Kurti detail how progressive forces in New York City appropriated the rhetoric of social movements and social justice to promise "downsized" and "humane" jails. The principal advocates of these new jails were not right-wing politicians, but prominent city activists and progressive non-profit organizations.As the political coalition that campaigned for the new jails fans out across the United States, the story at the heart of Skyscraper Jails is at once a case study and a cautionary tale for what will be coming to cities and towns across the United States and beyond.

An oral history and critical genealogy of "accountability," the complex abolitionist concept that pushes us to ask: just what do we mean by "community?"A concept just short of a program, accountability has been taken up as a core principle within leftist organizing and activity over the past quarter century. While it invokes a particular vocabulary and set of procedures, it has also come to describe a more expansive, if often vague, approach to addressing harm within movement work. The term's sudden, widespread adoption as abolitionist concepts began to circulate broadly in recent years cast light on certain shifts in its meaning, renewing the urgency of understanding its relation to militant leftist history and practice.After Accountability gathers interviews conducted by members of the Pinko collective with nine transformative justice practitioners, socialist labor organizers, incarcerated abolitionists, and activists on the left, and also includes framing essays by the Pinko collective in which its members situate and reflect on those illuminating conversations. An investigation into the theoretical foundations and current practice of accountability, this volume explores the term's potential and limits, discovering in it traces of the past half-century's struggles over the absence of community and the form revolutionary activity should take.Contributors: Kim Diehl, Michelle Foy, Peter Hardie, Emi Kane and Hyejin Shim, Esteban Kelly, Pilar Maschi, and Stevie Wilson, and Pinko collective members Lou Cornum, Max Fox, M.E. O'Brien, and Addison Vawters.

In the face of relentless attacks on antiracist education, a much-needed reckoning with the roots of this latest wave of censorship and an urgent call to action to defend education.In just the last few years, scores of states have introduced or passed legislation that would require teachers to lie to students about structural racism and other forms of oppression. Books have been cut from curricula and pulled from school library shelves. Teachers have been fired and threatened with discipline.As long-time organizer, writer, and high school teacher Jesse Hagopian argues in Teach Truth, at stake is our democracy, not to mention the annihilation of entire systems of knowledge that challenge the status quo. As Hagopian shows by exploring the origins, philosophy, and manifestations of these attacks, the Right's effort to regulate knowledge is an attempt to maintain its power over the American capitalist system, now and into the future.Yet the struggle for a liberatory education has a long history in the United States, from the days when it was illegal for Black people to be literate, to the Civil Rights and Black Power movements, to Black Lives Matter at School today. Teachers, students, and their allies are already building a movement - in the classroom, on campus, and in the streets - to defend antiracist education.

Thirty years after its original publication, this newly imagined edition brings the work and musings of fifteen Black literary luminaries in conversation with a new generation of writers and readers.The first edition of I Know What the Red Clay Looks Like, published in 1994, remains an essential text for readers of Black feminist literature in all genres. Featuring interviews with and excerpts by writers like Rita Dove, Pearl Cleage, Barbara Neely, June Jordan, and others, this indispensable work speaks to the intersections of politics and art-making along the lines of race, gender, sexuality, and class.Now, writer and cultural critic Rebecca Carroll presents the original conversations alongside personalized introductions by some of the brightest voices in today's literary world, including Donika Kelly, Safiya Sinclair, Diamond Sharp, and Chanda Prescod-Weinstein, among others. This new edition also includes an introductory poem by Morgan Parker, a foreword by Salamishah Tillet, and a new author's note. The new contributors carry the torch of the original interviewees' lives and words with heart, rigor, gratitude, and radical imagination, illuminating how these conversations are about more than just writing-they are about life, relationships, joy, gratitude, wellness, and self-preservation.I Know What the Red Clay Looks Like is a book unbound by time, lifting up a chorus of past and present voices. Paying homage to a historic lineage of Black feminist writers and their impact on our current literary landscape, it is a book by and for the storytellers, the poets, the playwrights, the dreamers, and all readers interested in what it means to make art within and from marginalized spaces.

A vital history of organizing within and beyond the walls of women's prisons in the 1970s, illuminating a crucial chapter in today's abolition feminist struggles.This new edition of an award-winning book features a foreword from acclaimed scholar-activist Sarah Haley and an afterword by Thuma.During the 1970s, grassroots activists within and beyond the walls of women's prisons forged a radical politics against gender violence and incarceration. Scholar-activist Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, imprisoned and institutionalized people's rights, and gender and sexual liberation. All Our Trials chronicles the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations. This activism confronted a "tough on crime" political agenda and clashed with the mainstream women's movement's strategy of resorting to the criminal legal system as a solution to sexual and domestic violence. Drawing on extensive research, Thuma weaves together the stories of mass defense campaigns, prisoner uprisings, coalition organizing, and activist publications that cut through prison walls. In the process, All Our Trials reveals a vibrant culture of opposition to interpersonal and state violence that both transforms our understanding of 1970s social movements and illuminates the history of present struggles for transformative justice.Winner of the 2020 Lambda Literary Award for LGBTQ StudiesShortlisted for the Organization of American Historians' Nickliss Prize and the American Studies Association's Romero Prize

A vital anthology exploring the intersections between caregiving and abolitionAbolition has never been a proposal to simply tear things down. As Alexis Pauline Gumbs asks, "What if abolition is something that grows?" As we struggle to build a liberatory, caring, loving, abundant future, we have much to learn from the work of birthing, raising, caring for, and loving future generations.In We Grow the World Together, abolitionists and organizers Maya Schenwar and Kim Wilson bring together a remarkable collection of voices revealing the complex tapestry of ways people are living abolition in their daily lives through parenting and caregiving. Ranging from personal narratives to policy-focused analysis to activist chronicles, these writers highlight how abolition is essential to any kind of parenting justice.Contributors include:Beth RichieHarsha WaliaEJ, 6 years oldDorothy RobertsRuth Wilson GilmoreDylan RodríguezBill Ayers and Bernardine DohrnShira HassanVictoria LawMariame KabaThe PDX Childcare Collectiveadrienne maree brown and Autumn Brownand more

A collection of interviews with some of the world's leading progressive thinkers on the movement for Palestinian liberation and its connections to struggles for justice across the globe.As more and more people align themselves with the Palestinian people, Palestine in a World on Fire provides the global perspective and analysis needed to inform how we forge ahead on this path of newfound solidarity. Editors Ilan Pappé and Katherine Natanel have gathered a collection of interviews that are intimate, challenging, and rigorous-many of them conducted before October 7th but still startlingly prescient. The interviewees connect the struggle for Palestinian liberation to various liberatory movements around the world, simultaneously interrogating and recontextualizing their own positions given the ongoing aggression in Palestine. This incredible group includes Angela Y. Davis, Noam Chomsky, Judith Butler, Nadine El-Enany, Gabor Mate, Mustafa Barghouti, Yanis Varoufakis, Paul Gilroy, Elias Khoury, Gayatri Spivak, and Nadera Shalhoub-Kevorkian.Palestine in a World on Fire highlights the centrality of Palestine in struggles shared across the world: capitalism, imperialism, misogyny, neo-colonialism, racism, and more. Each conversation tackles urgent events and unfolding dynamics, and the scholar-activists interviewed here provide invaluable perspectives and insights, illuminating the richness and relevance of recent scholarship on Palestine.

A landmark abolitionist primer on migration, sex work, policing, and the "anti-trafficking industry"--and a powerful argument about who is really leading the way toward justice: migrant sex workers themselves.In this impassioned corrective to decades of misguided, carceral approaches to migration, sex work, and human trafficking, long-time organizers Chanelle Gallant and Elene Lam deftly expose the harms of criminalization in the name of "anti-trafficking" and lift up migrant sex workers' organizing across North America and Europe. In doing so, they make the compelling case that the only effective response to both human trafficking and the needs of migrant sex workers must be led by migrants in the sex trade, as they fight for rights, safety, and autonomy. Gallant and Lam illustrate how this movement is taking aim at the root causes of violence and trafficking: the white supremacist securitization of borders, the criminalization of both migration and sex work, the patriarchial devaluation of women's labor, and forced displacement due to climate disaster, war, and poverty--all fueled by racial capitalism.An indispensable exploration of the relationship between migration, sex work, and trafficking--and the underlying societal conditions they reflect--Not Your Rescue Project is a thorough indictment of the anti-trafficking industry as an engine of criminalization and state violence, and an instructive account of the emancipatory politics already being practiced by migrant sex workers in their organizing. Throughout, Gallant and Lam place migrant sex workers at the center of struggles against border imperialism, carceral states, and capitalism--dispelling a range of poisonous myths and paving the way for deeper alliances across movements with the shared goal of dismantling and abolishing carceralism in all its forms.

An oral history and critical genealogy of "accountability," the complex abolitionist concept that pushes us to ask: just what do we mean by "community?"A concept just short of a program, accountability has been taken up as a core principle within leftist organizing and activity over the past quarter century. While it invokes a particular vocabulary and set of procedures, it has also come to describe a more expansive, if often vague, approach to addressing harm within movement work. The term's sudden, widespread adoption as abolitionist concepts began to circulate broadly in recent years cast light on certain shifts in its meaning, renewing the urgency of understanding its relation to militant leftist history and practice.After Accountability gathers interviews conducted by members of the Pinko collective with nine transformative justice practitioners, socialist labor organizers, incarcerated abolitionists, and activists on the left, and also includes framing essays by the Pinko collective in which its members situate and reflect on those illuminating conversations. An investigation into the theoretical foundations and current practice of accountability, this volume explores the term's potential and limits, discovering in it traces of the past half-century's struggles over the absence of community and the form revolutionary activity should take.Contributors: Kim Diehl, Michelle Foy, Peter Hardie, Emi Kane and Hyejin Shim, Esteban Kelly, Pilar Maschi, and Stevie Wilson, and Pinko collective members Lou Cornum, Max Fox, M.E. O'Brien, and Addison Vawters.

In the face of relentless attacks on antiracist education, a much-needed reckoning with the roots of this latest wave of censorship and an urgent call to action to defend education.In just the last few years, scores of states have introduced or passed legislation that would require teachers to lie to students about structural racism and other forms of oppression. Books have been cut from curricula and pulled from school library shelves. Teachers have been fired and threatened with discipline.As long-time organizer, writer, and high school teacher Jesse Hagopian argues in Teach Truth, at stake is our democracy, not to mention the annihilation of entire systems of knowledge that challenge the status quo. As Hagopian shows by exploring the origins, philosophy, and manifestations of these attacks, the Right's effort to regulate knowledge is an attempt to maintain its power over the American capitalist system, now and into the future.Yet the struggle for a liberatory education has a long history in the United States, from the days when it was illegal for Black people to be literate, to the Civil Rights and Black Power movements, to Black Lives Matter at School today. Teachers, students, and their allies are already building a movement - in the classroom, on campus, and in the streets - to defend antiracist education.