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From the final days of the Brooklyn Dodgers in the mid-1950s to the arrival of the Beatles in 1964, Bobby in Naziland takes you on an unsentimental journey through one Brooklyn neighbourhood. Grappling to understand and come to terms with the ever-present threat of nuclear annihilation and the historical weight of the Holocaust, the young Bobby provides a child''s view of the mid-20th-century American experience.

Spectrum: Ambient/ Industrial/ Experimental Music Culture Magazine was one of the most well respected underground zines dealing with post-industrial music in the late 1990s to early 2000s, with a particular focus on the dark ambient, death industrial, heavy electronics, power electronics, neo-classical, martial industrial and neo-folk genres.This book reproduces all five issues of the rare, out of print Spectrum magazine, plus the unpublished issue No 6. It also includes much new material that puts the music scene and its culture into perspective.Featured interviews: Bad Sector / Black Lung / Brighter Death Now / Caul / Cold Spring / Crowd Control Activities / C17H19No3 / Death In June / Der Blutharsch / Desiderii Marginis / Deutsch Nepal / Dream Into Dust / Endvra / Folkstorm / Genocide Organ / Gruntsplatter / Hazard / House Of Low Culture / I-Burn / Ildfrost / Imminent Starvation / Inade / IRM / Iron Halo Device / Isomer / John Murphy / Kerovnian / Knifeladder / LAW / Malignant Records / Megaptera / Middle Pillar / Militia / MZ.412 / Navicon Torture Technologies / Nový Sv¿t / Ordo Equilibrio / The Protagonist / Raison D'être / Sanctum / Schloss Tegal / Shining Vril / Shinjuku Thief / Skincage / Slaughter Productions / Spectre / StateArt / Stone Glass Steel / Stratvm Terror / Terra Sancta / Tertium Non Data / Toroidh / Tribe Of Circle / Warren Mead / Vox Barbara / Yen Pox"One of the best print mags in this genre" - Tesco Organisation Germany"Legendary and historically very significant" - Stephen Petrus, Murderous Vision / Live Bait Recording Foundation

A critical analysis of the career of the Manic Street Preachers and their 2001 record Know Your Enemy.

Underrated "Sgt. Pepper's" follow-up "The Beatles" is argued for as their finest hour in this scholarly assessment of its initially forbidding nature.

Interviews with fifty-two of the most radical people in the world.

Twenty years in the making! The most definitive portrait of cult director Joel M. Reed to ever grace the page!

Bizarrism II collects further tales of high strangeness around the world. The cast includes an eccentric baroness, a murderous comic book artist, an obsessed ichthyologist, a celebrity stigmatic, a cannibalistic writer, a senile surgeon and a woman who tried to make atheism into a religion. Along the way, a light is shone on various religious cults, mysterious deaths are pondered, conspiracy theories probed and the fate of Napoleon's penis tracked. It's a lively, meticulously researched collection of tales that will amuse, appal and intrigue, and leave you marvelling at the infinite strangeness of human beings.

The revised first ever English-language title devoted exclusively to the shocking, controversial and influential mondo documentary film cycle

Bizarrism is a collection of strange-but-true tales, featuring a grand parade of eccentrics, visionaries, crackpots, cult leaders, artists, theorists and outsiders of every stripe. First published in 1999, this new, fully revised and expanded edition revisits a host of unique individuals, including: - William Chidley, who believed that, when it comes to sex, we've all been making a terrible mistake - Arthur Cravan, who combined poetry with boxing - Slim Gaillard, jazz singer and dispenser of 'vout' - William Lindsay Gresham, author of the classic noir novel Nightmare Alley - Rosaleen Norton, Australia's most notorious witch - Harry Crosby, poet, sun worshipper and the best looking corpse of 1929 - Reginal Levgiac, author of the mysterious pamphlet Drugs Virus Germs.

Beginning in the 1960s and through its heyday in the 1970s, the telefilm remains an important cultural artefact masquerading as disposable entertainment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics alike. It looks at many of the films, the networks and names behind them, and also specific genres - everything from Stephen King adaptations to superheroes to true-life dramas.

THIS BDSM EXPOSE, written as memoir, reveals the wild world of femdom: dominant females and the submissive guys who crave them. Joyce Snyder encounters dozens of subs, fellows who want to be used and abused at the hands of a powerful woman. She finds a multitude of men, typically living a secret life, throughout America, and discovers their erotic preference (submitting to the superior domme) is more prevalent than she'd imagined. The author, a 60-year-old, cat-loving spinster, would never have become a lifestyle domme (only pro dommes are paid) were it not for her latest work assignment, editing a magazine for submissive men. To research her audience, she investigates femdom (as female domination is called in popular culture). Certain that she's discovered her true nature, Joyce begins experimenting with various facets of female domination. She begins interacting with submissive men teasing, humiliating, demanding. Now the youthful appearing Senior is pursued by submissive men far younger and wealthier than she could otherwise attract. Determined to master the art of dominance, she attends a convention of Adult Babies, joins a spanking society, gets served by sissy maids, learns how to penetrate a man with a strap-on device, rides a human horse steered by a penis lead, dates a wealthy man who craves electroshocks to his genitals, and acquires a slave. She details many aspects of femdom including ClubFEM (with its slogan Women Enslaving Men), male chastity devices, a BDSM resort where women rule, consensual slavery and findom (financial domination). With her newly acquired kinky expertise and superior attitude, it iss hot and cold running subs for this over-the-hill miss!

First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today's fan of horror and exploitation movies isn't necessarily educated on paths well-trodden - Universal classics, 1950s monster movies, Hammer - as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called "godfather of gore," carries the same stripes as Alfred Hitchcock, "master of suspense." SPINEGRINDER is one man's ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won't care to write about. One opinion; 8,000 reviews (or thereabouts.