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John Zorn's acclaimed Arcana series, now in its seventh installment, is a major source on new music theory and practice in the twenty-first century. The most varied collection to date, Arcana VII includes personal essays by New Music luminaries Pat Metheny, Bryce Dessner, Irvine Arditti, Thurston Moore, Kenny Werner, Eugene Chadbourne and David Krakauer alongside articles on musical theory and practice by veterans Joe Morris, Matt Shipp, Ben Goldberg, Ches Smith, George Steel, Billy Martin, Hilda Paredes and Gloria Coates and insightful new views by younger musicians Chris Otto, James Moore, Theresa Wong, Shanir Blumenkranz, Jay Campbell, Du Yun, James Ilgenfritz, Chuck Bettis, Aya Nishina and many others. A kaleidoscope of manifestoes, scores, interviews, critical papers, musical studies, rants and more, Arcana VII is a fascinating compendium from first word to last.
Reviled, rioted over and banned as pornographic even as it was recognized by many as an unprecedented visionary masterpiece, Jack Smith's Flaming Creatures is one of the most important and influential underground movies ever released in America. J. Hoberman's monograph details the creative making--and legal unmaking--of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters. Described by its maker as "a comedy set in a haunted music studio," the story of Flaming Creatures is here augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs by Norman Solomon. Expanding on notes originally prepared for the 1997 retrospective on Jack Smith at the American Museum of the Moving Image, the monograph includes further material on his unfinished features Normal Love and No President, as well as shorter film fragments.
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