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Women We Love: Femininities and the Korean Wave is an edited volume exploring femininities in and around the Korean Wave since 2000. While studies on the Korean Wave are abundant, there is a dearth of thought put toward the female-identifying stars, characters, and fans who shape and lead this crucial cultural movement. This collection of essays is one of the first works to focus on gender and the key female actors of this global phenomenon. Using "women" as an inclusive term extending to all those who self-define as women, this volume examines the role of women in K-pop and K-drama industries and fandom spaces, encompassing crucial intersectional topics such as queering of gender, dissemination of media, and fan culture. In addition to the communities engaged with visual culture of the Korean Wave, the audience for Women We Love will reflect the contributors to this text. They are K-pop and K-drama fans, queer, international; they are also academics of Asian histories, sociology, gender and sexuality, art history, and visual culture. The chapters are playful, intersectional, and will be adapted well into syllabi for media studies, gender studies, visual culture studies, sociology, and contemporary global history.

The Law of the People's Republic of China on Safeguarding National Security in the Hong Kong SAR (the "NSL") promises to be the most important legal development in Hong Kong since the advent of the Basic Law. Many wondered in the aftermath of the NSL how the foundations of Hong Kong's system might be changed and in what way the freedoms valued by Hong Kong may be affected. Supporters view the law as essential for the preservation of public order and the national security of China and for supporting the fundamental well-being of "One Country, Two Systems", an arrangement that has been in place since the return of Hong Kong to China. Critics fear an adverse impact on the spirit of "One Country, Two Systems".From a discussion initiated by the University of Hong Kong's Faculty of Law, this collection of essays brings together leading experts on Hong Kong and Chinese law to offer an exploratory study of the NSL and its impact on the legal system and the principle of the rule of law in Hong Kong. The book examines the ramifications of the law in relation to constitutional matters, protecting national security and sustaining "One Country, Two Systems", policing, judicial independence, and extraterritoriality, as well as its wider implications in areas such as academic freedom and the business environment. It explores the interaction between Hong Kong and Chinese law occasioned by the NSL. Finally, the book offers a comparative perspective of the experience of other jurisdictions that have engaged with similar security legislation.

Four case studies that reveal China's growing role in global energy governance. China's Energy Security in the Twenty-First Century explores the evolution of China's energy security from its bilateral going-out strategy to its more multilateral Belt and Road Initiative. By analyzing the topic from a multidisciplinary perspective, this book examines China's evolving role in global energy governance through four empirical case studies: China's energy cooperation with Russia and Central Asia, Africa, the European Union, and the Asia Infrastructure Investment Bank.

The 2010s have seen an explosion in popularity of Chinese television featuring same-sex intimacies, LGBTQ-identified celebrities, and explicitly homoerotic storylines even as state regulations on "vulgar" and "immoral" content grow more prominent. This emerging "queer TV China" culture has generated diverse, cyber, and transcultural queer fan communities. Yet these seemingly progressive televisual productions and practices are caught between multilayered sociocultural and political-economic forces and interests.Taking "queer" as a verb, an adjective, and a noun, this volume counters the Western-centric conception of homosexuality as the only way to understand nonnormative identities and same-sex desire in the Chinese and Sinophone worlds. It proposes an analytical framework of "queer/ing TV China" to explore the power of various TV genres and narratives, censorial practices, and fandoms in queer desire-voicing and subject formation within a largely heteropatriarchal society. Through examining nine cases contesting the ideals of gender, sexuality, Chineseness, and TV production and consumption, the book also reveals the generative, negotiative ways in which queerness works productively within and against mainstream, seemingly heterosexual-oriented, televisual industries and fan spaces.

A behind-the-scenes look into the filming of The Last Emperor through the photographs of Basil Pao. The Last Emperor Revisited is a true behind-the-scenes look at the making of Bernardo Bertolucci's legendary film through the exquisite eye of a photographer who had unlimited access to everyone and everything, everywhere. The photographs feature an international cast of characters who contributed to the creation of the masterpiece, from the director, filmmakers, and actors, to the farmers, workers, and students in and around Beijing who were recruited as extras. In July 1986, Basil Pao joined the cast and crew for the filming of The Last Emperor. His principal role was to play the young emperor Pu Yi's father Prince Chun, but he also served as a third assistant director and special stills photographer. The book contains over 250 photographs, including some of Pao's most iconic images of the film, along with a treasure trove of "never-been-seen" pictures captured during filming in Beijing and Italy. In Pao's own words: "It is the chronicle of a truly extraordinary experience that completely changed my life."

A study of the work of celebrated Hong Kong photographer and designer Basil Pao. Carnival of Dreams offers a glimpse into the wide-ranging, fifty-year career of the internationally renowned Hong Kong photographer and designer through his work in collages and photomontages. From his early album covers when he was an art director and designer for the music industry in New York, Los Angeles, and London in the 1970s, through his diverse international assignments and personal works, to his most recent exhibition in Hong Kong, the story encompasses his long journey from cut-and-paste collages to the computer-composited photomontages of dreamscapes in this Carnival of Dreams.

Porcelain, with its fine white body, delicately painted decoration and associations with China's culture and vast wealth, has long delighted and captivated people in the West, as well as across the whole of Asia and the Islamic world. This catalogue accompanies the exhibition Objectifying China Ming and Qing Dynasty Ceramics and Their Stylistic Influences Abroad, held at the University Museum and Art Gallery of The University of Hong Kong. The work explores the production of Chinese porcelain and other ceramics for both export and the domestic market, and the many responses to these wares made overseas using local materials and decorative techniques. The objects are considered from a variety of perspectives as the product of skilled artisans, valuable trade commodities, useful objects for daily life and as important evidence of cultural interaction.

English Language Learning

This publication accompanies the University Museum and Art Gallery's exhibition of traditional Chinese costumes, baby carriers and silver ornaments drawn from the collection of Mei-yin Lee. Elaborately embroidered costumes and baby carriers, most of which originate with the Miao, Dong, Shui and Zhuang ethnic tribes of the south-western Chinese provinces of Guizhou, Yunnan, and Guangxi are decorated with richly coloured, stitched and sewn ornamentations--and sometimes silver applications--indigenous to the particular culture and long-lived traditions they derive from. As some ethnic minorities lack a written script, the symbolism and colour-coding found in their textiles form a visual language that presents an important cultural and anthropological development and heritage still in practice today.

"Try Something Different. Something Really Chinese" The Happy Hsiungs recovers the lost histories of Shih-I and Dymia Hsiung, two once highly visible, but now largely forgotten Chinese writers in Britain, who sought to represent China and Chineseness to the rest of the world. Shih-I shot to worldwide fame with his play Lady Precious Stream in the 1930s and became known as the first Chinese director to work in the West End and on Broadway. Dymia was the first Chinese woman in Britain to publish a fictional autobiography in English. Diana Yeh traces the Hsiungs' lives from their childhood in Qing dynasty China and youth amid the radical May Fourth era to Britain and the USA, where they rubbed shoulders with George Bernard Shaw, James M. Barrie, H. G. Wells, Pearl Buck, Lin Yutang, Anna May Wong and Paul Robeson. In recounting the Hsiungs' rise to fame, Yeh focuses on the challenges they faced in becoming accepted as modern subjects, as knowledge of China and the Chinese was persistently framed by colonial legacies and Orientalist discourses, which often determined how their works were shaped and understood. She also shows how Shih-I and Dymia, in negotiating acceptance, "performed" not only specific forms of Chineseness but identities that conformed to modern ideals of class, gender and sexuality, defined by the heteronormative nuclear family. Though fêted as 'The Happy Hsiungs', their lives ultimately highlight a bitter struggle in attempts to become modern.

A factual account of the course of the ten-year Cultural Revolution in the Foreign Ministry, based on documents issued during the Cultural Revolution, talks by Zhou Enlai and Chen Yi, and the manuscripts of those concerned, as well as interviews with Foreign Ministry staff members who took part in the events.

Taking into account cultural differences between Asian and Western patients, this book focuses on delivery of effective treatment at an early stage in psychosis, especially for young people. It pays particular attention to early intervention programmes established in Hong Kong and Singapore, and assesses recent developments in Korea, Japan and other countries. The volume covers approaches in the management of psychosis, including pathway to care, stigma and interventions. With reference to the experiences of frontline practitioners, research findings and theories, it highlights the practical needs in non-Western healthcare settings. Culturally relevant discussions on recovery, relapse, self-harm and comorbid substance abuse are discussed. It also covers case studies to illustrate challenges and strategies in managing early psychosis.

History / Maritime / China

This book is published in conjunction with Edward S. T. Ho's first solo exhibition of his watercolour paintings at the Exhibition Gallery of Hong Kong City Hall in March 2013. Entitled 'Watercolour Journey', these are images of mostly far off places in Mr. Ho's travels. "I have been fortunate to have a group of friends who like to travel with me to fairly exotic places, to Africa, the Middle East, South America, the Antarctic and countries such as India, Iran, Jordan, Sri Lanka and Bhutan. Images of these places have provided me with interesting subjects for my paintings and wonderful mementos of my journeys. I wish to share those memories with my friends once again, and also with those who also enjoy seeing new places and experiencing different cultures."