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The prestigious and highly anticipated annual anthology of the best poetry in English from the shortlist of the 2025 Griffin Poetry Prize.Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world's most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.

THE POEMSYou fell asleep on the tiles, a translucent peacock loomed, your sex opened and let out a very blue, very high flame.You wore a split veil, that morning. Silent, nailed to her chair, the seated woman writes. She cracks. The poems fidget, slip their fingers: they seek to enter. Perched on her shoulder, the poems whisper in her ear. She captures their messages: "I love the sacred contortions you offer me." The poems protest: "You're squeezing us too hard: careful, pet."More than descriptors, the words behave as commands or moves in a game-and the voice of the seated woman rises to play.

In Clea Young's arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other's businessDistinctly rooted in the Pacific Northwest, Young's characters make their marks and take their missteps on the beaches, in the mountains and neighbourhoods in and around Vancouver, BC. A couple spontaneously invite their new neighbours to dinner and the night takes a menacing turn. A widow seeks solace and revenge on the mountain bike trails behind her home. And an overwhelmed single mother moves into a housing cooperative the same summer two teenage boys are on the run, wanted for murder.The women in these stories crave connection but often get in their own way of achieving it. They are stubborn, jealous, and stuck. They are misunderstood-and misunderstand-and lonely. They are also perceptive and empathetic. In prose that sparks and spits, by turns poetic and plain, Young writes assuredly of loneliness and connection, love and loss, fear and fortitude, and perhaps most evocatively of the labyrinthine inner lives of women and girls.

By turns wry and lyrical, The Immortal Woman reveals an insider's view of the fractured lives of new Chinese immigrants and those they leave behind. A Chinese mother and daughter wrestle with the demons of their past. Lemei, once a student Red Guard leader in 1960s Shanghai and a journalist at a state newspaper, was involved in a brutal act of violence during the Tiananmen Square protests and lost all hope for her country. Her daughter, Lin, is a student at an American university, executing her mother's grand plan for her to become a true Westerner. Following China's meteoric rise, Lemei is slowly dragged into a nationalistic perspective that stuns Lin, leading to grave conflicts. Their final confrontation results in tragic consequences, exposing the constant tension Chinese immigrants face--the push and pull between the pressure of assimilation and the allure of Chinese nationalism. How does unresolved political trauma lead to internalized racism and eroded identities? And how do immigrants find true belonging in a world that feels increasingly divided? The Immortal Woman is a sweeping generational story of heartbreak, resilience, yearning, and ultimately, hope for a better future.

A tender coming of age novel set in Uganda in which a young woman grapples with the truth about her sister in a country that punishes gay people.Eighteen-year-old Aine Kamara has been anticipating a reunion with her older sister, Mbabazi, for months. But when Mbabazi shows up with an unexpected guest, Aine must confront an old fear: her beloved sister is gay in a country with tight anti-homosexuality laws.Over a weekend at Aine's all girls' boarding school, sisterly bonds strengthen, and a new friendship emerges between Aine and her sister's partner, Achen. Later, a sudden death in the family brings Achen to Mbabazi's and Aine's home village, resulting in tensions that put Mrs. Kamara's Christian beliefs to the test. She issues an ultimatum, forcing Mbabazi to make a difficult choice, but Aine must too. Unable to convince Mama to reconsider, Aine runs away to Mbabazi's and Achen's home in Kampala. There she reconnects with Elia, the sophomore at Makerere University she's had a crush on for a while.Acclaimed writer Iryn Tushabe's dazzling debut novel, Everything Is Fine Here, explores the choice Aine must make, and its inevitable and harrowing results.

A unique guided journal designed to empower writers at every stage of their careers.In Safekeeping, award-winning writer and author care specialist Chelene Knight offers tangible, structured guidance for new and established authors at different stages, including those not aiming for publication. This journal nurtures a new generation of healthy and supported authors, helping them avoid imposter syndrome, burnout, and the trap of comparing themselves to their peers, all while learning how to show up as their most authentic selves. Through a blend of thought-provoking writing prompts, tips, introspective exercises, and mindset-building activities, Safekeeping equips authors with the tools to construct their own roadmap to a sustainable and fulfilling creative practice.The journal doubles as a valuable keepsake, documenting the entire publishing journey from the inception of an idea to the post-publication phase, ensuring writers can hold on to their experiences while planning for future projects. With warmth and compassion, Safekeeping equips authors with the tools to successfully bring their books into the world.

Myth, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds ('real' and 'imaginary') unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in Myth move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre's poems never stray too long or too far from the spell of unspoiled nature: "The palm trees nod / at the ocean / the ocean does / what it always does / trusts the moon completely."Friends 'with benefits' tour the wonders of Grenada's landscapes; extraterrestrials visit the Caribbean and the locals don't seem phased; red birds "saunter airily like tourists," La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue/create futures that honour our truths, histories and legacies?

A poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing.In her deeply affecting memoir, Soft as Bones, Chyana Marie Sage shares the pain of growing up with her father: a crack dealer who went to prison for molesting her older sister. She details the shame and guilt she carried for years after her family's trauma as she went from one dysfunctional relationship to another, from one illegal drug to another. In revisiting her family's history and weaving in the perspectives of her mother and sisters, Chyana examines the legacy of generational abuse, which began with her father's father, who was forcibly removed from his family by the residential schools and Sixties Scoops programs.Yet hers is also a story of hope, as it was the traditions of her people that saved her life. In candid, incisive, and delicate prose, Chyana braids personal narrative with Cree stories and ceremonies, all as a means of healing one small piece of the mosaic that makes up the dark past of colonialism shared by Indigenous people throughout Turtle Island.

Borrowing its title from a finance term-"the estimated price of a good or service for which no market price exists"-Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens.  What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, Shadow Price captures the complexities of living and writing as a young poet born in the year that "climate change denial" first appeared in print. Mourning the loss of Earth's biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. Shadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.

In Port Ellis, there's no off-season for murder.Journalist Cat Conway is looking forward to an easy assignment covering a major wellness and self-actualization summit at the Pinerock Resort, featuring Bliss Bondar and Bree Guthrie, creators of the Welcome, Goddess empire and widows with attitude. Cat's mother, Marian Conway, bestselling author and defiantly mediocre parent, is on the agenda-and so is murder.When one of the influencers turns up dead, suspicion falls on the high-profile guests. Could the killer be a jealous business partner? Or the Instagram-famous poet? The academic who takes vicious aim at the wellness movement? The empowerment guru whose wife hates him? Or Cat's mother, who has a reputation to protect and a shocking secret to hide?Cat's pulled into investigating another celebrity death, but this time while struggling with the possible demise of her livelihood: The Quill & Packet is struggling financially, and may be headed toward its final edition. A convoy of protesters, angry at Cat's reporting, has besieged the Quill's newsroom. Can Cat rescue her mother and her newspaper, or will the killer stalking Port Ellis beat her to the deadline?

The unlikely story of a bunch of small-town Canadian punks who conquered the global music industry.After punk found commercial success in the '90s, with bands like Green Day, the Offspring, and Blink-182, a new wave of punk bands emerged, each embodying the DIY spirit of the movement in their own way. While Southern California remained the spiritual home of punk rock in the early 2000s, an unexpected influx of eager punks from Canada took the world by storm, changing the genre forever.Drawing on exclusive interviews and personal stories from nine artists of the era, In Too Deep explores how Canada became the improbable birthplace of a new age of punk icons. Covering the rowdy punk rock of Gob and Sum 41, the arena-sized ambitions of Simple Plan and Marianas Trench, the reinvention of the popstar by Avril Lavigne and Fefe Dobson, and the quest to bring hardcore into the mainstream by Billy Talent, Silverstein, and Alexisonfire, In Too Deep traces the evolution of a music scene that challenged notions of who and what should be considered punk while helping to define Millennial culture as some of their generation's first superstars.

A colourful illustrated history of the buildings in Vancouver's Chinatown, celebrating the richness, diversity, and vibrancy of the Chinese community. Buildings are more than just bricks and mortar; they are keepers of secrets and history. With more than seventy vibrant illustrations, writeups on the buildings, interviews with community members, and select archival photographs, Chinatown Vancouver celebrates the invaluable contributions of the Chinese to Canada. The colourful illustrations portray Chinatown during its thriving days as a commercial hub when iconic businesses such as Cathay Importers, Ho Inn Restaurant, Ming Wo Cookware, and Ho Ho Restaurant were pillars in the community. Early Chinese settlers in Vancouver demonstrated immense resilience and perseverance in creating a self-sustaining safety net to weather racial hostility, discrimination, and segregation from broader Canadian society. The protection of cultural sites like Chinatown helps us understand our connection to place, the past, and the future. In showcasing its unique architecture, Chinatown Vancouver honours the neighbourhood as an irreplaceable living heritage site and cultural asset for all Canadians.

A sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of Don QuixoteMadrid, 1599. Following her mother's sudden death, fifteen-year-old Isabel goes to live in the family home of her father, the poet and war hero Miguel de Cervantes, a man she has never met. Forced to pose as a maid to conceal her illegitimate status, Isabel must adapt to a new way of life with her jealous cousin and protective aunts while she waits for her father to return from Seville. Meanwhile, in the nearby town of Esquivias, Miguel's pious and faithful wife Catalina similarly awaits his return, blissfully unaware of Isabel's existence.As Miguel works on the manuscript that will become his masterpiece, Don Quixote, the years pass and Isabel grows into womanhood, falling in and out love, uncovering family secrets, and yearning for the legitimacy denied her by a rigid and callous society. Capturing two tumultuous decades of Golden Age Spain in rich historical detail, Martha Bátiz paints a compassionate portrait of a family on the precipice of great change and the fiercely independent woman at its centre striving to make a life of her own.

The intriguing, in-depth story of the most powerful woman in Canadian politics.Catherine Tsalikis traces Chrystia Freeland's remarkable journey from the northwestern Alberta town of Peace River to Moscow, London, and New York, where she spent two decades as a journalist, to the halls of Parliament Hill as deputy prime minister and finance minister in Justin Trudeau's Liberal government. Ambitious and talented with a work ethic to match, Freeland has had an impressive run since she entered politics in 2013: spearheading major trade negotiations, expertly navigating relations with an erratic US president, speaking out about human rights abuses in Saudi Arabia, and standing up to Vladimir Putin's aggressions in Ukraine.With her impeccable research, seasoned perspective, and accessible style, Tsalikis brings Freeland's story to life. The defining moments and experiences that shaped Freeland's particular worldview illuminate the answers to larger social questions: how to live a good, useful life; how to hold fast to guiding principles; how to break through glass ceilings. This is a unique behind-the-curtains look at Canadian politics through the story of a trailblazing woman.

"These days, everyone feels insecure. We are financially precarious, overwhelmed and anxious, and worried about the future. While millions endure the stress of struggling to make ends meet, in reality, the status quo isn't working for anyone, even the affluent and comparatively privileged; they, too, are deeply insecure. What is going on? The Age of Insecurity exposes how seemingly disparate crises -- our suffering mental health and rising inequality, the ecological emergency, and the threat of fascism -- are tied to the fact that our social order runs on insecurity. Across disparate sectors, from policing and the military to the wellness and beauty industries, the systems that promise us security instead actively undermine it. We are all made insecure on purpose, and our endless striving shapes how we feel about ourselves and others -- including what we believe is personally and collectively possible. The Age of Insecurity sheds new light on our contemporary predicament, exposing the psychological and political costs of the insecurity-generating status quo, while proposing ways to forge a new path forward."--]cProvided by publisher.

"What is breath for? What is archive? Why write a poem, instead of... something else? Theophylline is a work of poetry motivated by asthma, seeking poetry's futurity in a queer and female heritage. Moure crosses a border to engage the poetry of three American modernists--Muriel Rukeyser, Elizabeth Bishop, and Angelina Weld Grimkâe--as a translator might enter work to translate it. But what if that work is already in English? Moure listens to rhythms, punctuation, conditions of production and reception, and finds migration patterns, queeritude, mother mimory, wars, silence, constraints on breath, and social bias played out in terms of race and/or class. Moving from present to past to a future in the unwritten; querying borders, jarred by intrusions from alter ego Elisa Sampedrâin, Theophylline finishes with poems informed by pandemic walks and human aging that include two translations: from Rosalâia de Castro, pre-modernist poet who wrote in Galician calling on women to speak, and from Câesar Vallejo, the twentieth century Peruvian whose poetics shattered the colonial (Spanish) tongue."--

"While bok choy is now a staple on Western grocery store shelves, other Asian vegetables remain unknown--even though they're delicious, nutritious, and easy to grow in northern climates. Caroline, Stâephanie, and Patricia Ho-Yi Wang, three sisters of Cantonese descent, have made it their mission to introduce gardeners, cooks, and vegetable lovers of all flavours to wider sources of sustenance. Organized around fifteen Asian vegetables that are presented according to the rhythm of the seasons, this lush, full-colour book offers advice on growing and harvesting organic crops intended for both weekend and commercial gardeners, along with a host of ideas to preserve and prepare them, including forty or so recipes, some of which have been developed by renowned chefs. The Wang sisters complement the book's practical advice by offering thoughts on Asian vegetables from a cultural point of view and sharing the importance of these foods within their own family, members of whom left China to immigrate to Madagascar before settling in Quâebec. Asian Vegetables is a generous and gorgeous tribute to good food, to the land, and the importance of strong roots."--

"Brandi Bird's long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird's work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the "I" of the self, a tradition of movement that has been lost for many who don't speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird's poems seek to delve into and reflect their cultural lineages--specifically Saulteaux, Cree, and Mâetis--and how these transformative identities shape the person they are today."--

The universe makes a sound-is a sound. In the core of this sound there's a silence, a silence that creates a sound, which is not its opposite,but its inseparable soul. And this silence can also be heard. -Etal AdnanThe Griffin Poetry Prize is among the world's most significant prizes in literature. Awarded each year to the most outstanding volumes of poetry published worldwide, the prize recognizes works written in, and translated into, English. This anthology, edited by Gregory Scofield, offers a selection of poems from the 2023 shortlist, together with the judges' citations.

"Genre-blending stories of transformation and belonging that centre women of colour and explore queerness, family, and community. A couple in a crumbling marriage faces divine intervention. A woman dies in her dreams again and again until she finds salvation in an unexpected source. A teenage misfit discovers a darkness lurking just beyond the borders of her suburban home. The stories in Chrysalis, Anuja Varghese's debut collection, are by turns poignant and chilling, blurring the lines between the monstrous and the mundane. Poetic, sensual, and surreal, Varghese's stories delve into complex intersections of family, community, sexuality, and cultural expectation through an unapologetically feminist lens. Drawing on folklore, fairy tale, and magical realism, they take aim at the ways in which racialized women are robbed of power and revel in the strange and dangerous journeys they undertake to reclaim it."--

"Moving, insightful, linked stories about the determination of Somali immigrants -- despite duty, discrimination, and an ever-dissolving link to a war-torn homeland. In the insular rooms of The Private Apartments, a cleaning lady marries her employer's nephew and then abandons him. A woman accepts an opulent gold bangle from one man yet weds another. A depressed young mother finds unlikely support in her community housing complex. A new bride attends weddings to escape her abusive marriage. A failed nurse is sent to relatives in Dubai after a nervous breakdown. Beginning in 1991, the year the Somali Civil War started, these eight articulate stories dwell in the domestic sphere -- marriages, friendships, families -- in high-rises and low-income neighbourhoods from Rome to Toronto. Resilient, resolved women do what it takes to thrive in new cities, while feeling estranged from a conflict-ridden homeland and grappling with the privilege of having the resources to facilitate such an escape. Recurring characters are delicate threads that eloquently showcase the intricate linkages of human experience and the ways in which Somalis, even as a diaspora, are indelibly connected."--

"Hannah Green's edgy, often darkly comedic debut, Xanax Cowboy, is a long poem that considers the romanticization of addiction and mental illness (particularly in relation to the notion of the artist) via the romanticization of the Wild West. Cowboys are supposed to be messed up, a bit raw around the edges. The speaker wants to be loved for this too, and doesn't care if she is the only one laughing. The long poem is known for its resistance to form and expectation. Xanax Cowboy is as obsessed with itself as other long poems. It is vain. It is ridiculous. It is a tangent with new shapes, line breaks, and metaphors. Highly referential, mostly in terms of pop culture and iconography -- drawing from sources such as Michael Ondaatje's The Collected Works of Billy the Kid and the films of Quentin Tarantino -- Xanax Cowboy also deploys a specifically feminist approach, giving it additional urgency and energy. Xanax Cowboy insists on its variety of form and approach. Its strangeness. Its boldness. Its smoking pistols. Prepare yourself for a whiskey-drenched Western where pills fall from the sky and the speaker swallows Hollywood's version of the cowboy, its loneliness resting in her belly."--

"Kukum recounts the story of Almanda Simâeon, an orphan raised by her aunt and uncle, who falls in love with a young Innu man despite their cultural differences, and goes on to share her life with the Pekuakami Innu community. They accept her as one of their own: Almanda learns their language, how to live a nomadic existence, and begins to break down the barriers imposed on Indigenous women. Unfolding over the course of a century, the novel details the end of traditional ways of life for the Innu, as Almanda and her family face the loss of their land and confinement to reserves, and the enduring violence of residential schools"--

A writer¿s witty and surprisingly optimistic account of learning to live with Parkinson¿s disease. When he was sixty-five, François Gravel was diagnosed with Parkinson¿s disease, upending the old age he had imagined for himself. As a way of contemplating his new life with a degenerative illness, he turned to what he knew best and loved most: writing. Gravel immersed himself in research on Parkinson¿s, exploring its medical history and treatments and paying close attention to the changes he experienced, all in service of learning how to best manage his symptoms throughout the advancement of this incurable disease. With a lightness of touch that belies a difficult subject (he imagines Dr. Parkinson as a military man who has set up camp in his brain), Gravel shares what he has learned in a memoir that is at once charming, serious, and moving. He writes, ¿For a long time, I believed that Parkinson¿s was a disease. Now, I realize it¿s a philosophy course.¿ Colonel Parkinson in Charge is, in some ways, the companion text for this course, engaging with and demystifying a daunting subject to help readers better understand life with Parkinson¿s disease.

Featuring full-colour illustrations, Scenes from the Underground is the fully uninhibited field notes of the club scene.

"Ava Lee is in the French Riviera with Pang Fai and Lau Lau for the long-awaited premiere of Tiananmen at the Cannes Film Festival. As the film wins numerous awards and international acclaim, a distribution deal with a major American firm is arranged by the film's producer, Chen. When several months go by with no word from the Americans, Chen decides to travel to Los Angeles to determine what is preventing the film's release. En route from his home in Bangkok, Chen goes missing. Ava is called in to investigate and soon learns that Chen is being held by the Thai Immigration Services on orders of the Chinese government, which is unhappy with the film's depiction of the infamous massacre at Tiananmen Square. Using its growing power and influence, the Chinese government seeks to block the film's distribution and punish those responsible for its production. To protect her investment, Ava must find a way for Tiananmen to be released, while keeping secret her own involvement in the film's creation and ensuring that her friends are kept safe from retribution. It is a difficult balancing act, perhaps the most difficult of her life, as the stakes have never been higher nor has failure been more costly."--

"A poet and journalist looks back on a remarkable journey from Turkey to Nepal in 1978, when the region was on the brink of massive transformation. In the spring of 1978, at age twenty-two, Mark Abley put aside his studies at Oxford and set off with a friend on a three-month trek across the celebrated Hippie Trail -- a sprawling route between Europe and South Asia, peppered with Western bohemians and vagabonds. It was a time when the Shah of Iran still reigned supreme, Afghanistan lay at peace, and city streets from Turkey to India teemed with unrest. Within a year, many of the places he visited would become inaccessible to foreign travellers. Drawing from the tattered notebooks he filled as a youthful wanderer, Abley brings his kaleidoscope of experiences back to life with vivid detail: dancing in a Turkish disco, clambering across a glacier in Kashmir, travelling by train among Baluchi tribesmen who smuggled kitchen appliances over international borders. He also reflects on the impact of the Hippie Trail and the illusions of those who journeyed along it. The lively immediacy of Abley's journals combined with the measured wisdom of his mature, contemporary voice provides rich insight, bringing vibrant witness and historical perspective to this beautifully written portrait of a region during a time of irrevocable change."--

"The fourth and final installment in Ian Hamilton's exhilarating Ava Lee spin-off series The Lost Decades of Uncle Chow Tung. Following a diagnosis of terminal cancer, Uncle begins preparing for his inevitable death. As he sets his affairs in order, he recalls the moments in his life that meant the most to him -- including his first encounter with the talented forensic accountant Ava Lee and the origins of their life-changing partnership."--

Originally published by Anansi in 1971, this attractive A List edition features Northrop Frye's timeless essays on literature and painting along with a new introduction by celebrated Canadian author Lisa Moore.