Bøker utgitt av ibidem-Verlag, Jessica Haunschild u Christian Schon

This wide-ranging collection of academic essays examines the various undertakings by modern intellectuals and ideologues in the process of propaganda and political debate. Matthew Feldman calls attention to the substantial role played in post-Great War Europe and the US by religions¿both familiar monotheisms like Christianity and secular ¿political faiths¿¿over the last century of upheaval and revolutionary change. While the first part considers Ezra Pound as a case study in fascist ¿conversion¿ in Mussolini¿s Italy, leading to extensive propaganda, the second half examines other fascist ideologues like Martin Heidegger to fascist murderer Anders Behring Breivik, before turning to other leading ideologies in modern Europe and the US, communism and liberalism, covering key figures from Thomas Merton and Albert Camus to the Russian Constructionists and Samuel Beckett, with especial focus on the subjects of modern warfare, political terrorism, and genocide, ranging from Stalinist gulags to the war in Iraq. With thought-provoking discussion of the interplay between belief and modern politics as understood by familiar intellectual voices, this volume will be of interest to scholars and general readers alike.

Theories about the nature and function of philosophical imagination depend on our understanding of what kind of universe we inhabit. Some theories are compelling if the universe is meaningful as a whole, but they make no sense if it is not. Raymond C. Barfield discusses conditions that would be necessary if the universe is meaningful as a whole, and then develops a theory of philosophical imagination in light of that starting place. The theory moves toward the conclusion that if the universe is meaningful as a whole, the concept of the analogia entis, the analogy of being, illuminates philosophical imagination in a way that changes our understanding of its function and potential, along with the value of its discoveries through the things it creates.

Helmut Meier's study of pro- and anti-slavery texts from 1784-1825 focuses on understanding the distinct image of Africans in the British debate on the slave trade and slavery as such. Starting from the premise that, at the threshold from the early to the late modern period, the distinct image of Africans as slaves was instrumental in universalizing a Eurocentric concept of capitalist wage labor both at the colonial centres and margins, Meier argues that, by portraying African slaves as suffering wretches, especially anti-slavery texts created colonial Others in an indistinct zone between inclusion and exclusion from humanity. The discourse on slavery thus constructs African slaves as mimetic Others which could subsequently become the objects of a discourse of colonial reform and 'betterment'.