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Displacing Theory Through the Global South calls for reflection on the historical and geopolitical inequalities that have shaped theorization. It asserts that what appears 'universal' often involves generalizations that flatten the particular. Critiquing the colonialist, imperialist, and Eurocentric perspectives that have historically impacted theorization in general and, more specifically, knowledge production about the so-called Global South, this volume seeks a different form of engagement that moves beyond such strictures. Featuring essays that unsettle distinctions between the general and the particular, it proposes a commitment to expanding notions of universality, making theorization not only relevant and generative, but ultimately, transformative.

Where is the past? It is not really behind us, but with us, constantly imagined and re-imagined in public discourse through historical narrations. Using the Clanwilliam Arts Project as a case study, this volume is founded on the 'anarchive', a conceptual constellation that positions the past in relation to the present, bringing into view strategies to facilitate remembering beyond the colonial archive.

The contentious discourse around world literature tends to stress the 'world' in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around 'world literature' have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek Attridge's theory of how literature 'works', the contributions in this volume explore in diverse ways and with attention to a variety of literary practices what it might mean to speak of 'the work of world literature'. The volume shows how attention to literariness complicates the ethical and political conundrums at the centre of debates about world literature.

What remains of materialism''s subversive potential - i.e., its ties with heresy or atheism and republicanism or communism - and to what extent does this concept still interpellate us politically and philosophically?As neoliberal policies expanded far beyond the state, their mechanisms of control seeped into the materiality of social reproduction, solidifying a conception of matter as something inert, to be appropriated, manipulated, and exploited. If in this context the subversive nature of a reference to materiality is called into question, it has also provoked new forms of resistance, as well as fundamental reconsiderations of the political implications of the notion of ''matter''. Against this background, the aim of this book is to show the diversity within continued engagements with materialism as a central concept for progressive politics, be it in the direction opened up by New Materialism, in renewed forms of Marxist and Spinozist based approaches, or in feminist analyses, each in their own terms, without excluding the possibility of alliances between them. Finally, this volume insists that the study of materiality and materialist approaches does not amount to a renunciation of philosophy, but rather urges us to broaden the task of philosophical thought in order to reconsider the historical and, in every sense of the word, material situatedness of all philosophical problems. Against a reductive and ahistorical conception of materialism - the straightest way back to ideology -, this book offers an analysis of its diverse emancipatory potentialities.Edited by Bernardo Bianchi, Émilie Filion-Donato, Marlon Miguel, and Ayşe Yuva, the volume contains contributions also by Chiara Bottici, Alex Demirović, Mariana de Gainza, Christoph F. E. Holzhey, Ericka Marie Itokazu, Vittorio Morfino, Cornelia Möser, Catherine Perret, Marianna Poyares, Mauricio Rocha, Pascal Sévérac, Stefano Visentin, Elena Vogman, Frieder Otto Wolf.

What remains of materialism''s subversive potential - i.e., its ties with heresy or atheism and republicanism or communism - and to what extent does this concept still interpellate us politically and philosophically?As neoliberal policies expanded far beyond the state, their mechanisms of control seeped into the materiality of social reproduction, solidifying a conception of matter as something inert, to be appropriated, manipulated, and exploited. If in this context the subversive nature of a reference to materiality is called into question, it has also provoked new forms of resistance, as well as fundamental reconsiderations of the political implications of the notion of ''matter''. Against this background, the aim of this book is to show the diversity within continued engagements with materialism as a central concept for progressive politics, be it in the direction opened up by New Materialism, in renewed forms of Marxist and Spinozist based approaches, or in feminist analyses, each in their own terms, without excluding the possibility of alliances between them. Finally, this volume insists that the study of materiality and materialist approaches does not amount to a renunciation of philosophy, but rather urges us to broaden the task of philosophical thought in order to reconsider the historical and, in every sense of the word, material situatedness of all philosophical problems. Against a reductive and ahistorical conception of materialism - the straightest way back to ideology -, this book offers an analysis of its diverse emancipatory potentialities.Edited by Bernardo Bianchi, Émilie Filion-Donato, Marlon Miguel, and Ayşe Yuva, the volume contains contributions also by Chiara Bottici, Alex Demirović, Mariana de Gainza, Christoph F. E. Holzhey, Ericka Marie Itokazu, Vittorio Morfino, Cornelia Möser, Catherine Perret, Marianna Poyares, Mauricio Rocha, Pascal Sévérac, Stefano Visentin, Elena Vogman, Frieder Otto Wolf.

Weathering is atmospheric, geological, temporal, transformative. It implies exposure to the elements and processes of wearing down, disintegration, or accrued patina. Weathering can also denote the ways in which subjects and objects resist and pass through storms and adversity. This volume contemplates weathering across many fields and disciplines; its contributions examine various surfaces, environments, scales, temporalities, and vulnerabilities. What does it mean to weather or withstand? Who or what is able to pass through safely? What is lost or gained in the process?