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This magnificent new volume gives you exclusive access to the Churchill War Rooms, bringing you closer than ever before to where Churchill not only ran the war - but won it.
Come face to face with Britain's wartime leader, in this scene reproduced from IWM's film archive.
Showcasing IWM's extensive collection, this book includes works from the major artists of the time such as John and Paul Nash, Orpen, Spencer and Singer Sargent, as well less familiar artists, offering an insight into the huge range and power of wartime art during the First World War.
This anthology provides a new approach, focusing on the best poems by the poets who were actually on the front line. It includes the most famous poets - Owen, Sassoon, Brooke - in greater than usual depth, plus rising stars such as Gurney and Blunden.
The Imperial War Museum's archive is home to more than 20,000 hours of moving image material spanning the twentieth century in Britain. The clips range from documentary film and official newsreels, to unedited combat footage, and amateur shots. In the museum's early days the films could only be viewed through Mutoscope machines from the late nineteenth century that functioned much like a flipbook, giving life to a series of motionless images. The Mutoscope did not project images on a screen, rather the machine was used by one person at a time. To re-create the experience of watching these historical film reels, some of the most compelling scenes have been reproduced in these action-filled flipbooks. As you flip through the Spitfire Flipbook, you'll come face to face with a 1940s Spitfire plane flying through the air. The single seat fighter aircraft dips and dives at lightning speeds as the pages progress. The Spitfire was the most commonly used airplane during the Battle of Britain and was used as both a fighter-bomber and for training. Replicating the action of old-time film strips, these flipbooks will be a delight for both children and adults, transporting those who flip the pages to Britain's wartime past.
As relevant today as when they were first published in 1943, Wise Eating in Wartime and How to Keep Well in Wartime offer cheerful and practical advice on healthy diet, exercise and wellbeing.
Art from Contemporary Conflict provides an introduction to IWM's remarkable contemporary art collection, showcasing a range of powerful works responding to the changing nature of contemporary warfare and conflicts including Northern Ireland, the Falklands, Bosnia, Iraq and Afghanistan.
"Keep calm and carry on." In 1939, Britain's Ministry of Information produced this now-ubiquitous reminder to its citizens in the event of widely predicted air attacks. But in the six consecutive years before Germany's surrender to Allied forces, the British public would feel keenly both the physical and moral hardships of war. To boost morale and raise awareness of how citizens' efforts might help--or hinder--the wartime effort, one of the most effective forms the British government had at its disposal was the poster. British Posters of the Second World War presents one hundred posters from this important period in world history. Some proclaimed in bold type that "Victory of the Allies is assured" and featured stalwart British soldiers alongside exaggerated enemy figures. Others, however, hung on the walls of bus and railway stations, town halls, and pubs, called for continued self-sufficiency, urging Britons to raise chickens and join "pig clubs." As the threat of espionage came to be regarded as ever-present, another category of posters cautioned soldiers and civilians alike against talking about the war: "Furtive Fritz is always listening" warned one; another, "Keep mum--she's not so dumb." Drawing on the Imperial War Museum's impressive collection of materials related to conflicts involving Britain in the twentieth and twenty-first centuries, British Posters of the Second World War explores these campaigns and many others with an introduction and explanatory text by the museum's senior curator, Richard Slocombe.
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