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Fifteen years since the publication of its second edition, this foundational text in the history of Arab-Israeli peacemaking endeavors has been updated to include developments from the past twenty-five years.Thoroughly revised and expanded, the third edition of Negotiating Arab-Israeli Peace examines the history of recurrent efforts to resolve the Arab-Israeli conflict since the 1970s and identifies a pattern of negative negotiating behaviors that repeatedly derail peacemaking efforts. In addition to updating all of the book's existing chapters with post-2010 sources and developments, authors Eisenberg and Caplan have added new chapters on the Arab Peace Initiative, the Annapolis Conference, the Kerry mission, and the Abraham Accords, as well as a conclusion that questions several core notions regarding the nature of the conflict, the possibility of its resolution, Arab-Israeli "normalization," and the viability of the two-state solution. An epilogue extends the book's framework into present-day crises in the region, specifically Hamas's 7 October 2023 attack on Israel and Israel's war against Hamas in Gaza. A companion website comprises nine appendices, among them 145 primary source documents, expanded notes, links to websites for maps, data and analysis, peace activities, and additional visual and documentary sources. Also online is a robust instructor's guide offering supplementary resources and ideas for assignments, research and classroom exercises, all of which draw upon and complement the themes running throughout the text.By measuring contemporary diplomatic episodes against the historical pattern of counterproductive negotiating habits, Negotiating Arab-Israeli Peace makes possible a coherent comparison of some eighty years of Arab-Israeli negotiations and offers readers a framework with which to assess the relative strengths and weaknesses of peace-making attempts-past, present, and future.

As the twentieth century began, Indianapolis found itself at the center of a booming commercial and industrial network with new office buildings, department stores, theaters, hotels, factories, places or worship, and the largest electric interurban train network in the nation. The population was growing, as well, with many new residential additions to the city planned, from ornate mansions on the north side of the city to working-class bungalows and apartments.In Architecture in Indianapolis: 1900-1920, preservationist and architectural historian Dr. James A. Glass describes the varied architectural currents that shaped buildings in Indianapolis during the first two decades of the twentieth century, a period when the Commercial Club of Indianapolis called the state capital "the largest inland city." With over 300 photographs and drawings, as well as 31 maps, Glass continues the exploration begun in Volume 1 of the variety of architectural styles that the city's builders drew on, including Italian Renaissance, Gothic, Arts and Crafts, Modern, Tudor palace and Tudor vernacular, Prairie Style, and many more. And, like Volume 1, Volume 2 documents the loss of distinctive architecture that has occurred throughout Indianapolis and explains why certain structures were razed. Both volumes together provide the first history of architecture in the city during its first century and will serve as an indispensable reference for decades to come.Along with its companion 1820-1900, Architecture in Indianapolis: 1900-1920 describes the varied architecture that architects and builders in the city designed and constructed during the first two decades of the twentieth century and profusely illustrates buildings of that period, providing an indispensable reference for decades to come.

For most of human history, all pottery was what we would now consider traditional folk pottery. Not all artifacts go beyond the basic requirements of utility in pursuit of beauty, but Beautiful Clay considers those that do.In Beautiful Clay, noted scholar of traditional ceramics John A. Burrison writes about how a potter applies aesthetics to utilitarian objects to transform raw clay into something beautiful. Though what is considered beautiful in art changes from culture to culture and person to person, there are universal techniques such as manipulating form, color, texture, and more that tap into clay's potential for beauty. Burrison uses an approach from a perspective of international artistry rather than an approach bound by history or geography. After beginning with more than 40,000 images that the author curated as a study resource, Beautiful Clay narrows it down to around 230 images that capture the artistry within traditional ceramics worldwide.Beautiful Clay examines the aesthetic dimensions of what is essentially a traditional utilitarian craft, the ancient clay-based craft of pottery, from earliest times to the present.

From the end of the Second World War to the early 1970s, new paradigms began to form in academic, scientific, and professional knowledge in various disciplines and fields--not only in the United States, but also in East Asia.Drawing on a wealth of archival documents from East Asia, Knowledge Production in Cold War Asia focuses on the building and rebuilding of these different forms of knowledge in or about East Asia during the first half of the Cold War. It explores how this newly constructed knowledge came to assume certain "norms" professionals and bureaucrats of these countries tried to comply with and sometimes wrestled with. The essays within this collection explore a wide variety of this knowledge production: state-centered promotions of construction and normalization of knowledge; the ways in which non-state actors were involved in the construction and normalization of knowledge; and how individuals and groups who resisted or protested the hegemonic knowledge were constructed by state or non-state actors.A distinctive look at the Cold War through the research and perspectives of scholars from East Asia, Knowledge Production in Cold War Asia insightfully highlights the role of knowledge production, normalization, and resistance in the Cold War era, contributing to a fuller understanding of international relations.

In the Anthropocene era, every inch of the Earth has been permanently impacted by human forces. As human civilization fundamentally distorts deep ecology, the vastness of the changes becomes difficult for us to visualize and comprehend. What if we could compress it into a defined space to better visualize it and perceive it globally and locally?Indiana Transformations presents the Hoosier state as a microcosm of the Anthropocene and our interactions with it. It captures key features of this worldwide phenomenon within a regional, bounded space, collapsing the global into the local. Drone photography from more than 45 locations across Indiana provides readers with a new visualization of the environment in which we live. By documenting the current epoch within a narrow scope, author Zach Schrank and photographer Aaron Yoder convey how the Anthropocene is not an exotic feature of a landscape on the other side of the world but is present in a space as unassuming as Indiana.Showcasing stunning imagery of humans' profound environmental impact, Indiana Transformations helps readers appreciate the scale of change around us.

Vegetal, Animal, Marginal explores the oft-forgotten yet provocative German genre of die Groteske, or the literary grotesque. This short prose form challenges the norms of being human and being accepted as such by society in exaggerated and satirical ways. Between the Kaiser's and Hitler's Reichs, the genre's irreverent comedy and criticism sold out cabarets, drew droves of radio listeners, and created bestsellers.Yet, because its authors were ruthlessly censored and persecuted, die Groteske is virtually unknown today and neglected by scholarship.Joela Jacobs examines the development and influence of the genre on some of its leading exponents, including Oskar Panizza, Hanns Heinz Ewers, Salomo Friedlaender, and Franz Kafka.Vegetal, Animal, Marginal is the first full-length study of the genre and shows how its portrayals of marginalized and nonhuman perspectives mounted resistance against the rise of the biopolitical structures underpinning nationalism, racism, and antisemitism.

From Norman Bates dressed as "Mother" in Psycho to the rouged cheeks of Leatherface in The Texas Chainsaw Massacre, many slasher icons have borne traces of queer and gender nonconforming behavior since the genre's very beginning.Queer Slashers presents the first book-length study of how and why the slasher subgenre of horror films appeals to queer audiences. In it, Peter Marra constructs a reparative history of the slasher that affirms its queer lineage extending back as early as the 1920s. It also articulates the queer aspects of the slasher formula that forge an unlikely kinship between queer audiences and these retrograde depictions of queer killers. Marra establishes a queer history and function for the slasher, analyzing several key contemporary "queer slashers"-that is, slashers that are made by queer filmmakers-to better understand how queer artists take up the slasher iconography and put it toward modern queer aims.Featuring analysis of films such as John Waters's Serial Mom, Peaches Christ's All About Evil, and Stranger by the Lake, Queer Slashers illuminates the queer meanings of slashers, their foundations, and their future possibilities.

Throughout his career, Martin Heidegger read and reinterpreted his own writings. This was part of the entirely self-critical orientation of the journey in the landscape of thought. On My Own Publications is the first English-language translation of volume 82 of Heidegger's Complete Works. Started a decade after Being and Time (1927), much of this volume presents running commentary, interpretations, and insights of many of Heidegger's fundamental works, illuminating the philosopher's notes and personal thoughts on his own works and offering a rare look inside the mind of an influential thinker. Focusing on several works including What Is Metaphysics? (1929), The Origin of the Work of Art (1935-36), and The Letter on Humanism (1946), On My Own Publications presents Heidegger reading, interpreting, and confronting some of his own most important and influential publications.