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Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.

"In A Brief History of History, acclaimed historian Jeremy Black seeks to reinvigorate and redefine our ideas about history. The stories we tell about the past are a crucial aspect of all cultures. However, while the traditional storytelling process--what we think of as "history" in the proper sense--is useful, it is also misleading, not least because it leads to the repetition of bias and misinformation. Black suggests that the conventional idea of history and historians is constructed too narrowly, as it fails to engage with the broad nature of lived experience. By focusing on a singular idea or story within the history being explored, we fail to understand the interconnectivity of the everyday experience. A Brief History of History challenges accepted norms of the historical perspective and offers a view of human history that will surprise many and (perhaps) infuriate some. But above all, it is a history of historians written for this moment in time, a time when the traditional Eurocentric approach to history now appears wholly inappropriate"--

""These are new Cubans. Twenty-first-century Marielitos. Balseros, as the bartender had referred to them. I know, because my mom tells me that these are the kinds of Cubans I need to stay away from." In eight captivating stories, In This World of Ultraviolet Light navigates tensions between Cubans, Cuban Americans, and the larger Latinx community. Though these stories span many locations-from a mulch manufacturing facility on the edge of Big Cypress National Preserve to the borderlands between Georgia and the Carolinas-they are overshadowed by an obsession with Miami as a place that exists in the popular imagination. Beyond beaches and palm trees, Raul Palma goes off the beaten path to portray everyday people clinging to their city and struggling to find cultural grounding. As Anjali Sachdeva writes, "This is fiction to steal the breath of any reader, from any background." Boldly interrogating identity, the discomfort of connection, and the entanglement of love and cruelty, In This World of Ultraviolet Light is a nuanced collection of stories that won't let you go"--