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William Thomas Stead (July 5, 1849 - April 15, 1912) was a British journalist. He was born in Embleton, Northumberland, the son of a Congregational minister. He died on the RMS Titanic when it struck an iceberg and sank. Excerpts from the title:...But what with the superstitious credulity of the one age and the equally superstitious unbelief of another, it is necessary to begin from the beginning and to convince a skeptical world that apparitions really appear. In order to do this it is necessary to insist that your ghost should no longer be ignored as a phenomenon of Nature. He has a right, equal to that of any other natural phenomenon, to be examined and observed, studied and defined. It is true that he is a rather difficult phenomenon; his comings and goings are rather intermittent and fitful, his substance is too shadowy to be handled, and he has avoided hitherto equally the obtrusive inquisitiveness of the microscope and telescope.

Spring-heeled Jack is a character in English folklore of the Victorian era who was known for his startling jumps. The first claimed sighting of Spring-heeled Jack was in 1837. Later sightings were reported all over England and were especially prevalent in suburban London, the Midlands and Scotland. There are many theories about the nature and identity of Spring-heeled Jack. This urban legend was very popular in its time, due to the tales of his bizarre appearance and ability to make extraordinary leaps, to the point that he became the topic of several works of fiction. Spring-heeled Jack was described by people who claimed to have seen him as having a terrifying and frightful appearance, with diabolical physiognomy, clawed hands, and eyes that "resembled red balls of fire". One report claimed that, beneath a black cloak, he wore a helmet and a tight-fitting white garment like an oilskin. Many stories also mention a "Devil-like" aspect. Others said he was tall and thin, with the appearance of a gentleman. Several reports mention that he could breathe out blue and white flames and that he wore sharp metallic claws at his fingertips. At least two people claimed that he was able to speak comprehensible English. (wikipedia.org)

Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen), also translated as Thus Spake Zarathustra, is a work of philosophical fiction written by German philosopher Friedrich Nietzsche between 1883 and 1885. The protagonist is nominally the historical Zoroaster, but, besides a handful of sentences, Nietzsche is not concerned with a specific resemblance. Much of the book consists of discourses by Zarathustra on a wide variety of subjects, most of which end with the refrain, "Thus spoke Zarathustra." The character of Zarathustra first appeared in Nietzsche's earlier book The Gay Science.The style of Zarathustra has facilitated varied and often incompatible ideas about what Zarathustra says. Zarathustra's "explanations and claims are almost always analogical and figurative." Though there is no consensus with what Zarathustra means when he speaks, there is some consensus about that which he speaks. Zarathustra deals with ideas about the Übermensch, the death of God, the will to power, and eternal recurrence. Nietzsche has suggested that his Zarathustra is a tragedy, a parody, a polemic, and the culmination of the German language. It was his favorite of his own books. He was aware, however, that readers might not understand it. This is possibly why he subtitled it A Book for All and None. However, as with the content as a whole, the subtitle has baffled many critics, and there is no consensus. Zarathustra's themes and merits are continually disputed. It has nonetheless been hugely influential in various facets of culture. (wikipedia.org)

Ernest Shurtleff Holmes (January 21, 1887 - April 7, 1960) was an American New Thought writer, teacher, and leader. He was the founder of a spiritual movement known as Religious Science, part of the greater New Thought movement, whose spiritual philosophy is known as "The Science of Mind." He was the author of The Science of Mind and numerous other metaphysical books, and the founder of Science of Mind magazine, in continuous publication since 1927. His books remain in print, and the principles he taught as "Science of Mind" have inspired and influenced many generations of metaphysical students and teachers. Holmes had previously studied another New Thought teaching, Divine Science, and was an ordained Divine Science Minister. His influence beyond New Thought can be seen in the self-help movement. (wikipedia.org)

Edward Lear (12 May 1812 - 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; and as a (minor) illustrator of Alfred, Lord Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes and alphabets. He also composed and published twelve musical settings of Tennyson's poetry. (wikipedia.org)

Ernest Shurtleff Holmes (January 21, 1887 - April 7, 1960) was an American New Thought writer, teacher, and leader. He was the founder of a spiritual movement known as Religious Science, part of the greater New Thought movement, whose spiritual philosophy is known as "The Science of Mind." He was the author of The Science of Mind and numerous other metaphysical books, and the founder of Science of Mind magazine, in continuous publication since 1927. His books remain in print, and the principles he taught as "Science of Mind" have inspired and influenced many generations of metaphysical students and teachers. Holmes had previously studied another New Thought teaching, Divine Science, and was an ordained Divine Science Minister. His influence beyond New Thought can be seen in the self-help movement. (wikipedia.org)

The Beautiful and Damned, first published by Scribner's in 1922, is F. Scott Fitzgerald's second novel.It tells the story of Anthony Patch (a 1920s socialite and presumptive heir to a tycoon's fortune), his relationship with his wife Gloria, his service in the army, and alcoholism. The novel provides an excellent portrait of the Eastern elite as the Jazz Age begins its ascent, engulfing all classes into what would soon be known as Café Society. As with all of his other novels, it is a brilliant character study and is also an early account of the complexities of marriage and intimacy that were further explored in Tender Is the Night. The book is believed to be largely based on Fitzgerald's relationship and marriage with Zelda Fitzgerald.Toward the end of the novel, Fitzgerald references himself via a character who is a novelist: "You know these new novels make me tired. My God! Everywhere I go some silly girl asks me if I've read 'This Side of Paradise.' Are our girls really like that? If it's true to life, which I don't believe, the next generation is going to the dogs. I'm sick of all this shoddy realism."A 1922 film adaptation, directed by William A. Seiter, starred Kenneth Harlan as Anthony Patch and Marie Prevost as Gloria. In 2004, the book lent its title to a musical based on the Fitzgeralds' marriage. A modern adaptation of the novel has been made recently by Australian filmmaker Richard Wolstencroft starring Ross Ditcham and Kristen Condon. It is due for release in Australia in 2010 after playing at the F.Scott Fitzgerald conference in Baltimore, October 2009. (wikipedia.org)

She, subtitled A History of Adventure, is a novel by the English writer H. Rider Haggard, published in book form in 1887 following serialisation in The Graphic magazine between October 1886 and January 1887. She was extraordinarily popular upon its release and has never been out of print. The story is a first-person narrative which follows the journey of Horace Holly and his ward Leo Vincey to a lost kingdom in the African interior. They encounter a native people and a mysterious white queen named Ayesha who reigns as the all-powerful "She" or "She-who-must-be-obeyed". Haggard developed many of the conventions of the lost world genre which countless authors have emulated. Haggard was "part of the literary reaction against domestic realism that has been called a romance revival." Other writers following this trend were Robert Louis Stevenson, George MacDonald, and William Morris. Haggard was inspired by his experiences living in South Africa for seven years (1875-82) working at the highest levels of the British colonial administration. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. Its representation of womanhood has received both praise and criticism.

Scaramouche is a historical novel by Rafael Sabatini, originally published in 1921. It was subsequently adapted into a play by Barbara Field and into feature films, first in 1923 starring Ramón Novarro, Scaramouche (1923), and a remake in 1952 with Stewart Granger. A romantic adventure, Scaramouche tells the story of a young lawyer during the French Revolution. In the course of his adventures he becomes an actor portraying "Scaramouche" (also called Scaramuccia, a roguish buffoon character in the commedia dell'arte). He also becomes a revolutionary, politician, and fencing-master, confounding his enemies with his powerful orations and swordsmanship. He is forced by circumstances to change sides several times. The book also depicts his transformation from cynic to idealist. (wikipedia.org)

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608-1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time. The poem concerns the biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. In his introduction to the Penguin edition of Paradise Lost, the Milton scholar John Leonard notes, "John Milton was nearly sixty when he published Paradise Lost in 1667. The biographer John Aubrey (1626-1697) tells us that the poem was begun in about 1658 and finished in about 1663. However, parts were almost certainly written earlier, and its roots lie in Milton's earliest youth." Leonard speculates that the English Civil War interrupted Milton's earliest attempts to start his "epic [poem] that would encompass all space and time." Leonard also notes that Milton "did not at first plan to write a biblical epic." Since epics were typically written about heroic kings and queens (and with pagan gods), Milton originally envisioned his epic to be based on a legendary Saxon or British king like the legend of King Arthur. Having gone blind in 1652, Milton wrote Paradise Lost entirely through dictation with the help of amanuenses and friends. He also wrote the epic poem while often ill, suffering from gout, and suffering emotionally after the early death of his second wife, Katherine Woodcock, in 1658, and their infant daughter. ... About the author: John Milton (9 December 1608 - 8 November 1674) was an English poet, author, polemicist, Puritan and civil servant for the Commonwealth of England. He is best known for his epic poem Paradise Lost.He was a scholarly man of letters, a polemical writer, and an official serving under Oliver Cromwell. He wrote at a time of religious and political flux in England, and his poetry and prose reflect deep convictions, but also dealing with contemporary issues, such as his treatise condemning censorship, Areopagitica. As well as English, he wrote in Latin and Italian, and had an international reputation during his lifetime.After his death, Milton's critical reception oscillated, a state of affairs that continued through the centuries. At an early stage he became the subject of partisan biographies, such as that of John Toland from the nonconformist perspective, and a hostile account by Anthony à Wood. Samuel Johnson described him as "an acrimonious and surly republican"; but William Hayley's 1796 biography called him the "greatest English author". He remains generally regarded "as one of the preeminent writers in the English language and as a thinker of world importance."

Most Christians, think of words like "meditation," and "mysticism" as words related merely to Eastern Religions and philosophies. However as this volume asserts concepts such as mysticism was and is a vital part of Christian spirituality. The author, William W. Atkinson also examines the concept of reincarnation in the origins of Christianity and by doing so offers us an interesting new look at Christianity in the context of its universality and its relation with those of Eastern religions.

Men Like Gods (1923) is a novel, referred to by the author as a "scientific fantasy", by English writer H. G. Wells. It features a utopia located in a parallel universe. Men Like Gods is set in the summer of 1921. Its protagonist is Mr. Barnstaple (his first name is either Alfred or William), a journalist working in London and living in Sydenham. He has grown dispirited at a newspaper called The Liberal and resolves to take a holiday. Taking leave of his wife and family, his plans are disrupted when his and two other automobiles are accidentally transported with their passengers into "another world," which the "Earthlings" call Utopia. A sort of advanced Earth, Utopia is some three thousand years ahead of humanity in its development. For the 200,000,000 Utopians who inhabit this world, the "Days of Confusion" are a distant period studied in history books, but their past resembles humanity's in its essentials, differing only in incidental details: their Christ, for example, died on the wheel, not on the cross. Utopia lacks any world government and functions as a successfully realised anarchy. "Our education is our government," a Utopian named Lion says. Sectarian religion, like politics, has died away, and advanced scientific research flourishes. Life in Utopia is governed by "the Five Principles of Liberty", which are privacy, free movement, unlimited knowledge, truthfulness, and free discussion (allowing criticism). Men Like Gods is divided into three books. Details of life in Utopia are given in Books I and III. In Book II, the Earthlings are quarantined on a rocky crag after infections they have brought cause a brief epidemic in Utopia. There they begin to plot the conquest of Utopia, despite Mr. Barnstaple's protests. He betrays them when his fellows try to take two Utopians hostage, forcing Mr. Barnstaple to escape execution for treason by fleeing perilously. In Book III, Mr. Barnstaple longs to stay, but when he asks how he can best serve Utopia, he is told that he can do this "by returning to your own world". Regretfully he accepts and ends his month-long stay in Utopia. But he brings with him back to Earth a renewed determination to contribute to the effort to make a terrestrial Utopia: "He belonged now soul and body to the Revolution, to the Great Revolution that is afoot on Earth; that marches and will never desist nor rest again until old Earth is one city and Utopia set up therein. He knew clearly that this Revolution is life, and that all other living is a trafficking of life with death." Contemporary reviews of the novel were largely positive, though some found the story weakly plotted. As is often the case in his later fiction, Wells's utopian enthusiasm exceeded his interest in scientific romance or fantasy (his own terms for what is now called science fiction). The novel was yet another vehicle for Wells to propagate ideas of a possible better future society, also attempted in several other works, notably in A Modern Utopia (1905). Men Like Gods and other novels like it provoked Aldous Huxley to write Brave New World (1932), a parody and critique of Wellsian utopian ideas. Wells himself later commented on the novel: "It did not horrify or frighten, was not much of a success, and by that time, I had tired of talking in playful parables to a world engaged in destroying itself." (wikipedia.org)

Ivanhoe: A Romance by Walter Scott is a historical novel published in three volumes, in 1819, as one of the Waverley novels. Set in England in the Middle Ages, this novel marked a shift away from Scott's prior practice of setting stories in Scotland and in the more recent past. Ivanhoe became one of Scott's best-known and most influential novels. Set in 12th-century England, with colourful descriptions of a tournament, outlaws, a witch trial, and divisions between Jews and Christians, Normans and Saxons, Ivanhoe was credited by many, including Thomas Carlyle and John Ruskin, with inspiring increased interest in chivalric romance and medievalism. As John Henry Newman put it, Scott "had first turned men's minds in the direction of the Middle Ages". Ivanhoe was also credited with influencing contemporary popular perceptions of historical figures such as King Richard the Lionheart, Prince John, and Robin Hood. Ivanhoe is the story of one of the remaining Anglo-Saxon noble families at a time when the nobility in England was overwhelmingly Norman. It follows the Saxon protagonist, Sir Wilfred of Ivanhoe, who is out of favour with his father for Sir Wilfred's allegiance to the Norman king Richard the Lionheart. The story is set in 1194, after the failure of the Third Crusade, when many of the Crusaders were still returning to their homes in Europe. King Richard, who had been captured by Leopold of Austria on his return journey to England, was believed to still be in captivity. (wikipedia.org)

Children's and Household Tales (German: Kinder- und Hausmärchen) is a collection of German origin fairy tales first published in 1812 by Jacob and Wilhelm Grimm, the Brothers Grimm. The collection is commonly known today as Grimm's Fairy Tales (German: Grimms Märchen). The influence of the book was widespread. W. H. Auden praised it, during World War II, as one of the founding works of Western culture...

A Dialogue of Comfort against Tribulation is a work that was written by St. Thomas More while imprisoned in the Tower of London in 1534. Thomas More was imprisoned by King Henry VIII for refusing to swear to the Act of Succession (1534). He had been given writing materials in the early months of his imprisonment. The Dialogue is set in the Kingdom of Hungary in 1528, between the invasions of Suleiman the Magnificent. It is a fictional dialogue between Vincent and his uncle, Anthony. The book begins with Vincent paying a visit to his uncle. He is terrified by the invasions of the Ottomans and seeks comfort from Anthony. Anthony tells him that comfort can only come from God. The Dialogue is a reflection on worldly power, the transience of pleasure, and the redemptive power of Jesus Christ. While it is a spiritual reflection, the treatment of themes of worldly power by a major political figure and humanist also characterizes it as a work of political thought. Immediately after More's death, the Dialogue of Comfort circulated in manuscript form. The most important surviving manuscripts are the Corpus Christi Manuscript, Bodleian Library, Ms. C.C.C. D.37; and British Library, Ms. Royal 17 D.XIV. It was first published, in quarto, in London by Richard Tottel in 1553. In modern editions, the spelling and punctuation of the original are corrected and standardized. (wikiperdia.org)

Flush: A Biography, an imaginative biography of Elizabeth Barrett Browning's cocker spaniel, is a cross-genre blend of fiction and nonfiction by Virginia Woolf published in 1933. Written after the completion of her emotionally draining The Waves, the work returned Woolf to the imaginative consideration of English history that she had begun in Orlando: A Biography, and to which she would return in Between the Acts. Commonly read as a modernist consideration of city life seen through the eyes of a dog, Flush serves as a harsh criticism of the supposedly unnatural ways of living in the city. The figure of Elizabeth Barrett Browning in the text is often read as an analogue for other female intellectuals, like Woolf herself, who suffered from illness, feigned or real, as a part of their status as female writers. Most insightful and experimental are Woolf's emotional and philosophical views verbalised in Flush's thoughts. As he spends more time with Barrett Browning, Flush becomes emotionally and spiritually connected to the poet and both begin to understand each other despite their language barriers. For Flush smell is poetry, but for Barrett Browning, poetry is impossible without words. In Flush Woolf examines the barriers that exist between woman and animal created by language yet overcome through symbolic actions. The book, due to its subject matter, has often been considered one of her less serious artistic endeavours; however, she uses her distinctive stream of consciousness style to experiment with a non-human perspective. In places the novella plays with realism by allowing Flush an improbable amount of perception for a canine (Flush seems to grasp some idea of social class in humans, a concept recurrently criticized in the story as he becomes more "democratic" later in life), and can "talk" to other dogs on the street. At other times the reader is forced to interpret events from the dog's limited knowledge (Flush sees her owner agitated over markings on a paper and cannot understand that she is in love). For material, Woolf drew primarily on Barrett Browning's two poems on dogs ("To Flush, My Dog" and "Flush or Faunus") and on the published correspondence of the poet and her husband, Robert Browning. From this material, Woolf creates a biography that works on three levels. It is overtly a biography of a dog's life. Since this dog is of interest primarily for its owner, the work is also an impressionistic biography of Elizabeth Barrett during the most dramatic years of her life. At this level, Flush mostly recapitulates the romantic legend of Barrett Browning's life: early confinement by a mysterious illness and a doting but tyrannical father; a passionate romance with an equally talented poet; an elopement that permanently estranges the father, but which allows Barrett Browning to find happiness and health in Italy. On a third level, the book gives Woolf an opportunity to return to some of her most frequent topics: the glory and misery of London; the Victorian mindset; class differences; and the ways in which women oppressed by "fathers and tyrants" may find freedom. Woolf ostensibly uses the life of a dog as pointed social criticism, ranging across topics from feminism and environmentalism to class conflict. (wikipedia.org)

This is a classic work of Western nonfiction by a Montana artist whose drawings and paintings helped create the iconography of the early cowboy of the open range. Also a storyteller, Russell wrote this collection of yarns and memories before his death, commemorating frontier life in the closing decades of the nineteenth century. It was published in 1927, with an introduction by Will Rogers in the form of a cowboy eulogy. The original edition featured more than 50 of Russell's illustrations, some of them in color. Unlike the fairly rollicking account of Teddy Blue Abbott, his cowboy contemporary, Russell's book is a more melancholy view of what he remembers as the good old days. His stories are told in an ironic vernacular by an old-timer cowboy named Rawhide Rawlins. Many concern the adventures of cowboys; many also feature Native Americans, in the early years of the agencies (reservations), portrayed with some complexity of feelings, ranging from fear and distrust to respect. Some are outrageously tall tales. Some are spirited character sketches, capturing something of life on the rough, raw land before settlement and homesteading, the motorcar, and civilization - before the plow broke the prairie sod where buffalo and then cattle and cowboys ranged freely. One of the finest pieces of Western writing occurs in the last chapter, "Longrope's Last Guard," which describes in vivid detail the experience of riding herd on a pitch dark night as the stillness is shattered by an electrical storm that stampedes the cattle and takes the life of one of the men. The burial of the dead cowboy on the open prairie and the subsequent disappearance of his grave is symbolic of the passing of the brief frontier era Russell's words and pictures embrace. I recommend this book for its capturing of the historical cowboy as remembered by a man who was there and lived among them. As a companion volume, I also recommend Teddy Blue Abbott's "We Pointed Them North," a well-detailed and more light-hearted recollection of the same time and place. (Ron)

CONTENTS Mind over Motor Like a Wolf on The Fold The Simple Lifers Tish's Spy My Country Tish of Thee About the author: Mary Roberts Rinehart (August 12, 1876 - September 22, 1958) was an American writer, often called the American Agatha Christie. Rinehart published her first mystery novel The Circular Staircase in 1908, which introduced the "had I but known" narrative style. Rinehart is also considered the source of "the butler did it" plot device in her novel The Door (1930), although the exact phrase does not appear in her work. She also worked to tell the stories and experiences of front line soldiers during World War I, one of the first women to travel to the Belgian front lines. Rinehart wrote hundreds of short stories, poems, travelogues and articles. Many of her short stories, books, and plays were adapted for movies, such as Bab: A Sub-Deb (1917), The Bat (1926), The Bat Whispers (1930), Miss Pinkerton (1932), and The Bat (1959 remake). The novel The Circular Staircase was first adapted to the screen as a silent film in 1915, and later as an episode in the TV show Climax! in 1956. In 1933 RCA Victor released The Bat as one of the early talking book recordings. She co-wrote the 1920 play The Bat which was later adapted into the 1930 film The Bat Whispers. The latter influenced Bob Kane in the creation of Batman's iconography. ... (Wikipedia.org)