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The three playtexts from the touring project The Trilogy, inspired by Shakespeare, together with essays reflecting on the politics of dramaturgy, authorship, adaptation, text and performance in contemporary theatre. An important and highly original contribution to the growing interest in interdisciplinary practice research. 12 col. illus.

Polanski and Perception focuses on Roman Polanski's interest in the nature of perception and how this is manifested in his films. Informed by the work of neuropsychologist R. L. Gregory, this volume primarily focuses on two sets of films: the Apartment trilogy and the Investigation trilogy. This book also includes case studies of other films.

Hong Kong New Wave Cinema analyzes specific films from Hong Kong in the 1960s and 1970s and the historical and social conditions that allowed them to flourish. Pak Tong Cheuk also draws on the auteur and genre theories, examines the directors' cinematic style and aesthetics, traces the development of the film and television industries and more.

Focusing on cinema in Portugal and Spain, this collection brings together research about women and their status in relation to Iberian filmic culture. Through a revision of feminist theory and new accounts of film history it contributes to expanding debate and encourages comparison between Iberian cinemas and visual culture from different regions.

Focusing on cinema in Portugal and Spain, this collection brings together research about women and their status in relation to Iberian filmic culture. Through a revision of feminist theory and new accounts of film history it contributes to expanding debate and encourages comparison between Iberian cinemas and visual culture from different regions.

Edited volume exploring the dynamic relationship between the Friday Mosque and the city. While the Friday mosque and the 'Islamic City' have been widely studied by historians of Islamic architecture and urbanism, this volume specifically examines the functional and spatial ambiguity or liminality between sacred and urban spaces. 101 col. illus.

Looks at the use of prototyping in design research across a range of disciplines. Uses case studies to demonstrate theoretical and methodological transferability among disciplines not typically thought to be related to one another. This is an important contribution to the emerging field of integrative design. 89 col. illus.

Ghana is widely acknowledged by the international community as a model of democracy: the first black African sub-Saharan country to gain political independence from Britain. Focusing on the matrix offered by the media-democracy paradox in Ghana, Africa and the Global South, it will generate debate in democracy, media, journalism and communication.

This edited collection is an interdisciplinary study of heavy metal culture in Argentina between 1983 and 2002. Contributors address the music's rituals, circulations, cultural products, lyrics and intertexts, allowing readers to rethink the place of national heavy metal within Argentinean politics and economics, after the end of the dictatorship.

Uses original studies of four dance companies to examine the religious lives of American Christians who are also professional dancers. Explores how practices of dancing and Christianity, and experience and performance contexts influence and shape approaches to creating, transforming and performing dance. 10 b/w illus.

A documentation of the cultural meaning of the urban landscape of the Ancient City of Aleppo though the urban structures and characteristic courtyard houses, this is both a theoretical and practical handbook for architects, urban planners and restorers alike. 70 b/w illus.

Moving far beyond predominant views of Africa as a place to be "saved," and even more recent celebratory formulations of it as "rising," African Luxury: Aesthetics and Politics highlights and critically interrogates the visual and material cultures of lavish and luxurious consumption already present on the continent. Methodologically, conceptually, and analytically, the collection dismantles taken-for-granted ideas that the West is the source and focus of high-end and hyper-desirable material cultures. It explores what the culture of consumption means in Africa in both historical and contemporary contexts, studying diverse luxury phenomena including fashion advertising, reality television, retail, gendered consumption, and gardening to re-center the discussion on existing contemporary luxury cultures across the continent. Moving far beyond predominant views of Africa as a place to be ''saved'', and even more recent celebratory formulations of it as ''rising'', African Luxury: Aesthetics and Politics highlights and critically interrogates the visual and material cultures of lavish and luxurious consumption already present on the continent. Methodologically, conceptually and analytically, the collection dismantles taken-for-granted ideas that the West is the source and focus of high-end and hyper-desirable material cultures. It explores what the culture of consumption means in Africa in both historical and contemporary contexts, studying diverse luxury phenomena including fashion advertising, reality television, retail, gendered consumption and gardening to re-centre the discussion on existing contemporary luxury cultures across the continent.

The Traumatic Screen is a psychoanalytic study that considers the function and presentation of trauma in Christopher Nolan's films. Using a methodological framework with references to Freud and Lacan, the author argues that Nolan's films highlight the ways in which the cinema can provide specific insights into the nature of human consciousness.

A collection that combines visual works with critical essays around the theme of everyday life to explore the concept of otherness and highlight photography as a form of critical practice. Put together in this way, the book images and text work in dialogue with one another to construct a new perspective on questions of otherness and alterity.

Radical Mainstream examines independent film and video cultures in Britain in the 1970s and 1980s in the context of capitalism, patriarchy, racism, colonialism and homophobia. It explores how radical discourse can impact on dominant cultural forms such as television, using public sphere theories to examine relations between counterpublics and social change.

This book uses visual research methods to investigate architecture, landscape design and interior architecture. It presents a diverse selection of interdisciplinary approaches for the architect or architectural researcher to use their gaze as part of their research practice for the purpose of visual literacy.

An in-depth intellectual and historical analysis of Les Archives de la Planete, Albert Kahn's collection of early colour photography and documentary film. The book examines the extraordinary context of Kahn's work, considers archival theory and visual culture, and investigates the cosmopolitan strategies of Kahn and associates, e.g. Henri Bergson.

The second volume in Intellect's Film Studies in China series, this is a collection of articles selected from issues of the journal Contemporary Cinema, translated into English. The goal of publishing this journal in English is to enable in-depth exchanges about film policy, global culture and film-making with film researchers all over the world.

This volume of research papers provides a scientific and critical assessment of the impact of the modern digital media era on our societies, communities and practices in diverse sociopolitical landscapes. It presents evidence, theories, practices and arguments that can lead to a literate and better represented, brave new world.

This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem's work addresses women's history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses, and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem's legacy beyond the audiences of her live performances and enter her work into the lexicon of the art world. Accompanied by two hundred images, Responding to Site will be of interest to scholars and students of performance studies, feminist performance, feminist art history, and performance history. It will also contribute to the history of alternative spaces and galleries that is only now being written.

An exploration of Stanley Kubrick's 2001: A Space Odyssey that combines 'new' empirical approaches with 'old' formalist approaches. This provides a broader understanding of how Kubrick's methods as a director and auteur were developed to produce a unique aesthetic creation that is still years ahead in its design, vision and philosophical structure.

Punk Now!! explores contemporary and non-Anglophone punk as well as its most anti-establishment tendencies through a collection of papers from the second Punk Scholars Network International Conference and Postgraduate Symposium. This edited collection informs us about punk today and punk at the margins, areas that are poorly served in punk studies.

This book compares two conceptual models for theorizing about photography: the Turin Shroud and the universal Turing machine. It explores new propositions about the theory of photography; the concept of quasi-photography; a unique model for photography as algorithmic art; and an interface between philosophies of photography and media.

Photography in Alter Space. Leading academics explore ideas alongside the photographs.

The author came to live by Forrestdale Lake in southwestern Australia in 1986. Based in part on a nature journal he kept for several years, this book traces the life of the plants and animals of the surrounding area through the seasons. It provides a cultural and natural history of this place.

Open Roads, Closed Borders is the first collection of essays about French-language road movies, a particularly rich yet critically neglected cinematic category. These films, the contributors argue, offer important perspectives on contemporary French ideas about national identity, France's former colonies, Europe and the rest of the world. Taken together, the essays illustrate how travel and road motifs have enabled directors of various national origins and backgrounds to reimagine space and move beyond simple oppositions such as Islam and secularism, local and global, home and away, France and Africa and East and West.