Bøker utgitt av INTELLECT

This book offers a comprehensive overview of the current European media in a period of disruptive transformation. It maps the full scope of contemporary media policy and industry activities while also assessing the impact of new technologies and radical changes in distribution and consumption on media practices, organizations and strategies.

Exploring the shared professional ideals of journalists, the study analyzes how they conceive of stories as important, and how their ideals relating to their work are expressed and aspired to in everyday practice.

Using media for social innovation is a critical roadmap for understanding and researching 'social innovation media'. These media initiatives seek to find new solutions to seemingly intractable social problems by combining creativity, media technologies and engaged collectives in their design and implementation. The book uses a number of case studies - including youth, Indigenous, human rights and environmental campaign media - to illuminate the emergence of purposeful and productive platforms for social change. It interrogates the guiding principles, assumptions, goals, practices and outcomes of these experiments, revealing the challenges they face, the components of their innovation, and the political economy within which they operate.

An exploration of Stanley Kubrick's 2001: A Space Odyssey that combines 'new' empirical approaches with 'old' formalist approaches. This provides a broader understanding of how Kubrick's methods as a director and auteur were developed to produce a unique aesthetic creation that is still years ahead in its design, vision and philosophical structure.

What drives an artist to create? And are there common traits that successful artists possess? In The Making of an Artist, Kristin G. Congdon draws on her years of studying and teaching art at all levels - from universities to correctional settings - to identify three traits that are regularly found in successful artists: desire, courage and comm...

This book is a collection of essays rooted in Randy Malamud's own lifetime of travel. Setting today's tourism in the context of eighteenth- and nineteenth-century experiences of travel and travel writing, he uncovers motives and appreciations of movement, difference and novelty, key drivers of our interest in and enjoyment of travel today.

The third part of a three-volume work devoted to mapping the transnational history of Australian film studies, Volume 3: Documents concludes the project by gathering together the documents that were produced during the rise of film studies in Australian academia from 1975-85. Through these sources we see the development of the particularities of Australian film theory and criticism, its relationship to its international counterparts and the establishment of key positions and the directions in which they develop. Editors Deane Williams and Constantine Verevis here collect key articles, including the works of Paul Willemen, Sam Rohdie, Ross Gibson and Meaghan Morris, among many others, in order to conclude this pioneering historiographic account of Australian film studies.

The Imaginary Geography of Hollywood Cinema 1960-2000 combines digital cartography with close readings of representative films from 1960 to 2000. Christian B. Long offers a unique history of twentieth-century Hollywood narrative cinema, one that is focused on the intersection of the geographies of narrative location, production, consumption and taste in the era before the rise of digital cinema. Long redraws the boundaries of film history, both literally and figuratively, by cataloging films' narrative locations on digital maps in order to illustrate where Hollywood actually locates its narratives over time.A PDF version of this book is available for free in open access via the OAPEN Library platform:The Imaginary Geography of Hollywood Cinema. It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.

Building Successful and Sustainable Film and Television Businesses provides a truly cross-national, comparative dialogue that is vital to the field of media industry studies today. It presents an overview of the film and television sectors in Norway, Denmark, the Netherlands and the United Kingdom, drawing together their common elements.

Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile presents an inclusive mix of voices from varied cultural and geographic affiliations. The collected essays in this book focus on live performances that were inspired by living in exile. Chapters blend close critical analysis and ethnography to document and interrogate performances and the contexts that inform them. In a world where exiled populations continue to grow, the role of art to document and engage with these experiences will continue to be essential, and this diverse book offers an important model for understanding the rich body of work being created today. A PDF version of this book is available for free in open access via the OAPEN Library platform, Performing Exile. It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.

Karen Malpede's four plays are set during influential events from the late twentieth century to the present: the Bosnian war and rape camps; the invasion and occupation of Iraq and Israel's 2006 bombardment of Lebanon; 9/11 and the US torture programme; and the heroism of climate scientists facing attack from well-funded climate change deniers.

The rapid growth of doctoral-level art education challenges traditional ways of thinking about academic knowledge and, yet, as Danny Butt argues in this book, the creative arts may also represent a positive blueprint for the future of the university. Synthesizing institutional history with aesthetic theory, Artistic Research in the Future Academ...

By dissecting the metaconditions and contexts surrounding the production of art, whether aesthetic or conceptual, social or political, Across the Art/Life Divide examines how ordinary, everyday life is transformed into art.

Explores aspects of LGBT activist history. It covers educational activism, youth work activism and the history of the LGBT Centre in Manchester.

There is a name for those under-and precariously employed, but actively working, academics in today's society: the para-academic.Specialists in all manner of things, from the humanities to the social and biological sciences, the para-academic works alongside the traditional university, sometimes by necessity, sometimes by choice, usually a mixture of both. Frustrated by the lack of opportunities to research, create learning experiences or make a basic living within the university on our own terms, para-academics don't seek out alternative careers in the face of an evaporated future, we just continue to do what we've always done: write, research, learn, think, and facilitate that process for others.As the para-academic community grows there is a real need to build supportive networks, share knowledge, ideas and strategies that can allow these types of interventions to become sustainable and flourish. There is a very real need to create spaces of solace, action and creativity.Endorsements:Academia is dying, and in the process compulsively crushes the desires for learning, creating, teaching, cooperating it claimed to foster. It is a relevant and important political gesture to invent a name, para-academics, for those who refuse to be crushed, who do not sadly dream about a return to the past, when the "worthy ones" were identified and separated from the flock, but inhabit interstices, inside, outside and in-between, activists and bridge-builders where separation prevailed. It is claiming they are alive, not just surviving, and are part of the fragile creation of a collective future worth living. Isabelle Stengers, author of Cosmopolitics and co-author of Women Who Make a Fuss: The Undutiful Daughters of Virginia WoolfThis is a hugely important book for anyone who feels (as I often do) alienated or marginalised by corporate academic life. It not only gives a voice to a growing constituency of para-academics; it also articulates a series of alternative visions for the future of the university, driven not from the centre but from the margins, the borderlands, the places where the interesting stuff happens. As such, it should be read not only by those who already work in the margins, but by all academics, students, researchers and administrators from across the academy who wish to find out what they are missing.Gary Rolfe, author of The University in Dissent

The feminist survival manual you wish you had read as a teenager. It is written by Feminist Webs, a cross-generational youth project for girls and young women based in Manchester, UK. Many of their resources are not geographically specific.

To study an archive or archival materials is to encounter an affective and critical practice involved in the construction of memory. Lexicon for an Affective Archive is an international collection of these encounters, offering glimpses into the intimate relations inherent in finding, remembering (or imagining) and creating an archive.

Unbecoming Cinema explores the notion of cinema as a living, active agent, capable of unsettling and reconfiguring a person's thoughts, senses, and ethics. Film, according to David H. Fleming, is a dynamic force, arming audiences with the ability to see and make a difference in the world. Drawing heavily on Deleuze's philosophical insights, as well as those of Guattari and Badiou, the book critically examines unsettling and taboo footage, from suicide documentaries to art therapy films, from portrayals of mental health and autism to torture porn. In investigating the effect of film on the mind and body, Fleming's shrewd analysis unites transgressive cinema with metaphysical concepts of the body and mind.A PDF version of this book is available for free in open access via the OAPEN Library platform, Unbecoming Cinema. It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.

This book examines how elements from theatre and cinema are integrated into art, in order to question the boundaries and mediations between the body and the image. Opening with a discussion between Alain Badiou and Elie During, this new edition offers a mixture of theoretical, creative and discursive reflections on the meeting of stage and screen.

Towards a Praxis-based Media and Journalism Research brings together current scholarly debates about how to bridge the gap between theory and practice in media and journalism research. Drawing on work from media scholars and practitioners, this book is the first collection to examine how theory and practice can be combined for a positive effect.

Choreographer Jacky Lansley has been practicing and performing for more than four decades. In Choreographies, she offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals and a close attention to space and site. Choreographies is both autobiography and archive - documenting production through rehearsal and performance photographs, illustrations, scores, process notes, reviews, audience feedback and interviews with both dancers and choreographers. Covering the author's practice from 1975 to 2017, the book delves into an important period of change in contemporary British dance - exploring British New Dance, postmodern dance and experimental dance outside of a canonical US context. A critically engaged reflection that focuses on artistic process over finished product, Choreographies is a much-needed resource in the fields of dance and choreographic art making.

Drama-based Pedagogy examines the mutually beneficial relationship between drama and education, championing the versatility of drama-based teaching and learning designed in conjunction with classroom curricula. Written by seasoned educators and based upon their own extensive experience in diverse learning contexts, this book bridges the gap betw...

This volume is a collection of plays created by Andras Visky, one of the most innovative voices in Hungarian theatre. Translated for English-language audiences, the book provides critical analyses, scripts, director's notes and interviews with creative teams behind the productions to reveal a holistic, insider's view of Visky's artistic vision.

Acting has traditionally been considered a form of pretending or falsehood, compared with the so-called reality or truth of everyday life. Yet in the postmodern era, a reversal has occurred - real life is revealed as something acted and acting is where people have begun to search for truth. In Acting and its Refusal in Theatre and Film, Marian McCurdy considers the ethical desire of refusing to act - which results from blurred boundaries of acting and living - and examines how real life and performance are intertwined. Offering a number of in-depth case studies, the book contextualizes refusals of acting on stage and screen and engages in an analysis of fascist theatricality, sexual theatricality and the refusal of theatricality altogether.

How do people identify, locate or express home? Many all over the world grapple with this question. This book explores the relationship between personal and cultural identity by investigating how people perceive and creatively express self, home and homeland through showcasing a variety of innovative artistic processes and resulting projects.

Kate Bush as you have never seen her before. Through in-depth readings of the often critically neglected works of Bush's career - The Kick Inside, Lionheart, The Dreaming, The Red Shoes and her film The Line, the Cross and the Curve - Withers guides the reader through the complexity of Bush's art and how it transformed popular culture.

Transformations explores the interactions between people and their urban surroundings through site-specific art and creative practices, tracing the ways people shape their cities. This collection also investigates the politics and democratization of space through an examination of art, education, justice and the role of the citizen in the city.

The culture wars - intertwining art, culture and politics - have sparked political debates worldwide for many years, but particularly in Europe and America since 2001. Culture War focuses on Denmark's experience during this period, aiming to understand the dynamics of contemporary affective cultural politics in a highly mediatized environment.

Disability studies have long been the domain of medical and pedagogical academics. However, in recent years, the subject has outgrown its clinical origins. In Freaks of History, James MacDonald presents two dramatic explorations of disability within the wider themes of sexuality, gender, foreignness, and the Other. Originally directed by Martin Harvey and performed by undergraduate students at the University of Exeter, Wellclose Square and Unsex Me Here analyze cultural marginalization against the backdrop of infamous historical events. MacDonald, who is cerebral palsied, recognizes that disability narratives are rarely written by and for disabled people. Therefore his plays, accompanied by critical essays and director's notes, are a welcome addition to the emerging discourse of Crip theory, and essential reading for disability students and academics alike.