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American independent cinema has undergone several incarnations since its emergence as an underground movement in the 1960s. In addition to essays on such genres as African American films, documentary, and queer cinema, this volume features new sections devoted to "brutal youth," religion, and war movies.

Are witnesses, jurors, or others in courtrooms distracted by in-court television cameras and their operators? Citing a lack of evidence one way or the other, the US Supreme Court has recommended additional research on the matter. Answering the court's recommendation, this proof-of-concept study demonstrates for the first time that eye-tracking t..

The Ned Kelly Films recounts the nine feature films, three miniseries and two TV movies that have been made about this controversial character, Irish Australian outlaw Ned Kelly . The book offers new insights about the textual characteristics of cinematic material and the conditions of film distribution, circulation and reception.

Illuminating the remarkable scope of Nick Cave's achievements, this collection of essays explores his career as a composer of film scores, scriptwriter, and performer, his work in theatre and his literary output. Together, the resulting volume provides a lucid overview of Nick Cave's work that will orient students and fans while offering fresh insights to expert perspectives.

Deals with the development of the TV format business. This book offers a definitive history of programme franchising. It shows how production adaptation and remaking became the billion-dollar business it is today.

The first part of a three-volume work devoted to mapping the transnational history of Australian film studies, Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy.

The Cinema Makers investigates how cinema spectators in southeastern and central European cities became cinema makers. Drawing on interviews with cinema activists in Germany, Austria and the former Yugoslavia, Anna Schober illuminates the differences and similarities in the development of political culture and cinema's role in that development.

Exploring theatre works created for, by, and with refugees, this collection of essays combines newly commissioned scholarly work with examples of writing by refugees. These varied contributions illuminate performances that range from theatre in Thai refugee camps to site-specific works staged in a run-down immigrant community in the United Kingdom.

Argues that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.

The late nineteenth and early twentieth century marked a tumultuous period in Poland's history, with artists and writers working under difficult sociopolitical conditions. This book contains the first English-language translations of four plays by Polish writers in the modernist tradition: Snow by Stanislaw Przybyszewski, In a Small House by Tadeusz Rittner, Ashanti by Wlodzimierz Perzynski and All the Same by Leopold Staff. Well-chosen and carefully annotated, these translations provide important insight into this under-explored area of Polish dramatic history and practice and facilitate greater understanding of its role in the development of European theatre. Also included is a broad discussion of the characteristics of translation for the theatre.

This volume contests the current higher educational paradigm of using objectives and outcomes as ways to measure learning. Instead, the contributors propose approaches to learning that draw upon the creative arts and humanities, including cinema, literature, dance, drama and visual art.

Building bridges across media and communication studies, science and technology studies, environmental studies and urban planning studies, Citizen Voices also offers a range of different theories and research methodologies which foreground the role of communication processes in scientific and environmental governance.

There is no one-size-fits-all way to keep pace with the changes affecting high school students and those who educate them. This book draws on the author's interviews with over 250 real teachers, all coping with the shifting demands of theatre education.

Transgendered playwright, performer, columnist and sex worker Nina Arsenault has had sixty plastic surgeries in pursuit of a feminine beauty ideal. In this book, a diverse group of contributors (including Arsenault) offers an exploration of beauty, image and the notion of queerness through the lens of Arsenault's personal brand of performance art.

Teaching Actors is the first book-length treatment of how actor trainers work and understand their work. Prior draws on history, literature and original research conducted across leading drama schools in England and Australia and devotes attention to the different ways in which teachers and students acquire and share knowledge through experience.

In Un-American Psycho, Chris Dumas places director Brian De Palma's body of work in dialogue with the works of other provocative filmmakers, including Alfred Hitchcock and Francis Ford Coppola, with the aims of providing a broader understanding of the narrative, stylistic and political gestures that characterize De Palma's filmmaking.

In the liberal West as in socialist Yugoslavia, the films of Aleksandar Petrovic dramatize how enforced dogmatism can corrode any political system. A case study of the oft-overlooked Yugoslav director's colorful and eventful career, this book explores how Petrovic developed specific political and social themes in his films.

Bringing together contributors from dance, theatre, visual studies and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history.

Provides insights into theories, methods and fresh subjects in communication policy research. This title includes articles from academics with international experience and provides an understanding of future trends in communication policy research.

Richard Pochinko (1946-89) played a pioneering role in North American clown theatre through the creation of an original pedagogy synthesizing modern European and indigenous Native American techniques. In Clown Through Mask, Veronica Coburn and onetime Pochinko apprentice Sue Morrison lay out the methodology of the Pochinko style of clowning and offer a bold philosophical framework for its interpretation. Morrison is today a leading teacher of Pochinko's Clown through Mask technique and this book extends significantly the literature on this underdocumented form of theatre.

Two major regulatory activities have framed global media policies since World War II: the New World Information and Communication Order (NWICO) and the World Summit on the Information Society (WSIS). This title offers an account from the 1970s onwards of the major issues concerning information flows in international geopolitics.

A unique contribution to an emerging field, this book explores musical strategies of organization as viable alternative means of organizing theatrical work. It includes insightful essays by a group of international contributors and interviews with important practitioners, shedding light on historical and theoretical aspects of composed theatre.

Octave Mirbeau was one of the most prolific literary figures of France's storied Belle Epoque. This volume contains his two most celebrated plays for the first time in English-language translation: Business is Business and Charity. The book also includes an introduction contextualizing the works and the translation and adaptation process.

Since the 1990s, popular culture the world over has frequently looked to the 'hood for inspiration, whether in music, film or television. Habitus of the Hood explores the myriad ways in which the hood has been conceived - both within the lived experiences of its residents and in the many mediated representations found in popular culture. Using a variety of methodologies including autoethnography, textual studies and critical discourse analysis, contributors analyse and connect these various conceptions.

Examines socio-political contexts and local reception of films. This title expands the literature on Iranian cinema to local/national dimensions. It examines the work of filmmakers whose work has received little critical attention abroad, despite being widely popular and critically acclaimed inside Iran.

Whilst there is a growing body of academic work on New Zealand film and television, this book adresses relatively little exists on industries, institutions and policy.

Between 1930 and 1960, popular female dramatists, including Paola Riccora, Anna Bonacci, Clotilde Masci and Gici Ganzini Granata, set the stage for a new generation of feminist theatre and the development of contemporary Italian women's theatre as a whole. Now largely forgotten, the lives and works of these dramatists are reintroduced into the scholarly conversation in Italian Women's Theatre, 1930-1960. Following a general introduction, the book presents a selection of dramatic works, rounded out by commentary, performance histories, critical analyses and biographical information.

Raises questions about the interplay in contemporary theatre between the processes of rehearsal and the theatrical metaphors that shape our everyday dealings with trauma, including death. This title features essays in the areas of Performance Studies, Sociology, Death Studies/Health and Social Care, and more.