Bøker utgitt av INTELLECT

Myths is a visual and written exploration on the subject of myths. It contains contributions from writers, illustrators, designers, photographers and artists from around the world who have each responded to the theme in their own unique way.

Provides an empirical investigation into the moral performance of the media. Based on 22 focus groups, three nationally representative questionnaire surveys and interviews with senior media personnel and regulators, this book charts the changing position of the media as a moral voice representing ways in which we live.

Contains an introduction, which contextualises Point Blank's work in the wider tradition and history of British political theatre. This publication of Point Blank's early work is a useful reading for students, audiences, actors and directors interested in radical writing for performance.

Presents a series of papers concerned with the interrelations between the post modern and the state of art and design education. Spanning a range of thematic concerns, this book reflects upon various practice and articulates revolutionary prospects potentially viable through a shift in educative thinking.

In decades past, artists envisioned a future populated by technological wonders such as hovercraft vehicles and voice-operated computers. Today we barely recognize these futuristic landscapes that bear only slight resemblance to an everyday reality. Futures Past considers digital media's transformative impact on the art world from a perspective ...

"American Independent" cinema has been an important creative and cultural media entity for the past fifteen years. This title questions the supposed autonomy of this cinema and asks if independent film can possibly survive in the face of the mass-production and profit of Hollywood.

Challenges the subjects of grief and sexual abuse and defies national and personal pressures to keep silent about such issues.

Truth or Dare examines the clash between the authenticity claimed by documentaries and their association with imagination and experimental contemporary art. An experienced group of practitioners, artists, and theorists question this binary in a cross-disciplinary volume that will force us to reconsider how competing interests shape filmmaking.

The notion of the sacred has long informed the work of British dramatists like Harold Pinter and Tom Stoppard. Ralph Yarrow's Sacred Theatre is the first book to examine the role of the sacred in the practice, process, and performance of drama. While leaving enough room for the personal and experiential, Yarrow draws on concepts from sociology, anthropology, and critical theory as well as analytical readings of plays and performance events to examine how theater interacts with the otherworldly. This volume is essential reading for anyone intrigued by the intersection of drama and consciousness."This book takes on the enormous task of identifying not only the sacred in theatre but also questions ideas of sacred across the spectrum. It offers a great deal of material for discussion within performance and theatre theory courses."-Jade Rosina McCutcheon, Department of Theatre and Dance, University of California, DavisThe notion of the sacred has long informed the work of British dramatists like Harold Pinter and Tom Stoppard. Ralph Yarrow's Sacred Theatre is the first book to examine the role of the sacred in the practice, process, and performance of drama. While leaving enough room for the personal and experiential, Yarrow draws on concepts from sociology, anthropology, and critical theory as well as analytical readings of plays and performance events to examine how theater interacts with the otherworldly. This volume is essential reading for anyone intrigued by the intersection of drama and consciousness."This book takes on the enormous task of identifying not only the sacred in theatre but also questions ideas of sacred across the spectrum. It offers a great deal of material for discussion within performance and theatre theory courses."-Jade Rosina McCutcheon, Department of Theatre and Dance, University of California, DavisThe notion of the sacred has long informed the work of British dramatists like Harold Pinter and Tom Stoppard. Ralph Yarrow's Sacred Theatre is the first book to examine the role of the sacred in the practice, process, and performance of drama. While leaving enough room for the personal and experiential, Yarrow draws on concepts from sociology, anthropology, and critical theory as well as analytical readings of plays and performance events to examine how theater interacts with the otherworldly. This volume is essential reading for anyone intrigued by the intersection of drama and consciousness."This book takes on the enormous task of identifying not only the sacred in theatre but also questions ideas of sacred across the spectrum. It offers a great deal of material for discussion within performance and theatre theory courses."-Jade Rosina McCutcheon, Department of Theatre and Dance, University of California, DavisThe notion of the sacred has long informed the work of British dramatists like Harold Pinter and Tom Stoppard. Ralph Yarrow's Sacred Theatre is the first book to examine the role of the sacred in the practice, process, and performance of drama. While leaving enough room for the personal and experiential, Yarrow draws on concepts from sociology, anthropology, and critical theory as well as analytical readings of plays and performance events to examine how theater interacts with the otherworldly. This volume is essential reading for anyone intrigued by the intersection of drama and consciousness."This book takes on the enormous task of identifying not only the sacred in theatre but also questions ideas of sacred across the spectrum. It offers a great deal of material for discussion within performance and theatre theory courses."-Jade Rosina McCutcheon, Department of Theatre and Dance, University of California, DavisThe notion of the sacred has long informed the work of British dramatists like Harold Pinter and Tom Stoppard. Ralph Yarrow's Sacred Theatre is the first book to examine the role of the sacred in the practice, process,

With its inevitable dependency on the essential, and often contested, nature of art, the subject of assessment or evaluation in art and design education remains a matter of continuing controversy. This collection of essays examines the principal issues as they relate to the main phases of formal education, from primary to post-compulsory.

Introduces post-Jungian analytic psychology and explores how its theories can be applied to television and film. This book contextualises post-Jungian theory in the media criticism canon and explains the role and uses of analytical psychology in film and television criticism.

Against the claims of increasing sexualisation of culture, one truism is constantly rehearsed - that women have little taste for pornography. This book aims to offer a new basis for understanding women's pleasures in sexually explicit materials by focusing on the production and consumption of "For Women" magazine.

Examines the use of visual image, using the event of the fall of the Berlin Wall as a contemporary case study. This work presents a critical visual theory: image critique - a dual procedure combining a focus on both analysing and interpreting images, with a consideration of how images can be used to critically examine and engage with our culture.

This book provides an analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children's television for digital regimes. It charts new settlements in children's television, describes challenges in producing culturally specific screen content and calls for a new public debate.

This book addresses the question of the relationship between psychoanalysis and film, bringing together Lacanian theory and Italian cinema. The author explores the relationship between the Real, the under-represented Lacanian category, and some of the most widely celebrated and lesser-known Italian films of the post-war period.

This volume gathers contributions from a broad spectrum of individuals concerned with the use of the computer as a tool for artists. It brings together theories and advances in the use of computers in art as well as looking in a practical way at the computational aspects and problems involved.

This book focuses on the emerging historical relations between British television and film culture in the 1950s. Drawing upon archival research, it does this by exploring the development of the early cinema programme on television - principally Current Release (BBC, 1952-3), Picture Parade (BBC, 1956) and Film Fanfare (ABC, 1956-7) - and argues ...

Provides the frame work for you to write a screenplay. This work contains: the different layouts for film, television, documentary and corporate screenplays; an analysis of what is required from a premise, an outline, a step outline, a treatment and a first draft; a stage by stage guide to the re-write; and tips on finding an agent.

Gives insights into theories, methods and subjects in communication policy research. This title includes articles. It is suitable for understanding future trends in communication policy research.

This volume investigates the relationship between the process of creating performance and spectator responses, and how this exchange is embedded into the product itself.

This work deals with the economic and developmental challenges facing contemporary Algerian society. It considers the social structures, the political institutions, the movements, ideologies, and cultural dilemmas.

This volume contains a diverse selection of pieces that present views about men given by women. Some of the contributors write directly about men and how men see women, others prefer to view men at a distance, as a woman looking at men through the eyes of a female writer.

How to account for the designer's combination of creativity and practical skill? What part does mental imagination play in the design process? How do designers get their own spatial awareness across to their spectators? How does theatre affect the spectator? Why do spectators react as they do? How do distance and suspension of.

Queer cinema has gained scholarly attention in recent years as a manifestation of the conflicts, anxieties, and liberation of European sexuality. Robin Griffiths' "Queer Cinema in Europe," the first anthology of its kind, probes the questions and implications of sex, gender, and identity in contemporary European filmmaking. An esteemed group of contributors discuss the varieties of lesbian and gay representation to deconstruct and redefine notions of national identity and culture in a diverse European context. This volume explores a wide scope of films, directors, and genres to forge a new understanding of what it means to be queer in the twenty-first century.