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This book addresses the question of the relationship between psychoanalysis and film, bringing together Lacanian theory and Italian cinema. The author explores the relationship between the Real, the under-represented Lacanian category, and some of the most widely celebrated and lesser-known Italian films of the post-war period.
This volume gathers contributions from a broad spectrum of individuals concerned with the use of the computer as a tool for artists. It brings together theories and advances in the use of computers in art as well as looking in a practical way at the computational aspects and problems involved.
This book focuses on the emerging historical relations between British television and film culture in the 1950s. Drawing upon archival research, it does this by exploring the development of the early cinema programme on television - principally Current Release (BBC, 1952-3), Picture Parade (BBC, 1956) and Film Fanfare (ABC, 1956-7) - and argues ...
Provides the frame work for you to write a screenplay. This work contains: the different layouts for film, television, documentary and corporate screenplays; an analysis of what is required from a premise, an outline, a step outline, a treatment and a first draft; a stage by stage guide to the re-write; and tips on finding an agent.
Gives insights into theories, methods and subjects in communication policy research. This title includes articles. It is suitable for understanding future trends in communication policy research.
A collection of several interviews with filmmakers, whose works represent the trends in the film industries of their respective countries. Preceding the interviews, the author provides an introduction delineating historical information regarding the film industries of the countries included.
This volume investigates the relationship between the process of creating performance and spectator responses, and how this exchange is embedded into the product itself.
This work deals with the economic and developmental challenges facing contemporary Algerian society. It considers the social structures, the political institutions, the movements, ideologies, and cultural dilemmas.
This volume contains a diverse selection of pieces that present views about men given by women. Some of the contributors write directly about men and how men see women, others prefer to view men at a distance, as a woman looking at men through the eyes of a female writer.
How to account for the designer's combination of creativity and practical skill? What part does mental imagination play in the design process? How do designers get their own spatial awareness across to their spectators? How does theatre affect the spectator? Why do spectators react as they do? How do distance and suspension of.
Queer cinema has gained scholarly attention in recent years as a manifestation of the conflicts, anxieties, and liberation of European sexuality. Robin Griffiths' "Queer Cinema in Europe," the first anthology of its kind, probes the questions and implications of sex, gender, and identity in contemporary European filmmaking. An esteemed group of contributors discuss the varieties of lesbian and gay representation to deconstruct and redefine notions of national identity and culture in a diverse European context. This volume explores a wide scope of films, directors, and genres to forge a new understanding of what it means to be queer in the twenty-first century.
This anthology contains three plays (Ceremonial Kisses, Shading the Crime, and The Maternal Cloister), analyses of their processes and themes, and photographs of the performances. The plays are different in style and include the use of physical theatre, naturalistic explorations of human rights abuses, and symbolic structures, puppets and poetry.
Bertold Brecht was an important dramatist/director/theorist of the 20th century. This play focuses on Brecht's life in America, where he resided from 1941 through to 1947. Brecht features as the main character and the play is also Brechtian-influenced. Endnotes and appendices are included.
This work aims to rethink the facial close-up in terms other than those associated with the humanist view of the face as "mirror of the soul". It proposes a dialectical reversal or about-face. It provides detailed studies of media spectacles of faces becoming unrecognizable.
"Drawing - The Process" is a collection of papers, theories and interviews based on the conference and exhibition of the same name held at Kingston University in 2003.Much debate and research is currently undertaken in this area and it is the intention of the book to galvanize this, while providing a vehicle for deep enquiry. The publication will firstly comprise a collection of refereed papers representing a breadth of activity and research around the issues of drawing within the broad context of art and design activity. The second dimension of the book will be an examination of the drawing processes of high profile practitioners. The publication will encompass the best contemporary investigation of a subject pivotal to art and design activity, and should be recognized as a fundamental text for students at both undergraduate and postgraduate levels.
This multidisciplinary look at both the causes and the consequences of Portuguese decolonization places the loss of Portugal's Eastern Empire in the context of the loss of its African Empire, and relates the decolonization process to the search for a new Portuguese vision of its place in the world.
This book provides historical and cultural overviews of the country's cinema. Scholars construct an argument that complicates the international view of Finnish cinema as a small-scale industry dominated by realist art-house films. Contributors cover genre, art, and commercial films, independent productions, blockbuster cinema and more.
This text presents an overview of the debate about the intersection between art, technology, and consciousness. It documents work from those connected with the CAiiA-STAR centre including aspects of: artificial life, robotics, technoetics, performance, computer music and telematic art.
This volume continues exploring cinema produced in Australia and New Zealand since the beginning of the twentieth century. Additions include in-depth treatments of the locations featured in the countries' cinema, essays by critics and film scholars and over one hundred and fifty new film reviews, complemented by film stills and expanded references.
Indian cinema teems with a multitude of different voices. The Directory of World Cinema: India provides a broad overview of this rich variety, highlighting distinctions among India's major cinematic genres and movements while illuminating the field as a whole.
Which female figures are proposed for our admiration? Who proposes them and what values do they represent? This study offers an analysis of such religious/cultural icons. It addresses contemporary roles and issues concerning women in contemporary France and Spain.
Design Research is an area that is both current and growing, but texts on the subjects are in short supply. This book intends to place Design Research in its rightful place at the heart of studio-based education and practice. It offers a valuable context within which to understand the educational needs and aspirations of the designer.
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