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A book for artists, art teachers, teaching artists, and those who prepare teachers. It is a poetic, inspirational framing of visual art artmaking that cultivates divergent practices within current issues and trends in contemporary art and education. It is a field guide to studio methods for the artist and educator. 200 colour illustrations.
An argument for attentive and personal care within the bureaucracy of health care systems. In Fighting for the Soul of General Practice, two practicing doctors share their experiences of working within the underfunded and highly bureaucratic health system in the United Kingdom. Drawing on years of experience treating a wide range of patients from all backgrounds, they show what is lost when regulation overrules relationships, standard practice eliminates discretion, and algorithms displace personal attention. While acknowledging that bureaucracy is inevitable and important, they argue for an approach to medicine that is about creating meaning for doctor and patient and that privileges connection, attention, and care within each encounter.
The first academic collection dedicated to the histories, heritage, people and places of popular music in Leeds. It presents critical social and historical case studies exploring Leeds' music and musical spaces, central players - musicians and music industry figures, and key moments in diverse musical scenes in the city. 36 b/w illus.
Brings together a breadth of perspectives addressing media materialities, and their significance to the study of media, culture, and society. Offers new thinking and perspectives on media materialities, including work that explores media materiality, and the past, physical and digital tensions and media materialities in digital games. 32 b&w illus.
Explores nature, cognition and society as an interwoven tapestry across disciplinary boundaries, examining how information and communication are instrumental in and for living systems. Integrates a fuller and richer account through the physical, life, cognitive, social sciences and the arts. Second in the MEDIA-LIFE-UNIVERSE trilogy. 51 b&w illus.
This collection explores queer craft and the material cultures of LGBTQ+ activism in Britain since the 1980s. It includes contributions from academics, artists, activists, curators, and heritage professionals. The first book of its kind, it weaves together an important web connecting queerness, craft and activism in Britain. 41 colour photographs
Programmatically outlines a paradigmatic shift towards an expanded fashion discourse at the intersection of doing and thinking. Designers, artists, curators and theorists investigate the multifaceted debates on the rise of practice-based research in fashion and thus make a significant step to advance fashion studies. 24 col and 34 b/w illus.
Fan Phenomena: Disney collects essays on Disney fans, spanning a variety of media (such as film, television, novels, stage productions and theme parks) and different fannish approaches (cosplay, fan art), as well as the company's reactions to them. It is a timely intervention that deals with crucial issues such as race and racism within the Disney fandom and in Disney texts, the role of queerness, the impact of the Covid-19 pandemic and the advent of the streaming service Disney+. The authors come from variety of disciplines, such as cultural and media studies, marketing and communications, cultural history or theatre and performance studies, and include both leading experts in fan and Disney studies, as well as emerging voices in these fields, plus interviews with fan practitioners. It will be popular with scholars of cultural studies, cultural history, media studies, fan studies; Disney fans, and students at any level
The patchwork is an apt metaphor for the region not only because of its colourfulness and the making of something whole out of fragments but as an attempt to make coherence out of disorder. The seeking of coherence was the exact process of putting together this book and foregrounds the process of Caribbean societies forging identity and identities out of plural and at times conflicting and contested groups that came to call the region home.Within the metaphor of the patchwork however is the question, where are the vernacular needlework artists within the visual art tradition of the Caribbean? The introduction sets out to both clarify and rectify this situation, and several common themes flow through the following essays and interviews. Themes include that that the land and colonization remain baseline issues for several Caribbean artists who stage and restage the history of conquest and empire in varying ways. That artists in the region amalgamate as part of their practice and seem to prefer an open-endedness to art making as opposed to expressing fidelity to a particular medium. That artists and scholars alike are dismantling long-held perceptions of what Caribbean art is thought to be, and are challenging boundaries in Caribbean art.These are among the issues addressed in the book as it looks at ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers should come away with the sense that questions of race, colour, and class loom large within questions of gender in the Jamaican art scene and that the book, dedicated to Sane Mae Dunkley, aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean.Audience will include researchers and scholars of Caribbean and African diasporic art, college students, those interested in post-colonial studies, Caribbean artists, art professionals interested in a wider, globalized view of contemporary art; students curious to know about the many phases of art production throughout the Caribbean. General readers interested in the culture of the region.
Engages radical intimacies with design, media, communication, and art and implying a closeness to the world created through our relations, towards decolonization of knowledge and the public sphere. Political closeness, involving qualities that constitute and enable an alternative to extractive relationalities imposed by capitalism. 50 col. illus.
An edited collection of essays and chapters relating to interdisciplinary and multi-disciplinary methods of teaching. It will provide inspiration, a guide for project replication in practice essays, and interdisciplinary and multi-disciplinary teaching topics. For teachers in all stages of education from primary to higher education. 11 b&w illus.
Scholars and practitioners from the realm of 'Islamic architectureâEUR(TM) consider its changing nature and continued significance. Reflective essays address the meaning of âEUR~IslamicâEUR(TM) in built environments, and the geographical, chronological, disciplinary diversity of a dynamic field of study encompassing far more than mosques and tombs. 118 b/w illus.
This volume gathers together ten original essays on the contemporary politics of visibility. Contributions are interdisciplinary and address an array of topical areas in the newly emerging modes of governance, ranging from urban public space to the media and the new media in contemporary society. 7 b&w illus.
A study of topics connected to the future of mankind, with a particular emphasis on the economic, social, and geopolitical effects of the COVID-19 pandemic. This book seeks to underscore the importance of dealing with our planet's common crises--climate change, species extinction, land and food shortages, water pollution, and many more global catastrophes. In the face of these calamities, this book calls for the transformation of human development model and civilization paradigm: Promote the transformation from industrial civilization to global Civilization and then strive to realize the great civilization. The far-reaching effects of the COVID-19 pandemic have gone beyond the fields of health, deeply impacting economic, social, and geopolitical affairs worldwide. The still-unfolding health crisis has forced many to rethink the axioms of what they know as "civilization." In this book, Zhouying Jin contends that if the human beings who share the earth cannot guide the direction of technological innovation to create a more advanced human civilization, then they are doomed to move toward self-destruction. The Future of Humanity calls on human beings to prepare for the future by altering their destructive relationship with nature and abandoning people-centered thinking to promote an awakening of all mankind.
What does a hemispheric Americas look like when done through the lens of punk music, visuals and literature? That is the core premise of this book, presented through a collage of analytical, aesthetic and experiential takes on punk across the continent. This book challenges the dominant vision of punk â¿ particularly its white masculine protagonists and deep Anglocentrism â¿ by analysing punk as a critical lens into the disputed territories of 'America', a term that hides the heterogeneous struggles, global histories, hopes and despairs of late twentieth and early twenty-first century experience. Compiling academic essays and punk paraphernalia (interviews, zines, poetry and visual segments) into a single volume, the book seeks to explore punk life through its multiple registers, through vivid musical dialogues, excessive visual displays and underground literary expression. The kaleidoscopic accounts include everything from sustained academic inquiry and photo portraits to anarchist manifestos and interview excerpts with notable punk figures. The result is a radically heterogenous mixture that seeks to reposition punk and las Américas as intrinsically bound up in each otherâ¿s history: for better and for worse. Out of critical pasts, within an urgent present and toward many different possible futures. This volume critically refashions punk to suggest it emerges from within the long-term historical experience of las Américas in all their plurality and is useful as a mode of critique towards the hegemonic dimensions of America in its imperial singularity. The book is rooted in a theory of 'radical heterogeneity' and thus represents a collage-like juxtaposition of punk perspectives from across the entire hemisphere and via divergent contributions: academic, experiential and aesthetic. Readership for this collection will include both academic and general readers. Primary readership will be academic. It will appeal to researchers, scholars, educators and students in the following fields: American studies, Latin American studies, media and communication, cultural studies, sociology, history, music, ethnomusicology, anthropology, art, literature. General readership will be among those interested in the following areas - anarchism, music, subculture, literature, independent publishing, photography.
New edited collection that discusses, and recommends solutions to, challenges facing journalism in this digital age. It draws attention to seven key factors that not only highlight the present crisis in journalism, but also indicate the steps we need to take to safeguard and enhance trustworthy journalism for the future. 2 b&w illus
Mina is one of Italy's best-loved pop stars. This book explores the significance of her star status in post-war Italy, and traces how the many meanings of Mina evolve as a result of different media forms she was involved in, which intersect and interact to produce new significances of the star throughout her sixty-year-long career. 12 illus.
This collection of essays addresses the fascinating intersection between nostalgia and videogame music. From Nintendo to PlayStation, Zelda to Bioshock, and cult to classic games - this anthology takes readers on a musical journey into personal, historical and virtual pasts. 15 b/w illus.
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