Bøker utgitt av INTELLECT

Gabriela Zapolska was an actor, journalist and playwright. Her best-known play, The Morality of Mrs. Dulska, is an uncompromising look at gender, class and relationships in fin-de-siecle Poland. The play is now available for the first time in an English-language edition that firmly situates the play in the context of its performance history.

A history of Islamic interest in the material past of the ancient world. The tragic destruction of cultural heritage performed by ISIS in Syria and Iraq is often superficially explained as an attempt to stamp out idolatry or as a fundamentalist desire to revive and enforce a return to a purified monotheism. Analyses like these posit that there is an "Islamic" manner of imagining the past and that the iconoclastic actions of terrorist organizations are one, albeit extreme, manifestation of an assumedly pervasive and historically ongoing Islamic antipathy toward images and pre-contemporary holy localities. However, this is not the full picture. This book explores the diverse ways Muslims have engaged with the material legacies of ancient and pre-Islamic societies, as well as how Islam's heritage has been framed and experienced over time. Long before the emergence of ISIS and other so-called Islamist iconoclasts, Muslims imagined Islamic and pre-Islamic antiquity and its localities in myriad ways: as sites of memory, spaces of healing, or places imbued with didactic, historical, and moral power.

A new collection of connected essays and case studies that delve deeply into the relationships between art, innovation, entrepreneurship, and money. As in sports, business, and other sectors, the top 1% of artists have disproportionately influenced public expectations for what it means to be a "successful artist." In Creative Infrastructures, Linda Essig takes an unconventional approach and looks at the quotidian artist-and at what they do, not what they make. All too often, artists who are attentive to the "business" of their creative practice are accused of "selling out." But for many working artists, that attention to business is what enables an artist to not just survive but to thrive. When artists follow their mission, Essig contends that they don''t sell out, they spiral up by keeping mission at the forefront. Ultimately, Creative Infrastructures aims to untie the knotty relationships between artists and entrepreneurship in order to answer the question "How can artists make work and thrive in our late-capitalist society?" 

This manual provides detailed descriptions of the rules of design, and uses these rules to cast a critical eye over a selection of contemporary high-street magazines. The second part of the volume demonstrates how the tools of design can be applied to the analysis and practice of magazine design.

Exploring the works of Brian Friel, Frank McGuinness, Tom Murphy, and Thomas Kilroy, the author presents an introduction on the historical context of Irish culture, with particular attention being paid to the works performed in the 1990s.

Following the success of prominent feature films shot on location, including Tolkien's wildly popular "The Lord of the Rings," New Zealand boasts an impressive film tourism industry. This book examines the relationship between New Zealand's cinematic representation--as both a vast expanse of natural beauty and a magical world of fantasy on screen--and its tourism imagery, including the ways in which savvy local tourism boards have in recent decades used the country's film representations to sell New Zealand as a premiere travel destination. Focusing on the films that have had a strong impact on marketing strategies by local tourist boards, "Touring the Screen "will be of interest to all those working and studying in the fields of cinema, postcolonial history, and tourism studies.

Though the creative community of Reykjavik, Iceland, has a well-deserved reputation for its unique artistic output, Reykjavik's filmmakers have received less attention than they merit. This book sheds new light on the role of cinema in a country that produces more films per capita than any other in the world.

Exploration of the idea that House of Cards sets an alternate political world, where the leader is a ferocious animal, a political field overtaken by monsters who remain true to their fundamental nature or try to master their bloodthirsty instincts. But can we really think that the elected men and women are so different from their constituents?

Interdisciplinary collection exploring cities and urban spaces in the context of technological and digital innovation. An approachable discussion of the issues surrounding smart digital futures and the disruptive potential of smart technologies in our cities; issues of change, design, austerity, ownership, citizenship and equality. 29col and 3b&w.

A comprehensive overview of the vision and achievements of Tokyo-based digital art collective teamLab, which illuminates the remarkable scope of teamLab's groundbreaking art and its fundamental contribution to the pivotal field of new media art. The lavishly illustrated volume features an extensive interview with the artist. 207 col. plates.

Original collection explores the relationship between research that shapes art, architecture and design practices, and assignments that are developed by faculty for students. Demonstrates how pedagogical inquiry can become an evolutionary agent and makes innovative ideas/exercises available for the first time outside studio courses. 66 b/w illus.

Experimental Dining examines the work of four of the world''s leading creative restaurants: Noma, elBulli, The Fat Duck and Alinea.Using ideas from performance studies, cultural studies, philosophy and economics, the book explores the creation of the dining experience as a form of multisensory performance.It examines the construction of the world of the restaurants and their creative methods, the experience of dining and the broader ideological frames within which the work takes place. Experimental Dining brings together ideas around food, philosophy, performance and cultural politics to offer an interdisciplinary understanding of the practice and experience of creative restaurants.The author contends that the work of the experimental restaurant, while operating explicitly within an economy of experiences, is not absolutely determined by that political or economic context. Its practice has the potential to appeal to more than idle curiosity for novelty. It can be unsettling and revealing, provocative and evocative, personal and political, experimental and considered, thoughtful and sensual. Or in other words, that the food event can be art.Primary readership will be academics, researchers and scholars in the fields of food studies, performance studies and those with interests in the philosophy of everyday life, cognitive science and sensory studies. It will be a useful resource as supplementary reading on courses on Food and Performance. It may also have interest for chefs, gastronomes, restaurateurs and artists.

It is the first time that the different strategic advertising mechanisms are explained in a single book. And this is also the first time that a book has brought together the most important and transcendent (for its applicability to the advertising market) strategic advertising mechanisms.The text explains from classic mechanisms such as Rosser Reeves's USP or Procter & Gamble's copy strategy to modern mechanisms such as Kevin Roberts's Lovemarks or Douglas Holt's iconic brands. It also considers European mechanisms such as Jacques Sgula's star strategy or Henri Joannis's psychological axis. The book has the most complete academic review.Strategic Advertising Mechanisms: From Copy Strategy to Iconic Brands, integrates the most important strategic advertising mechanisms developed throughout the time: USP, brand image, positioning, Lovemarks... This is the first and only book to date that compiles the most consolidated methods by advertisers or advertising agencies (P&G, Bates, Ogilvy or Euro) in the history of modern advertising.Primary readership will be among practitioners, researchers, scholars and students in a range of disciplines, including communication, advertising, business and economic, information and communication, sociology, psychology and humanities. There may also be appeal to the more general reader with an interest in how advertising strategic planning works.

An international and interdisciplinary group of film, architecture and urban studies scholars examine the relationship between filmmaking - the seventh art - and the built environment. Contributions from scholars in the fields of film, architecture and urban studies. 82 b/w photographs

How have nuclear issues been covered in documentary since the end of the Cold War? This original new book explores how the sometimes elusive, sometimes dramatic effects of uranium products on the landscape, on architecture and on social organisation continue to show up on-screen, maintaining a record of moving images that goes back to the early twentieth century.It is the first book to analyse independent documentary films about nuclear energy - it suggests an approach to documentary films as agents of change.Each chapter of this book focuses on one of ten different documentary films made in Europe and North America since 1989. Each of these films works the material and the ideological heritage of the nuclear power industry into visions of the future. Dealing with the legacy of how ignorance and neglect led to accidents and failures the films offer different ways of understanding and moving on from the past. The documentary form itself can be understood as a collective means for the discovery of creative solutions and the communication of new narratives. In the case of these films the concepts of radioactivity and deep time in particular are used to bring together narrative and formal aesthetics in the process of reimagining the relationships between people and their environments.Focusing on the representation of radioactive spaces in documentary and experimental art films, the study shows how moving images do more than communicate the risks and opportunities, and the tumultuous history, associated with atomic energy. They embody the effects of Cold War technologies as they persist into the present, acting as a reminder that the story is not over yet.Primary readership will be academics and students working in environmental communication and in environmental humanities more broadly. For students of independent film or documentary it will also provide a clear picture of contemporary themes and creative practice.

The name 'Disney' is synonymous with its expansive franchises, from princesses to theme parks. The power of the Disney brand is its role as a cultural influencer across multiple generations across the globe. This collection of essays takes a look at Disney beyond its behemoth corporate presents and into the threads of the Disney experience. b/w illus.

The recent pandemic has put into perspective the impact of epidemic illness on urban life and exposed the vulnerabilities of societies. Interdisciplinary case studies from across the globe explore what insights from the outbreak, experience, and response to previous epidemics might inform our understanding of the current world. 150 b/w illus.

The recent pandemic has put into perspective the impact of epidemic illness on urban life and exposed the vulnerabilities of societies. Interdisciplinary case studies from across the globe explore what insights from the outbreak, experience, and response to previous epidemics might inform our understanding of the current world. 150 b/w illus.

Jazz photography has attracted increasing attention in recent years. Photographs of musicians are popular with enthusiasts, while historians and critics are keen to incorporate photographs as illustrations. Yet there has been little interrogation of these photographs and it is noticeable that what has become known as the jazz photography 'tradition' is dominated by a small number of well-known photographers and 'iconic' images.Many photographers, including African American photojournalists, studio photographers, early twentieth-century migrs, the Jewish exiles of the 1930s and vernacular snapshots are frequently overlooked. Drawing on ideas from contemporary photographic theory supported by extensive original archival research, Sight Readings is a thorough exploration of twentieth century jazz photography, and it includes discussions of jazz as a visual subject, its attraction to different types of photographers and offers analysis of why and how they approached the subject in the way they did.One of the remarkable things about this book is its movement back and forth between detailed archive research, the empirical documentation of photographers, their techniques, working practices, equipment etc., and cultural theory, the sophisticated discussion of aesthetics, cultural sociology, the politics of identity, etc. The result is both a fine scholarly achievement and an engaging labour of love.The primary readership will be those with specialist interests in the history of jazz and the history of photography. The audience will include jazz scholars, musicians, critics and fans, along with photographers, photography scholars, art historians and those generally interested in the history of visual images.It will be an essential text for teaching as well as research in the fields of music and photography. It will be of interest to those teaching and studying within cultural studies, American studies, African American studies, critical race and ethnic studies, history, English and sociology.There is also a significant readership for jazz and photographic history outside the academic context. It will be of interest to the media, the museum world and the general reader with interests in music or photography.

A combination of practical and theoretical writing, this book chronicles the realization of #TransActing: A Market of Values, an international non-commercial popup market held at Chelsea College of Arts, coordinated by Critical Practice Research Cluster, a London-based network of artists, designers, curators and academics. 96 col. plates.

This new volume in the acclaimed Global Punk series extends the critical enquiry to reflect broader social, political and technological concerns impacting punk scenes around the world, with international contributors, ranging through topics from digital technology and new media to gender, ethnicity, identity and representation. 50 b/w photographs.

A critical refashioning of punk to suggest it emerges from within the long-term historical experience of las Americas in all their plurality. A collage-like juxtaposition of punk perspectives from across the entire hemisphere and via divergent contributions. 71 b/w illus.

This is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply. 75 years later the slow fashion movement is motivating reductions in clothing consumption. 123 b/w illus.

Franck Boulegue's latest book about David Lynch and Mark Frost's famous television series focuses on the eighteen new episodes directed by Lynch for season 3, screened in 2017. Analyses the season with special importance given to readings from an intertextual, ontological and spiritual perspectives. Now in paperback and with 81 colour illus.

Organized around ten chapters and works of new media art, the collection offers an extensive critical analysis of technologized romance - and other emotional relations - as well as provides an insight into the codification, execution, deployment and evolution of the patterns of togetherness in the so-called Tamagotchi era. 45 col. photographs.

Edited collection presenting an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. 9 b/w illus. 19 col. illus.

This book combines photography and written text to analyse the role of memorials and commemoration sites in the construction of antagonistic nationalism. Taking Cypriot memorializations as a case study, it shows how these memorials often support, but sometimes also undermine, the discursive-material assemblage of nationalism. 62 b/w illus. 14 col.

A reflexive study of a client case in which touch-based practices were undertaken. Considering the philosophical landscape of both touch and non-touch, it explores and reflects upon the use of touch, and considers the wider context and socially imposed perceptions that would prevent touch from taking place, including social discourses. 5 b/w illus.