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The recent pandemic has put into perspective the impact of epidemic illness on urban life and exposed the vulnerabilities of societies. Interdisciplinary case studies from across the globe explore what insights from the outbreak, experience, and response to previous epidemics might inform our understanding of the current world. 150 b/w illus.
Jazz photography has attracted increasing attention in recent years. Photographs of musicians are popular with enthusiasts, while historians and critics are keen to incorporate photographs as illustrations. Yet there has been little interrogation of these photographs and it is noticeable that what has become known as the jazz photography 'tradition' is dominated by a small number of well-known photographers and 'iconic' images.Many photographers, including African American photojournalists, studio photographers, early twentieth-century migrs, the Jewish exiles of the 1930s and vernacular snapshots are frequently overlooked. Drawing on ideas from contemporary photographic theory supported by extensive original archival research, Sight Readings is a thorough exploration of twentieth century jazz photography, and it includes discussions of jazz as a visual subject, its attraction to different types of photographers and offers analysis of why and how they approached the subject in the way they did.One of the remarkable things about this book is its movement back and forth between detailed archive research, the empirical documentation of photographers, their techniques, working practices, equipment etc., and cultural theory, the sophisticated discussion of aesthetics, cultural sociology, the politics of identity, etc. The result is both a fine scholarly achievement and an engaging labour of love.The primary readership will be those with specialist interests in the history of jazz and the history of photography. The audience will include jazz scholars, musicians, critics and fans, along with photographers, photography scholars, art historians and those generally interested in the history of visual images.It will be an essential text for teaching as well as research in the fields of music and photography. It will be of interest to those teaching and studying within cultural studies, American studies, African American studies, critical race and ethnic studies, history, English and sociology.There is also a significant readership for jazz and photographic history outside the academic context. It will be of interest to the media, the museum world and the general reader with interests in music or photography.
A combination of practical and theoretical writing, this book chronicles the realization of #TransActing: A Market of Values, an international non-commercial popup market held at Chelsea College of Arts, coordinated by Critical Practice Research Cluster, a London-based network of artists, designers, curators and academics. 96 col. plates.
This new volume in the acclaimed Global Punk series extends the critical enquiry to reflect broader social, political and technological concerns impacting punk scenes around the world, with international contributors, ranging through topics from digital technology and new media to gender, ethnicity, identity and representation. 50 b/w photographs.
A critical refashioning of punk to suggest it emerges from within the long-term historical experience of las Americas in all their plurality. A collage-like juxtaposition of punk perspectives from across the entire hemisphere and via divergent contributions. 71 b/w illus.
This is the story of clothing use when manufacturing for civilians nearly stopped and raw materials and workers across the globe were shifted to war work. Governments mandated rationing programmes in many countries to regulate the limited supply. 75 years later the slow fashion movement is motivating reductions in clothing consumption. 123 b/w illus.
Franck Boulegue's latest book about David Lynch and Mark Frost's famous television series focuses on the eighteen new episodes directed by Lynch for season 3, screened in 2017. Analyses the season with special importance given to readings from an intertextual, ontological and spiritual perspectives. Now in paperback and with 81 colour illus.
Organized around ten chapters and works of new media art, the collection offers an extensive critical analysis of technologized romance - and other emotional relations - as well as provides an insight into the codification, execution, deployment and evolution of the patterns of togetherness in the so-called Tamagotchi era. 45 col. photographs.
Edited collection presenting an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. 9 b/w illus. 19 col. illus.
This book combines photography and written text to analyse the role of memorials and commemoration sites in the construction of antagonistic nationalism. Taking Cypriot memorializations as a case study, it shows how these memorials often support, but sometimes also undermine, the discursive-material assemblage of nationalism. 62 b/w illus. 14 col.
A reflexive study of a client case in which touch-based practices were undertaken. Considering the philosophical landscape of both touch and non-touch, it explores and reflects upon the use of touch, and considers the wider context and socially imposed perceptions that would prevent touch from taking place, including social discourses. 5 b/w illus.
This edited collection provides an interdisciplinary examination of how we visualize and use visuals to make meaning within our environment. A diverse range of international contributions and perspectives from biology, film, virtual reality, urban graffiti, architecture, critical pedagogy and education. 31 b&w photographs.
A collection of nonfiction, first-person writings about creative collaborations with local animals and ecologies. In this highly original book, Julie Andreyev explores agency and consciousness through her encounters with other lifeforms--companion dogs, wild birds, mineral beings, plant life, and forest communities--to illuminate the ways creativity can play a part in generating a renewed sense of wonder and kinship with nature. Drawing from her extensive work in interspecies collaborative art, each chapter weaves together personal reflection, interdisciplinary research, and critical thought with new media, sound, generative, indeterminacy, and other art methods. The threads converge on this main point: the need to move away from anthropocentrism and towards ecological understanding through reciprocity and biophilia. The local journeys in each chapter are guided by more-than-human ways of knowing, which provide an expanded sense of the world and underscore the imperative to act. This book invites readers to step into other worlds, re-sense life, and re-think their relationship with the planet and all of its inhabitants. In proposing an expanded field of aesthetics, Andreyev offers new applied approaches from interspecies art to help shape and evolve human outlooks, emotions, and actions.
A collection of first-person narratives from an international group of art historians, curators, artists and archivists. Fills a significant gap in the literature by demonstrating how these practitioners' work comes together to teach and write art history, and the relationship between curatorial studies and art history. 5 b/w illus.
This collection of thirteen essays is an exploration of metal scenes throughout the world, from Dayton to Hull, from Copenhagen to Osaka. Unique portrayal of how these scenes developed, are experienced by fans, and are influenced by the contexts in which they are embedded. Foreword by Henkka Seppala. 36 b&w illus.
For Baudelaire, Paris streets conjured visions of the past even as he contemplated the present. This book investigates this and other cases of double vision, tracing back into antiquity and following Baudelaire forwards as his poetry is translated, received and referenced through text and film to the twentieth century and beyond. 8 b/w illus.
The first book-length study of the Filipino auteur Lav Diaz, this edited volume offers a nuanced overview of the filmmaker, his corpus, career and traditions from various perspectives for film enthusiasts, researchers and general readers alike. 17 b/w illus.
Investigates issues raised by the interaction between art practice, community participation, and the environment, both natural and urban. This volume examines topics, such as urban art, community participation, local empowerment, and the problem of ownership.
Devising Theatre and Performance is a hands-on guide for artists, students and teachers of performance at any stage of their practice. It offers a wide range of creative prompts and pathways enriched with critical thinking tools and questions, a hybrid approach Hill and Paris call 'Curious Methods'. This is a welcome addition to the field, created and curated by two experienced artists who have operated at the international interface of academia and professional practice for over three decades. The collection is packed with fun, creative, thoughtful exercises distilled from over twenty years of running interdisciplinary artist workshops and teaching both devising and performance making. As well providing numerous exercises and suggestions for devising, composing and editing original works, this book offers tools for giving and receiving feedback, critical reflection and framing artistic work within academic research contexts. Readers can choose to dip in and out, to follow the book as a course or to work section by section, focusing on organizing principles such as working from the body, working with site, working with objects or performance activism. The book includes a detailed production workbook and a practice-based research workbook you can tailor to your own projects. The 'Curious Methods' approach encourages users to take the time and space their practice deserves while offering tools, nourishment and encouragement and inviting them to take risks beyond their comfort zones. The exercises are carefully described so that they can easily be tested out by readers, and are well contextualized in relation to vivid examples from contemporary performance practice and relevant political contexts. This compelling approach goes beyond many other books on theatre devising, which merely provide performance recipes; they do so by repeatedly highlighting the vital cultural relevance and potential personal impact of the experiments that they invite us to undertake. The primary audience for this important new book will be academics, instructors and students in courses on devised theatre, improvisation, performance art, experimental performance and practice-based research. It will be essential for classroom use, for students of theatre and performance and live art - undergraduate, postgraduate and Ph.D., teachers and all those needing strategies for getting started. It will also appeal to readers from the broader arts, humanities and social sciences who are seeking resources for integrating creative methods into their research.
In this new edition of her accessible autoethnography of fat feminist activism in the West, Charlotte Cooper revisits and discusses her activism in the context of recent shifts in the movement. It is part of a new wave of accessible, accountable and rigorous work emerging through Research Justice and the Para-Academy.
New edited collection with a transnational perspective on Paolo Sorrentino, the award-winning Italian director and screenwriter. International contributors take diverse approaches to examine the dominant themes in his work - melancholy, nostalgia and the relationship with solitude - and present original interpretations. 35 b/w illus.
Twelve Conversations from Chinese Art World During the Pandemic. Based on a series of conversations between the author and individuals from a range of disciplines to reflect on experiences during the COVIDF-19 pandemic.
Looks at the value, function and role that performance plays in the constitution and activation of special, sacred places. Brings together artistic, theatrical, religious and activist practices with the objective of studying the role that they have in transforming, maintaining, contesting and activating the sacredness of locations. 37 b/w illus.
New edited collection with a transnational perspective on Paolo Sorrentino, the award-winning Italian director and screenwriter. International contributors take diverse approaches to examine the dominant themes in his work - melancholy, nostalgia and the relationship with solitude - and present original interpretations. 35 b/w illus.
Shiny Things combines an interest in visual art with a broad attention to popular culture - the wideness of its range is striking. It is more than just an expansion of subject matter, which many of today's innovative books also have - it considers how a specific physical property manifests itself in both art and culture at large, and contributes to an analysis of and polemics about the world. It is accessibly written but with a careful application of contemporary theory.Interesting, informative, and entertaining, this will appeal to progressive thinkers looking for new ways of presenting ideas. This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.Using art, especially contemporary art, as its recurrent point of reference, the authors argue that shininess has moved from a time when rarity gave shiny things a direct meaning of power and transcendence. Shininess today is pervasive; its attraction is a foundation of consumer culture with its attendant effects on ourarchitecture, our conceptions of the body, and our production of spectacle. Power and the sacred as readings of the shiny have given way to readings of superficiality, irony and anxiety, while somehow shininess has maintained its qualities of fascination, newness and cleanliness.Examines the meanings and functions of shininess in art and in culture more generally: its contradictions of both preciousness and superficiality, and its complexities of representation; the way shininess itself is physically and metaphorically present in the construction of major conceptual categories such as hygiene, utopias, the sublime and camp; and the way the affects of shininess, rooted in its inherent disorienting excess, produce irony, anxiety, pleasure, kitsch, and fetishism. All of these large ideas are embodied in the instantly noticeable, sometimes precious and sometimes cheap physical presence of shiny things, those things that catch our eye and divert our attention. Shininess, then, is a compelling subject that instantly attracts and fascinates people.The book engages primarily with visual art, although it makes frequent use of material culture, as well as advertising, film, literature, and other areas of popular and political culture. The art world, however, is a place where many of the affects of shininess come into clearest focus, where the polemical semiotics of shine are most evident and consciously explored.Artists as diverse as Anish Kapoor (whose popular Cloud Gate sculpture in Chicago is a repeating example in the book), Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico and Gerard ter Borch centre the book in an art discourse that opens up to automobiles, Richard Nixon and Liberace.Will be relevant to academics, scholars and students with an interest in contemporary theory and material and popular cultures. Potential interest across the humanities: philosophy, gender studies, perhaps public relations, advertising and marketing.It will also appeal to more general readers with an interest in popular and material cultures, art and aesthetics. It is written in a genuinely accessible style, and its ideas and theory are embodied through examples and narratives. Will be of interest to readers of Oliver Sacks, James Gleick, George Lakoff, James Elkins or Rebecca Solnit.
New collection redefines Wesker's place within theatre culture and questions the canonical boundaries associated with his work. Re-evaluating his legacy with new archival material, it explores his eclectic aesthetic range as well as his unerring concern for the human condition: a lasting 'vision' from hopeful socialists in the 1950s-60s. 18 illus.
Authoritative study of the Scottish born artist Alastair MacLennan who has achieved worldwide renown as a performance artist. Includes comprehensive visual documentation of his performative practice drawn extensively from his archival resources, with essays from leading national and international scholars in the field. 350 colour illustrations.
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