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As such, it has significant implications for the novel as a genre and for understanding its development in America.
He demonstrates that a broad parallelism exists between developments in ethical theory among Continental philosophers of the phenomenological persuasion and the more analytically inclined philosophers of the English-speaking world.
Webster's dilemma was the crisis of an entire political generation reared for a traditional world and forced to function in a modern one.
The author casts new light not only on the short lived educational revolution of the sixteenth century but on education in other societies, both past and present.
He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation.
He is untroubled by anti-humanistic trends in college curricula and the surrounding culture, and he contends that we have only one practical option: to ensure that culture evolves toward a more humane society, toward freedom and dignity.
There, as in twentieth-century America, citizens were confronted with the necessity of accommodating both the rules of law and the facts of science to their system of justice.
This book is an account of how the Saulx-Tavanes-a family of emigre nobles-preserved their life, revenue, reputation, esteem, and place in a French society transformed by political change and revolution.
Based on archival materials in La Rochelle and Paris, the book blends economic, social, cultural, and political history.
This sequence of events is best understood in terms of a learning curve in which the response of businessmen over time was related to the changing institutional environment in which they were forced to operate.
Instead he contends that American culture is far more radical than that of any socialist state and the implications of American radicalism are far more revolutionary than forms of Marxism-Leninism.
Instead, he documents uneven patterns of material progress and growing conflict over work roles among all sorts of laboring people.
To supplement his argument, Berlanstein's integrates methods from the New Social History movement.
Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.
Political, social, and cultural historians will find Florence in Transition, Volume One, a helpful elucidation of the dynamics of historical change and the birth of a state.
These two volumes provide a compelling and challenging interpretation of a crucial period in Western history.
Furthermore, while political machines are often regarded as nondemocratic and corrupt, Allswang discusses the strengths of the urban machine approach-chief among those being its ability to organize voters around specific issues.
Now in a new and updated edition, this best-selling book features thoroughly revised chapters on the causes of dementia, managing the early stages of dementia, the prevention of dementia, and finding appropriate living arrangements for the person who has dementia when home care is no longer an option.
A dedicated chapter features reflections from 105 alumni from the department.
A new view of Mill's celebrated "proof of utilitarianismis developed in the course of the discussion.
Based on such sources as the diaries of Morgenthau, the State Department Archives, Foreign Economic Administration records, the Stimson papers, and interviews with participants, this study provides insights that raise central questions about the functioning of the American system of government.
He then tries to show how the concept of meaninglessness, when interpreted in the manner he suggests, can be profitably used by philosophers, despite the many persuasive objections to its use that philosophers have raised in their disputes over it.
This story is significant for all who are fascinated by the capacity of human groups to respond and adapt creatively to a hostile and limiting environment.
Callcott demonstrates, however, that when basic historical assumptions were challenged by controversy, the entire edifice collapsed.
Roosevelt, Father Charles Coughlin, and Fiorello La Guardia.
Taking Swift as his main example, Paulson examines the dualism of satire in its most interesting and ambiguous modes, and as the embodiment of rhetorical devices that are as complex mimetically as they are rhetorically.
Arguing that the two traditions comprised not only painterly but literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
Peering into the city's 300-odd neighborhoods, this fascinating account holds up a mirror to Baltimore, asking whites in particular to reexamine the past and accept due responsibility for future racial progress.
This work outlines the main features of English law and its institutions, describes their transmission to colonial America, and discusses "an American way of law" that was more open and less formalistic. This edition looks at the legal experiences of those on the edges of the English settlement.
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