Bøker utgitt av Judith Weinshall Liberman

ABOUT THE BOOK WHAT WILL I BE? is the story of a young girl who wonders what profession she will choose when she grows up. She imagines being a sailor, an astronaut, a soldier, an archaeologist, a linguist, an architect, a landscaper, a fashion designer, a lab technician, an inventor, a doctor, a teacher, an artist, and a writer, and finally settles on one of these. Can you guess what that profession is? ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published several additional picture books, including ICE CREAM SNOW (2012), THE LITTLE FAIRY (2013), COLOR IN OUR WORLD (2014), THE VERY OLD PAINTER AND HER HUSBAND (2014), HAIFA (2014), ANGEL'S PUPPIES (2014), THE GIANT HOUSE (2014), THE BEE AND THE BUTTERFLY (2014), THE MOUNTAIN (2014), THE TUNNEL (2014), THE OLD DOLL (2014), THE LITTLE SONGBIRD (2015), FIFTEEN FABLES (2015), TWELVE MORE FABLES (2015), THE BIRD WHO WENT TO HEAVEN (2015), A PARAKEET FOR ERIC (2015), TALES OF HUMAN FOIBLES (2015), IN THE MILITARY CEMETERY (2015), THE GIRL AND THE PIGEONS (2015), MORE TALES OF HUMAN FOIBLES (2015), and MICHAEL AND THE FLAG (2015). Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR This is the fourth book on which Judith Weinshall Liberman, the author, has collaborated with Cindy Nguyen, a Gau Family Studio illustrator. The two had previously collaborated on THE LITTLE SONGBIRD, on THE BIRD WHO WENT TO HEAVEN, and on THE GIRL AND THE PIGEONS. Since Ms. Liberman did not feel that, in view of her deteriorated eyesight, she could do justice to illustrating WHAT WILL I BE? herself, she turned to Gau Family Studio to create the illustrations under the author's guidance. In the present book, Ms. Nguyen beautifully captures the spirit of the story and of its characters.

ABOUT THE BOOK TALE OF THE ROMAN NUMERALS teaches the reader, young or old, the basics of the Roman numeral system, a way of writing numbers which was used in the Roman Empire for centuries and which is still used for various purposes in the West today. The amusing story and the colorful illustrations in TALE OF THE ROMAN NUMERALS make mastering the fundamentals of the Roman numeral system both easy and fun. ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published several additional picture books, including ICE CREAM SNOW, THE LITTLE FAIRY, COLOR IN OUR WORLD, THE VERY OLD PAINTER AND HER HUSBAND, HAIFA, ANGEL'S PUPPIES, THE GIANT HOUSE, THE BEE AND THE BUTTERFLY, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, THE LITTLE SONGBIRD, FIFTEEN FABLES, TWELVE MORE FABLES, THE BIRD WHO WENT TO HEAVEN, A PARAKEET FOR ERIC, TALES OF HUMAN FOIBLES, IN THE MILITARY CEMETERY, THE GIRL AND THE PIGEONS, MORE TALES OF HUMAN FOIBLES, MICHAEL AND THE FLAG, WHAT WILL I BE?, IF I HAD THE POWER, IF I WERE RICH, LUCY AND THE SNOWMAN, THE WHIRLPOOL, and THE LETTERS OF THE ALPHABET. Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR TALE OF THE ROMAN NUMERALS is the nineteenth book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since Ms. Liberman did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating TALE OF THE ROMAN NUMERALS herself, she selected a fine artist, Ms. Gail Davis, to create the illustrations under the author's guidance. The two had previously collaborated on THE LITTLE FAIRY, on THE VERY OLD PAINTER AND HER HUSBAND, on ANGEL'S PUPPIES, on THE GIANT HOUSE, on THE MOUNTAIN, on THE TUNNEL, on THE OLD DOLL, on FIFTEEN FABLES, on TWELVE MORE FABLES, on A PARAKEET FOR ERIC, on TALES OF HUMAN FOIBLES, on IN THE MILITARY CEMETERY, on MORE TALES OF HUMAN FOIBLES, on MICHAEL AND THE FLAG, on IF I HAD THE POWER, on IF I WERE RICH, on THE WHIRLPOOL, and on THE LETTERS OF THE ALPHABET. In the present book, Ms. Davis creates amusing characters that express the spirit of the story and are sure to capture the reader's imagination.

ABOUT THE BOOK MORE TALES OF HUMAN FOIBLES presents fifteen original short stories written in verse by author Judith Weinshall Liberman. The book is a companion to the author's TALES OF HUMAN FOIBLES. Each of the stories focuses on a different negative human characteristic and on its resulting behavior. The stories cover a range of human characteristics, including vanity, jealousy, gullibility, and narcissism. Through these stories, readers, young and old, will gain insight into human behavior, and will be inspired to avoid its pitfalls. ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published several additional picture books, including ICE CREAM SNOW, THE LITTLE FAIRY, COLOR IN OUR WORLD, THE VERY OLD PAINTER AND HER HUSBAND, HAIFA, ANGEL'S PUPPIES, THE GIANT HOUSE, THE BEE AND THE BUTTERFLY, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, THE LITTLE SONGBIRD, FIFTEEN FABLES, TWELVE MORE FABLES, THE BIRD WHO WENT TO HEAVEN, A PARAKEET FOR ERIC, THE GIRL AND THE PIGEONS, and IN THE MILITARY CEMETERY. Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR MORE TALES OF HUMAN FOIBLES is the thirteenth book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since she did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating MORE TALES OF HUMAN FOIBLES herself, Ms. Liberman selected a fi ne artist, Ms. Gail Davis, to create the illustrations under the author's guidance. The two had previously collaborated on THE LITTLE FAIRY, on THE VERY OLD PAINTER AND HER HUSBAND, on ANGEL'S PUPPIES, on THE GIANT HOUSE, on THE MOUNTAIN, on THE TUNNEL, on THE OLD DOLL, on FIFTEEN FABLES, on TWELVE MORE FABLES, on A PARAKEET FOR ERIC, on TALES OF HUMAN FOIBLES, and on IN THE MILITARY CEMETERY. In the present book, Ms. Davis beautifully captures the spirit of the stories and of the various characters.

ABOUT THE BOOK A PARAKEET FOR ERIC tells the story of an insecure boy whose parakeet dies, unbeknown to him, soon after he acquires it. The boy's mother, who discovers the dead parakeet, is faced with the dilemma of whether she should let the boy find his parakeet dead when he returns from school, thus possibly adding to his feelings of insecurity, or whether she should secretly replace the parakeet with one that looks exactly like it, and have the boy take pride in the good care he has given his parakeet. The story of how the mother resolves this dilemma will raise in the mind of the reader, young or old, important questions about moral judgment. ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some children's books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published several additional picture books, including ICE CREAM SNOW (2012), THE LITTLE FAIRY (2013), COLOR IN OUR WORLD (2014), THE VERY OLD PAINTER AND HER HUSBAND (2014), HAIFA (2014), ANGEL'S PUPPIES (2014), THE GIANT HOUSE (2014), THE BEE AND THE BUTTERFLY (2014), THE MOUNTAIN (2014), THE TUNNEL (2014), THE OLD DOLL (2014), THE LITTLE SONGBIRD (2015), FIFTEEN FABLES (2015), TWELVE MORE FABLES (2015), and THE BIRD WHO WENT TO HEAVEN (2015). Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR This is the tenth book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since she did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating A PARAKEET FOR ERIC herself, Ms. Liberman selected a fine artist, Ms. Gail Davis, to create the illustrations under the author's guidance. The two had previously collaborated on THE LITTLE FAIRY, on THE VERY OLD PAINTER AND HER HUSBAND, on ANGEL'S PUPPIES, on THE GIANT HOUSE, on THE MOUNTAIN, on THE TUNNEL, on THE OLD DOLL, on FIFTEEN FABLES, and on TWELVE MORE FABLES In the present book, Ms. Davis beautifully captures the spirit of the story and its characters.

ABOUT THE BOOK LUCY AND THE SNOWMAN tells the story of a young girl who is lonely and, on a snowy day, when school has been canceled, plays alone in her back yard and builds a snowman. The snowman turns out to be a very special snowman, who can converse with Lucy and thus drive away her loneliness. When Lucy returns to school and tells her classmates about her conversation with the snowman, nobody seems to believe her. Ultimately Lucy realizes that what really matters is not whether others believe her, but rather what she herself knows in her heart to be true. ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison- Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published several additional picture books, including ICE CREAM SNOW, THE LITTLE FAIRY, COLOR IN OUR WORLD, THE VERY OLD PAINTER AND HER HUSBAND, HAIFA, ANGEL'S PUPPIES THE GIANT HOUSE, THE BEE AND THE BUTTERFLY, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, THE LITTLE SONGBIRD, FIFTEEN FABLES, TWELVE MORE FABLES, THE BIRD WHO WENT TO HEAVEN, A PARAKEET FOR ERIC, TALES OF HUMAN FOIBLES, IN THE MILITARY CEMETERY, THE GIRL AND THE PIGEONS, MORE TALES OF HUMAN FOIBLES, MICHAEL AND THE FLAG, WHAT WILL I BE?, IF I HAD THE POWER, and IF I WERE RICH. Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR This is the fifth book on which Judith Weinshall Liberman, the author, has collaborated with Cindy Nguyen, a Gau Family Studio illustrator. The two had previously collaborated on THE LITTLE SONGBIRD, on THE BIRD WHO WENT TO HEAVEN, on THE GIRL AND THE PIGEONS, and on WHAT WILL I BE?. Since Ms. Liberman did not feel that, in view of her deteriorated eyesight, she could do justice to illustrating LUCY AND THE SNOWMAN herself, she turned to Gau Family Studio to create the illustrations under the author's guidance. In the present book, Ms. Nguyen beautifully captures the spirit of the story and of its characters.

THE LETTERS OF THE ALPHABET tells an amusing story about a fight erupting among the letters of the English alphabet, during which each letter tries to point out its own superiority. In the process, the origins of many of the letters of the English alphabet are traced back over three thousand years to their roots in the ancient Middle East. The way the fight among the letters is finally resolved will bring a smile to any reader's face. Judith Weinshall Liberman - The Author Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published several additional picture books, including ICE CREAM SNOW, THE LITTLE FAIRY, COLOR IN OUR WORLD, THE VERY OLD PAINTER AND HER HUSBAND, HAIFA, ANGEL'S PUPPIES, THE GIANT HOUSE, THE BEE AND THE BUTTERFLY, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, THE LITTLE SONGBIRD, FIFTEEN FABLES, TWELVE MORE FABLES, THE BIRD WHO WENT TO HEAVEN, A PARAKEET FOR ERIC, TALES OF HUMAN FOIBLES, IN THE MILITARY CEMETERY, THE GIRL AND THE PIGEONS, MORE TALES OF HUMAN FOIBLES, MICHAEL AND THE FLAG, WHAT WILL I BE?, IF I HAD THE POWER, IF I WERE RICH, LUCY AND THE SNOWMAN, and THE WHIRLPOOL. Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. Gail Davis - The Illustrator THE LETTERS OF THE ALPHABET is the eighteenth book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since Ms. Liberman did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating THE LETTERS OF THE SLPHABET herself, she selected a fi ne artist, Ms. Gail Davis, to create the illustrations under the author's guidance. The two had previously collaborated on THE LITTLE FAIRY, on THE VERY OLD PAINTER AND HER HUSBAND, on ANGEL'S PUPPIES, on THE GIANT HOUSE, on THE MOUNTAIN, on THE TUNNEL, on THE OLD DOLL, on FIFTEEN FABLES, on TWELVE MORE FABLES, on A PARAKEET FOR ERIC, on TALES OF HUMAN FOIBLES, on IN THE MILITARY CEMETERY, on MORE TALES OF HUMAN FOIBLES, on MICHAEL AND THE FLAG, on IF I HAD THE POWER, on IF I WERE RICH, and on THE WHIRLPOOL. In the present book, Ms. Davis creates amusing characters which express the spirit of the story and are sure to capture the reader's imagination.

ABOUT THE BOOK IF I HAD THE POWER tells the story of a girl who, observing the many problems besetting the world, wonders how she would change the world if she had the power to do so. She imagines various changes that could be made to improve the world, and finally zeroes in on the most important change she would make if she could. Can you figure out what that change might be? ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published several additional picture books, including ICE CREAM SNOW, THE LITTLE FAIRY, COLOR IN OUR WORLD, THE VERY OLD PAINTER AND HER HUSBAND, HAIFA, ANGEL'S PUPPIES, THE GIANT HOUSE, THE BEE AND THE BUTTERFLY, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, THE LITTLE SONGBIRD, FIFTEEN FABLES, TWELVE MORE FABLES, THE BIRD WHO WENT TO HEAVEN, A PARAKEET FOR ERIC, TALES OF HUMAN FOIBLES, IN THE MILITARY CEMETERY, THE GIRL AND THE PIGEONS, MORE TALES OF HUMAN FOIBLES, MICHAEL AND THE FLAG, and WHAT WILL I BE? Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR IF I HAD THE POWER is the fifteenth book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since Ms. Liberman did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating IF I HAD THE POWER herself, she selected a fine artist, Ms. Gail Davis, to create the illustrations under the author's guidance. The two had previously collaborated on THE LITTLE FAIRY, on THE VERY OLD PAINTER AND HER HUSBAND, on ANGEL'S PUPPIES, on THE GIANT HOUSE, on THE MOUNTAIN, on THE TUNNEL, on THE OLD DOLL, on FIFTEEN FABLES, on TWELVE MORE FABLES, on A PARAKEET FOR ERIC, on TALES OF HUMAN FOIBLES, on IN THE MILITARY CEMETERY, on MORE TALES OF HUMAN FOIBLES, and on MICHAEL AND THE FLAG. In the present book, Ms. Davis beautifully captures the spirit of the story and of its characters.

ABOUT THE BOOK IN THE MILITARY CEMETERY tells the story of a young woman who goes to the military cemetery at night to lay a bouquet of flowers on her loved one's grave. Because of the dark, the young woman cannot locate the grave amidst the many soldiers' graves all around. Undeterred, she lays the flowers on an unknown soldier's grave, reminding us that all the soldiers buried in the military cemetery sacrificed their lives for us and thus they are all dear to us. ABOUT THE AUTHOR Born in Israel (then called "Palestine"), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD'S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the "fabulous books of the year." Since 2012, she has published several additional picture books, including ICE CREAM SNOW, THE LITTLE FAIRY, COLOR IN OUR WORLD, THE VERY OLD PAINTER AND HER HUSBAND, HAIFA, ANGEL'S PUPPIES, THE GIANT HOUSE, THE BEE AND THE BUTTERFLY, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, THE LITTLE SONGBIRD, FIFTEEN FABLES, TWELVE MORE FABLES, THE BIRD WHO WENT TO HEAVEN, A PARAKEET FOR ERIC, TALES OF HUMAN FOIBLES, and THE GIRL AND THE PIGEONS. Judith Weinshall Liberman's archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art. ABOUT THE ILLUSTRATOR IN THE MILITARY CEMETERY is the twelfth book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since she did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating IN THE MILITARY CEMETERY herself, Ms. Liberman selected a fine artist, Ms. Gail Davis, to create the illustrations under the author's guidance. The two had previously collaborated on THE LITTLE FAIRY, on THE VERY OLD PAINTER AND HER HUSBAND, on ANGEL'S PUPPIES, on THE GIANT HOUSE, on THE MOUNTAIN, on THE TUNNEL, on THE OLD DOLL, on FIFTEEN FABLES, on TWELVE MORE FABLES, on A PARAKEET FOR ERIC, and on TALES OF HUMAN FOIBLES. In the present book, Ms. Davis beautifully captures the spirit of the story and creates a touching and universal visual image for the tragedy of war.