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An eye-popping collection of Winters' print works from the past four decadesWith more than 800 images, this lavishly produced book provides a comprehensive documentation of the boundary-pushing printmaking work of American artist Terry Winters (born 1949). It contains eight foldout sections that contextualize the artist's work in print with his work in painting and drawing.

If only life were as simple as checking things off a list. Clara Mar is a world-renowned cellist. As a sought-after soloist, her life has been planned and executed by a team of professionals since she was eight years old. Now, reeling from a messy and public breakup with a fiancé she never loved and the fallout from an explosive family lie, Clara arrives in Bodega Bay as the unexpected recipient of her grandfather's historic inn. Well, half the inn. Dylan Pace is Bodega Bay's own hometown hero. From working Search and Rescue to picking up shifts as a paramedic with the local fire department, his life was the job. Until he blew out his knee for the last time. Scrambling for a new direction, Dylan is shocked when Mr. Levinson, his recently deceased mentor, leaves him part of the famous Inn by the Bay. Clara and Dylan quickly discover the inn comes with a series of last requests, specifically six months under the same roof. Determined to make the best of things, they begin ticking off the list before the summer reopening. But, reconciling an unshared past with attraction neither can deny, and Clara's anticipated return to the spotlight forces them to grapple with expectations, old wounds, and what it means to stay.Below are courtesy content warnings to the best recollection. They cover the major topics/themes but may not be as nuanced as other trigger/content warning sites.alcoholism recovery, infidelity, childhood poverty, parental emotional abuse

A collection of prints from artists using fragmentation to question the status quoDrawn from feminist critic and art historian Lucy Lippard's 1978 essay of the same name, the catalog Positive Fragmentation includes more than 100 prints by 21 artists who use fragmentation both stylistically and conceptually. Contributors include Lorna Simpson, Jenny Holzer, Louise Bourgeois and Kara Walker.

The first in-depth examination of the Seneca Nation artist's prints, an ongoing and central part of her practiceThe interdisciplinary oeuvre of Seneca Nation member Marie Watt (born 1967) draws from history, biography, Iroquois proto-feminism and Indigenous teachings. Her work underscores the sacred role of storytelling throughout history and across culture, delving into elemental themes such as dreams, myths, memories, earth and the cosmos.This catalog, published on the occasion of Watt's retrospective traveling exhibition, is the first-ever inquiry into the artist's printmaking processes and techniques. Spanning from 1996 to the present, the book compiles a considerable breadth of prints: from her early print works at her alma mater Yale to her collaborations with masters of the trade at Crows Shadow Institute, Sitka Center for Art and Ecology, Tamarind Institute and, most recently, Mullowney Printing Company. Scholarly essays by curator John Murphy and art historian Jolene Rickard reflect upon Watt's contributions to the discipline.