Bøker utgitt av Kerber Verlag

A monograph of works dedicated to the Vietnamese painter Nguyen Xuan Huy. Text in English and German.

Ulrich Wust's (*1949) photographs are a bold critique of the former GDR's planned urbanism. His first monograph includes 200 images, rare ephemera and an in-depth interview.

The first monograph on Claudia Schmitz (*1975) examines her creation, discarding, and reinvention of multiple identities in real and virtual spaces. Text in English and German.

Photographer Axel Grunewald (*1954) travelled to the continental border between Europe and Africa. His photographs are empathetic and haunting, depicting the invisible space in which people are 'stranded'. Text in English and German.

Dale Grant captures the distinctive features displayed by flowers during their life cycle. His images of flowers are portraits exploring life's uniqueness and constant change.

Since 1996, John Peter Askew (*1960) has photographed the Russian city of Perm, Europe's easternmost city: an epic portrait of three generations of a single family.

From the Weimar Republic, to the United States, to the Soviet Union: Between 1919 and 1939, the visual arts of these three great powers suddenly developed along similar lines. In its exhibition Constructing the World, the Kunsthalle Mannheim presents the diverse facets of critical realism and New Objectivity for the first time in an international comparison. In it, both the artistic traces and the temporary stabilization between the World Wars are made perceptible as well as the renewed chaos that was triggered by the global economic crisis in 1929. The richly illustrated, scholarly exhibition catalogue documents this fascinating time and visualizes the explosive influence of the economy on the art of this era.Artists: Alexander Deineka, Otto Dix, Carl Grossberg, Edward Hopper, Georgia O'Keeffe, Gustavs Klucis, Alice Lex-Nerlinger, Reginald Marsh, Yury Pimenov, Serafima Vasil'evna Riangina, Alexander Rodtschenko, Franz Wilhelm Seiwert, Charles Sheeler, Karl Völckers, Grant Wood et al.