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Youth Horror Television and the Question of Fear presents nine essays that explore why youth horror television both scared children and invited them to reshape social boundaries of the adult world. This volume argues that televised youth horror left an indelible mark on the minds and memories of current horror creators and critics.

Bloody Women traces changing gender dynamics in the horror film industry to explore how women have played a crucial role in defining the genre of horror understood as a scholarly discipline, cultural institution, and site of pleasure. While acknowledging that women in the industry face ongoing challenges, this book focuses on their diverse contributions as creators, consumers, and critics of horror, showing how women have been essential in shaping the goals and methods of the genre. Aimed at both scholarly and general readers, the chapters bring together the expertise of filmmakers, festival programmers, and scholars to argue that women have effected a reimagining of horror. To this end, the volume considers a range of historical and theoretical issues relevant to gender and the genre of horror, broadly conceived. The collection explores, for example, female-directed horror films as a distinctive enterprise, one that is potentially marked by unique cinematic techniques and topical concerns. The book also moves into a more public domain, probing how the cultural experience of horror is transformed when the genre's major festivals and conventions are developed and directed by women. Together, these essays offer a wide-ranging investigation into the stakes of women's growing prominence in the horror industry. Most centrally, Bloody Women analyzes how the ethics, investments, and objectives of the genre shift when women deploy horror for their own enjoyment.

Jane Austen¿s Romantic Medievalism describes the Georgian Jane Austen, immersed in the Middle Ages, and particularly the tropes of medieval romance. Reading Austen¿s novels through the lens of romance gives readers a richer understanding of her views on love and happiness, her use of irony, and her understanding of providence.

This volume contains the journals of four Moravians who traveled to and lived in the colony of Georgia between 1734 and 1737. The journals describe the passage to Georgia, life in early Georgia, and Moravian religious practices, and suggested reasons for the eventual abandonment of the Georgia Moravian settlement.

Focusing on particular cases of Anglo-German exchange in the period known as the Sattelzeit (1750-1850), this volume of essays explores how drama and poetry played a central role in the development of British and German literary cultures. With increased numbers of people studying foreign languages, engaging in translation work, and traveling between Britain and Germany, the eighteenth and nineteenth centuries gave rise to unprecedented opportunities for intercultural encounters and transnational dialogues. While most research on Anglo-German exchange has focused on the novel, this volume seeks to reposition drama and poetry within discourses of national identity, intercultural transfer, and World Literature. The essays in the collection cohere in affirming the significance of poetry and drama as literary forms that shaped German and British cultures in the period. The essays also consider the nuanced movement of texts and ideas across genres and cultures, the formation and reception of poetic personae, and the place of illustration in cross-cultural, textual exchange.

New Directions in Medieval Mystical and Devotional Literature honors the career and scholarship of Denise N. Baker. Contributors include both early career and established scholars, and the collected essays examine a broad range of medieval mystical and religious literature, such as the writings of Julian of Norwich and William Langland.

This book contains letters from the Civil War of a Union officer, his fiancée, and some of their connections. The letters witness to their conviction that the pain of their four-year separation and other deprivations would help purify the country from the sin of slavery.

Patrician looking but not patrician born, Musmanno was a self-made man memorable in his appearance and congenial to the times until his intentions and aspirations ran afoul of the circumstances. From his journals we see a man of extreme contradictions who sometimes exercised troubling and even controlling relationships over people and events.

Poe and Women presents essays by scholars who investigate the various ways in which women-Poe's female contemporaries, critics, writers, and artists, as well as women characters in Poe adaptations-have shaped Edgar Allan Poe's reputation and revised his depictions of gender.

In her research on witchcraft trials, Swiss writer Eveline Hasler discovered children who were accused of witchcraft and punished by death. With this thought-provoking novel, The Child Witches of Lucerne and Buchau, provides a moving memorial for them, translated from the original German by Waltraud Maierhofer and Jennifer Vanderbeek.

Striving to develop interdisciplinary dialogue, the essays in this work explore children's and young adult reading through the theoretical lens of "mediation." They interrogate how values and assumptions about the effects of reading underpin reading practices, facilitation of reading and the study of reading, literature and print culture.

Bloody Women: Women Directors of Horror is the first book-length exploration of female creators at the cutting edge of contemporary horror, turning out some of its most inspired and twisted offerings.

Dedicated to the scholarship of Elizabeth Robertson, Gender, Poetry, and the Form of Thought in Later Medieval Literature is a collection of essays that explore how gender in medieval English literature intersects with philosophy, poetry, history, and religion.

This book examines the processes of editing and anthologizing as innovative contributions to the field of literary culture, analyzing how single-author editions and multi-author anthologies have created distinct reputations for Edgar Allan Poe. The book explores how Poe's editors, anthologizers, and translators continue to shape his global images.

The memoirs of Sister Ying Mulan describe her experiences as a Chinese Christian living in a turbulent era marked by the Communist takeover, the Cultural Revolution, and many momentous political reforms. Born into a family of politically active Catholics, Ying Mulan was eventually imprisoned in Shanghai and later sent to serve in labor camps for over twenty years. While living through such difficult circumstances, Ying Mulan derived strength from her faith. At the age of 60, she became a religious sister, and twenty-five years later she decided to write her autobiography. In this book, Francis Morgan offers the first English translation of Sr. Ying's memoirs, providing explanatory notes based on historical research and a series of extensive interviews with Sr. Ying. As she recounts the trials that she and others endured, Sr. Ying speaks with a remarkable tone of gratitude, giving thanks to God for the tests that steeled her character, tempered her pride, and increased her compassion. While her work stands out as a modern spiritual autobiography, it also deserves recognition as a political text. Sr. Ying's memoirs offer valuable and rare insights into the realities of religious life in China, the hidden world of labor camps and prisons, and the extremes of Cultural Revolution.

The historical analysis, theological reflections, and sociological observations found in the chapters of Christian Social Activism and the Rule of Law in Chinese Societies reveal the vibrant influence of Christian individuals and groups on social, political, and legal activism in mainland China, Taiwan, Hong Kong, and diasporic communities.

Seeing the Apocalypse: Essays on Bird Box is the first volume to explore Josh Malerman's best-selling novel and its recent film adaptation. The essays in this collection offer an interdisciplinary approach to Bird Box, one that draws on the fields of gender studies, cultural studies, and disability studies.

Placing Charlotte Smith offers new insights into how Romantic-era author Charlotte Smith expressed a cosmopolitan vision of place in an era of intense nationalism. The authors examine Smith's place as a writer in her time and the way she helped to make "place" a thing of social and literary importance.

The Wesleys and the Anglican Mission to Georgia examines the lives of five minister/missionaries in Georgia from 1735 to 1738 just before three of them became famous throughout the Atlantic world. Personal relationships shaped every facet of the Mission, while they used Biblical literature to frame and explain their experiences.

Interweaving lost articles by the Osage author, naturalist, and historian, John Joseph Mathews with insightful commentaries and essays by his biographer, Michael Snyder, Our Osage Hills tells a fascinating story of the Whazhazhe people in the Great Depression period and beyond.

The Collected Letters of Mary Blachford Tighe provides a revelatory glimpse into the life and mind of Ireland's premier Romantic-era woman poet. Although Tighe's family burned most of her personal papers, 166 letters by and to her survived the flames, and are printed here for the first time.

This book examines the processes of editing and anthologizing as innovative contributions to the field of literary culture, analyzing how single-author editions and multi-author anthologies have created distinct reputations for Edgar Allan Poe. The book explores how Poe's editors, anthologizers, and translators continue to shape his global images.

Using methods from book history and print culture studies, Annotation in Eighteenth-Century Poetry explores the functions that annotation performed on and through the printed page. Studying the relation of notes to poetry and the evolving layout of the book, this collection extends to recent inquiries into the rise of literature as a discipline.

Sir John Hill (17141775) was one of Georgian England's most vilified men despite having contributed prolifically to its medicine, science and literature. Born into a humble Northamptonshire family, the son of an impecunious God-faring Anglican minister, he started out as an apothecary, went on to collect natural objects for the great Whig lords and became a botanist of distinction. But his scandalous behavior prevented his election to the Royal Society and entry to all other professions for which he was qualified. Today, we can understand his actions as the result of a personality disorder; then he was understood entirely in moral terms. When he saw the dye cast he turned to journalism and publication, and strove maniacally to succeed without patronage. As a writer he was also cut down in ferocious ';paper wars'. Yet by the time he died, he had been knighted by the Swedish monarch and become a household name among scientists and writers throughout Britain and Europe. His life was a series of paradoxes without coherence, perhaps because he was above all a provocateur.In time he would also become a filter for the century in which he lived: its personalitiesgreat and smallas well as the broad canvas of its culture, and for this reason any biography necessarily stretches beyond the man himself to those whose profiles he also illuminates.

In Rugged Individualism and the Misunderstanding of American Inequality, the authors argue that a culture of individualism in the U.S. limits the pressure politicians face to develop robust social policies. This individualism combines with racism and features of the political system to help perpetuate high levels of poverty and inequality.

This collection of letters provides a detailed eyewitness account of the Japanese conquest and occupation of central China in 1937-1938, as seen from Hangzhou by a Protestant missionary. As an American neutral, the author offers unique perspectives on the dilemmas of faith and partisanship, that the Sino-Japanese conflict posed.

Bringing together work by many noted scholars and writers of horror fiction, this book provides the first substantial critical consideration of the complex relationship between H.P. Lovecraft and Edgar Allan Poe's work.

Anglo-German Dramatic and Poetic Encounters contains essays focusing on the roles of drama and poetry in Anglo-German exchange in the Sattelzeit. It offers new perspectives on the movement of texts and ideas across genres and cultures, the formation and reception of poetic personae, and the place of illustration in cross-cultural, textual exchange.