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A timely contribution in this era of authoritarianism, right-wing populist movements, identity formation, and political correctness. "In groups the most contradictory ideas can exist side by side and tolerate each other, without any conflict arising from the logical contradiction between them", wrote Freud in his 1921 book Group Psychology and the Analysis of the Ego. One hundred years later, in an age of war, social networks, and ubiquitous threats to democracy, the questions raised by Freud are as relevant as ever. In today's mass and group formations, psychological processes and mechanisms can be recognized as they were described by Freud a century ago: compliance, hypnotization, regression, idealization, identification, and fusion with the Other. This anthology is the result of an interdisciplinary conference organized by the Sigmund Freud Museum, Vienna. In their contributions, scholars from psychoanalysis, philosophy, sociology and literary studies present critical re-readings of the text and focus on current issues such as the rise of right-wing populist movements, the role of the narcissistic leader, and mass phenomena in the digital age.

Broodthaers' oeuvre and the history of experimental filmMarcel Broodthaers, one of the key figures of the postwar avant-garde, has been recognized and extensively studied as a poet who became a visual artist in 1964. However, years before creating his first sculptural objects and installations, Broodthaers made his debut as a filmmaker in 1957 with La Clef de l'horloge, embarking on a prolific cinema practice that yielded more than fifty films shot on 35mm and 16mm. Cinema, both as a medium and principle, was crucial to his artistry. Broodthaers' writings and visual works are interspersed with allusions to cinema, its history and its technology. Covering both well-known titles such as Le Corbeau et le renard (1967), La Pluie (1969), and Une Seconde d'éternité (1970) as well as many lesser-known Broodthaers films, the essays in this book discuss his films as inseparable from his entire oeuvre while situating them in the larger history of experimental film. In addition, the book scrutinizes his experiments with cinepoetry and expanded cinema, as well as his interest in early cinema and his fascination with signs and inscriptions. Marcel Broodthaers and Film brings together essays by Andrew Chesher, Eric C. H. de Bruyn, Xavier García-Bardón, Charlotte Friling, Steven Jacobs, Bruce Jenkins, Deborah Schultz, Christophe Wall-Romana, and Raf Wollaert.

New translation and first running commentary in English of Plotinus's V. 7 [18]. No other Neoplatonic treatise has sparked as much debate as Ennead V. 7 [18] of Plotinus, 'On the question of whether there are also Forms of individuals'. In this treatise, Plotinus is believed to postulate the existence of Forms of individuals alongside the traditional Platonic Forms of genera and species. If so, Plotinus stands as the sole figure in Platonism to advocate this problematic theory. Regrettably, most research on V. 7 [18] has focused solely on the Forms of individuals, overlooking other interesting aspects. This book demonstrates how Plotinus reconciles transmigration and biological heredity within his metaphysics of individuality, addressing a longstanding challenge for ancient philosophers from Pythagoras on. Plotinus's theory of individuation represents a significant innovation in ancient thought. Plotinus On Individuation offers a comprehensive assessment of V. 7 [18], providing a new translation and the first running commentary in English. Filling an important void, this book enriches the scholarship on Plotinus and contributes considerably to the growing interest in Plotinus's natural philosophy and the natural philosophies of the Neoplatonists in general.

Historical walking guide along the trails of Leuven scientists and their laboratories. Throughout its history, Leuven University has been home to many famous scientists. The names of cartographer Gerard Mercator, discoverer of gas lighting Jan Pieter Minckelers, chemist Jean-Baptist Van Mons, zoologist Pierre Joseph Van Beneden, and inventor of the Big Bang theory Georges Lemaître live on in the local street scene. The laboratories where they worked were housed in university colleges, repeatedly adapted over the centuries to the requirements of scientific research. With the last of these laboratories soon to move out of the inner city to a campus outside the city, this book outlines the urban history of Leuven's scientists and their laboratories, taking the reader along the still-visible traces of this remarkable heritage. Leuven's College Laboratories: An Urban Walking Guide through 600 Years of Science focuses on the material heritage of science. The book provides an engaging and accessible introduction to the university's urban history, appealing to a wide audience of interested parties such as alumni, visitors, and tourists.

How forest urbanism can address the contemporary socio-ecological crisisA radical redefinition of how humanity occupies the earth - through forestry, agriculture, and settlement - and rearticulates environmental stewardship by intertwining ecologies and urbanisms, this publication brings together essays by scholars in forestry, urbanism and other disciplines, designers, practitioners and policy makers. It explores the multifaceted notion of forest urbanisms, including a conceptual framing essay, contributions from the sciences such as bioscience engineering, architecture, urbanism and public policy, contemporary forest urbanism projects and explorative essays that make tangible an agenda for the 21st century. With descriptions of both built and non-built projects from around the globe, the essays show how such projects substantiate a radical shift in humankind's occupation of the world, where ecologies and urbanisms converge and agriculture, forestry, and settlements are integrated. Forest Urbanisms extends growing research on a new nature-culture relationship, the necessity for trees in cities, and a rebalancing of ecology and urbanism. Contributing authors: Chiara Cavalieri (UC Louvain), Cecil Koninendijk (Nature Based Solutions Institute), Rik De Vreese (European Forest Institute), Bart Muys (KU Leuven), Colleen Murphy-Dunning (Yale University), Bureau Bas Smets, Kongjian Yu (Turenscape), Wim Wambecq and Joris Moonen (MIDI), Embyá Paisagens & Ecossistemas, EFFEKT, TCL, aldayjover architecture and landscape, Björn Bracke (KU Leuven / Kollektif Landscape), Koenraad Danneels (KU Leuven), Marlène Boura (Biotope Environnement, Région de Bruxelles-Capitale), Swagata Das (KU Leuven), Kamni Gill (University of Manitoba), Alejandra Parra-Ortiz (University of Montreal), Gina Serrano-Aragundi (EPA Barranquilla Verde), Jörg Rekittke (University College Dublin), Takako Tajima (University of Southern California), Jamie Vanucchi (Cornell University), Maria Goula (Cornell University)Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

New framework for the aesthetic representation of the sea. We are no strangers today to visual representations of human suffering at sea: the refugee crisis that continues to play out in the seascape between Europe and Africa (and not only there) yields an ever-growing archive of humanitarian tragedy. As both a visual backdrop and a lethal medium of unequal mobility, maritime space and landscape play a significant role in mediating the ethical demands of this crisis. Yet there has been little exploration of the longer history of morality's role in our understanding of aesthetic representations of the sea. The diverse contributions in Moral Seascapes explore the various symbolic forms through which these shifting moral norms and values have been manifested, contributing to debates concerning the place of the sea in visual and literary cultures and the history of morality and emotion, as well as the emergence of modern subjectivity. Drawing on a range of interdisciplinary perspectives (visual culture, experimental art history, literary studies, history and philosophy) Moral Seascapes develops distinctive new insights into the relationship between the moral cultures of modernity and the image of the sea.

New perspectives on Epicureanism in the fields of Epistemology and Ethics. Epicurean philosophy is a philosophy of knowledge, nature and pleasure. The second part of a two-volume set, this edited collection examines the core areas of Epicureanism : physiology, epistemology and ethics. The study is carried out from multiple perspectives: the reconstruction and analysis of primary sources, an examination of the debates and controversies surrounding the school of Epicurus, and a review of the reception of Epicurean philosophy. By challenging the widespread stereotype of Epicureanism as a dogmatic, closed system of thought, this volume offers a fresh outlook on this philosophy. The book includes studies of Epicureans linguistic theory and practice, many fundamental aspects of Epicurean epistemology, physiology and ethics and their reception, the communicative strategy of Epicurean works, and the relationship between philosophy and the sciences.

Second volume of the Homo Mimeticus series to advance the emerging transdisciplinary field of mimetic studiesAfter the linguistic and the affective turns, the new materialist and the performative turns, the cognitive and the posthuman turns, it is now time to re-turn to the ancient, yet also modern and still contemporary realization that humans are mimetic creatures. In this second installment of the Homo Mimeticus series, international scholars working in philosophy, literary theory, classics, cultural studies, sociology, political theory, and the neurosciences engage creatively with the theory developed by Nidesh Lawtoo in Homo Mimeticus: A New Theory of Imitation to further the transdisciplinary field of mimetic studies. Agonistic critical engagements with precursors like Plato, Aristotle, Nietzsche, Bataille, Irigaray and Girard, involving contributions by leading experts of imitation such as Mikkel Borch-Jacobsen, William E. Connolly, Henry Staten and Vittorio Gallese among many others, reveal the urgency to rethink mimesis beyond realism. From imitation to identification, mimicry to affective contagion, techne to simulation, mirror neurons to biomimicry, Homo Mimeticus casts a shadow-but also a light-on the present and future, from social media to the Anthropocene.

Innovative perspective to the meaningful import of body and materiality in the translation process, a focal point of recent literature in Translation StudiesThis book is situated in the breach opened up by recent debates on inherited notions of text, language, and translation that followed the emergence of new technologies. It examines two works of contemporary dance, Marie Chouinard's Jérôme Bosch: Le Jardin des Délices (2016) and Mathieu Geffré's Froth on the Daydream (2018), as examples of intermedial translation. Conceptualising translation through the lens of theatrical dance allows us to see the translation process as a creative, corporeal, and political practice of negotiating human and non-human agencies, deeply intertwined with issues of memory and struggles over representation. Drawing on a wide range of theoretical debates from translation theory, dance studies, cultural theory, gender studies, postcolonialism, art history, cognitive linguistics, multimodality, film studies, and memory studies, as well as on concrete examples of performative works, the book charts a course for the development of dance translation as a legitimate, if still under-researched, subfield of translation studies. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

Significant contribution to the retranslation studies of religious texts. Despite the lively scholarly discourse on retranslation and its manifest value for uncovering dynamics of cultural change, interpretation, and reception, the retranslation of religious texts has received only fragmented attention in recent years. By spanning both historical and current aspects, and by treating the Bible - both Jewish and Christian - and the Qur'an together, this book breaks new ground and paves the way for future research on the myriad discursive and religious aspects of retranslation. This carefully curated collection of articles compellingly argues that the retranslation of canonical religious texts is a multi-faceted phenomenon. With cases ranging in time from the early Reformation to the present, and traversing linguistic contexts from Russia to Sweden, Slovenia to Saudi Arabia, the essays capture diverse dimensions of retranslation work. The collection demonstrates that retranslations of such texts manifest in different forms, depending on the religious, political and societal circumstances, the targeted audiences, and the status of existing translations. Their reception too may vary highly, depending on circumstances. Authored by specialists in the different fields of retranslation of the Bible and the Qur'an, each contribution outstandingly illustrates this complexity and offers fresh perspectives and innovative insights that help lay the groundwork for future research in this area of study.

The diverging forms of material and immaterial missionary heritages and legacies. For centuries, Christian missions have intervened in local religious communities, practices and ideas across the globe, generating encounters between Indigenous and Western cultures that have ranged from hostile confrontation to intercultural osmosis. While primarily intended as a strategy for evangelisation, forms of inculturation also led to the emergence of new hybrid cultural and religious expressions. These creative processes were rarely unidirectional; instead, they involved reciprocal cultural transactions in which local communities exerted significant agency. Cross-Cultural Impacts deepens our understanding of the intricate relationships between missions and missionised communities. These are reflected in the material and immaterial legacies of missionary histories in various contexts in South America, Africa, Asia, the Pacific and Europe. Often, they remain deeply rooted in landscapes, memories and practices today. Contributing authors: Paola Granado (Université Lumière Lyon 2), Leah Abayao (University of the Philippines Baguio), Kwami Edem Afoutou (Université Laval), Karen Jacobs (University of East Anglia), Naziru Yahaya Shu'Aibu (College of Advance and Remedial Studies, Kano), Leon Bouwmeester (KU Leuven), Jennifer Bond (University College London), Rinald D'Souza (KU Leuven), Markus A. Scholz (Philosophisch-Theologische Hochschule Sankt Georgen Frankfurt am Main), Idesbald Goddeeris (KU Leuven). This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Innovative exploration of the Brussels Baroque and the social dimensions of art production. For many painters in seventeenth-century Brussels, it was not only their artistic talent but also the communities they were part of that determined the course of their careers. This book traces the intricate relationship between social structures and artistic production by examining the lives and works of all 353 painters who became masters in the Brussels Guild of Painters, Goldbeaters, and Stained-Glass Makers between 1599 and 1706. This innovative exploration of a social history of art seamlessly integrates quantitative digital analyses at the macro-level with micro-level qualitative case studies. This fresh approach facilitates a comparative perspective on the various environments in which painters operated, allowing for new readings of how early modern artists - both in Brussels and beyond - created their art, earned a living, and navigated the complexities of urban life. Painters and Communities in Seventeenth-Century Brussels is also the first work to provide a global overview of the Brussels Baroque, including extensive lists with biographical information on all of the city's master painters.

The first permanent sculpture by Plensa in Belgian public spaceAcclaimed Spanish visual artist, sculptor, designer and engraver Jaume Plensa is renowned for his ability to weave spirituality, corporeality, and collective memory into his sculptures and installations, using a wide range of materials. Many of his iconic sculptures can be found in public spaces, in some of the most evocative places in the world. The city of Leuven now joins this list with the acquisition by KU Leuven of The Four Elements, the first permanent sculpture by Jaume Plensa in Belgian public space. The sculpture The Four Elements consists of two parts in bronze, located in two places, the gallery of the KU Leuven University Library and the newly created St-Raphaël Square. The first part, Fire, commemorates the resurrection of the University Library after the devastating fire of World War I. Water, Earth, Air, the second part, rises like a totem pole on a new urban site that is a meeting point for health care and medicine. This collection of essays documents how the two parts of the sculpture and its two sites represent a broader trinity of interaction and togetherness: between the university and the city and its public spaces, between research and art, between the study of health (in this case the brain) and organizing care. Ebook available in Open Access.

What is the role of the arts in the global environmental crisis?Helen Mayer Harrison and Newton Harrison, known as 'the Harrisons', dedicated five decades to exploring and demonstrating a new approach to artistic practice, centred on "doing no work that does not attend to the wellbeing of the web of life." Their collaborative practice pioneered a way of drawing together art and ecology. They closely observed, often with irony and humour, how human intervention disrupts the dynamics of life as a web of interrelationships. The authors of this book 'think with' the Harrisons, critically tracing their poetics as a reimaging and reconfiguring of the arts in response to the unfolding planetary crisis. They draw parallels between the artists' poetics and rethinking in the philosophy of science, particularly drawing on the work of Isabelle Stengers. Thinking with the Harrisons is for anyone concerned with the implications of ecological concerns as a reimagining of public life, including the interaction of art and science. Throughout their joint practice, the Harrisons sought to engage policy makers, governments, ecologists, artists, and inhabitants of specific places, sensitizing us to the crises that emerge from grounded experiences of place and time. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

First book-length study by an African that incorporates the trials and triumphs of Queen Elizabeth II, tracing her contributions to African affairsThe road to Queen Elizabeth II's implementation of African reforms was rough, especially in the first two decades following her ascension to the throne. In this book, Raphael Chijioke Njoku examines Queen Elizabeth II's role in the African decolonization trajectories and the postcolonial state's quest for genuine political and economic liberation since 1947. By locating Elizabeth at the center of Anglophone Africa's independence agitations, the account harnesses the African interests to tease out the monarch's dilemma of complying with Whitehall's decolonization schemes while building an inclusive and unified Commonwealth in which Africans could play a vital role. Njoku argues that to gratify British lawmakers in her complex and marginal place within the British parliamentary system of conservative versus reformist, Elizabeth's contribution fell short of African nationalists' expectations on account of her silence and inaction during the African decolonization raptures. Yet ultimately, the author concludes, she helped build an inclusive and unified organization in which Africans could assert and appropriate political and economic autarky. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

Non-Western perspective on the international history of intellectual property rightsPolitics in Publishing focuses on Japan's involvement in shaping international copyright law over a seventy-year period following the country's 1899 accession to the Berne Convention, the first multilateral copyright treaty. During this time, Japanese state officials collaborated with various stakeholders such as publishers, translators, and legal experts to strategically influence the international revision process of the treaty. The involvement of these actors in international organizations such as the League of Nations and the United Nations affected global copyright norms even as Japan advanced its imperial - national after 1945 - and capitalist interests. Taking a previously lacking non-Western perspective on the history of international copyright law, Politics in Publishing highlights the complex interplay between state and private actors and between domestic and international power relations, as well as administrative transformations in the formation of the modern, global international order. Grounded in an impressive body of primary source material, this book will make a substantial contribution to interdisciplinary scholarship on intellectual property, and copyright history in particular. Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Catholic missionaries in the revolutionary movements of the 1970s and 1980s in Guatemala. In Guatemala, the 36-year armed conflict from 1960 to 1996 claimed 200,000 lives, over two per cent of the population, and displaced a million more. In the 1970s and the 1980s the widespread and violent repression of social movements fighting for justice and human rights reached unimaginable proportions, involving assassinations, disappearances, and exile. Even parts of the Church, traditionally considered an ally of the powerful and the wealthy, were not spared this fate. Missionaries and Resistance in Guatemala chronicles the involvement of certain Catholic missionaries in popular and revolutionary movements. Based primarily on their own accounts, it narrates their gradual progression from conservative theological and pastoral practices to radical positions, informed by their solidarity with the poor and a theology of liberation. Their stories are situated in a wider geopolitical and ecclesial context. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

Artists' vital role in shaping nonviolent resistance in IranWomen, Art, Freedom offers an insightful look at the 2022 Woman, Life, Freedom uprising in Iran, ignited by Mahsa Jina Amini's murder under the "morality police" for violating hijab rules. Beyond its feminist undertones and the remarkable courage of the young protesters, what sets this uprising apart from previous ones is the abundant and diverse art it has inspired. This book, rather than merely analyzing the artworks that garnered attention on social media platforms, brings to light lesser-known grassroots artistic movements that played a crucial role within their immediate local communities. Engaging with primarily Iran-based artists, the book uncovers the role artists played in shaping guerrilla interventions and street occupations and in articulating distinct forms of peaceful civil disobedience. In addition, by drawing on a broad spectrum of historical and theoretical sources, this book further reveals the origins and inspirations of Iran¿s protest art. Finally, focusing mainly on the interconnections between the public sphere, women's bodies, and feminist viewpoints, Women, Art, Freedom underscores the vital role of artists in championing global justice and equality.This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

A fundamental reappraisal of Plutarch's attitude towards rhetoric. Plutarch was not only a skilled writer, but also lived during the Second Sophistic, a period of cultural renaissance. This book offers new insights into Plutarch's seemingly moderate attitude towards rhetoric. The hypothesis explored in this study introduces, for the first time, the broader literary and cultural contexts that influenced and restricted the scope of Plutarch's message. When these contexts are considered, a new perspective emerges that differs from that found in earlier studies. It paints a picture of a philosopher who may not regard rhetoric as a lesser means of persuasion, but who faces challenges in openly articulating this stance in his public discourse. Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Óscar Romero's continuing legacy in various societies worldwide. On 24 March 1980, Salvadoran archbishop Óscar Romero was assassinated while celebrating mass in San Salvador. During the last years of his life, Romero had become an outspoken opponent of the oppression by El Salvador's dictatorial regime and a beacon of peace and hope in a country torn by injustice, inequality and violence. His assassination sparked global outrage and converged with a growing international awareness of the plight of Latin America. To this day, Romero continues to inspire resistance and liberation movements in Latin America and beyond, both inside and outside the Church. Bringing together perspectives from the fields of history, theology, sociology, law, and cultural studies, The Romero Memory aims to accomplish a polyphonic understanding of the archbishop's significance. His legacy transcends Western approaches to these disciplines and encompasses religious thought and practice, human rights activism, El Salvadoran mural iconography, Hollywood film, local social institutions and international aid, as well as transitional justice. Contributing authors: Jonas Van Mulder (KADOC-KU Leuven), Joren Janssens (RoSa/KU Leuven), Kim Christiaens (KU Leuven), Caroline Sappia (UCLouvain), Miguel Villela (University of El Salvador), Bradley Hilgert (Universidad de las Artes), Martin Maier (Jesuit European Social Centre), Sharon Erickson Nepstad (University of New Mexico), Kevin Coleman (University of Toronto), Zachary Dehm (Duquesne University), Rafaela Eulberg (University of Bonn), Valeria Vegh Weis (Buenos Aires University / Quilmes National University), Miryam Rivera Holguín (KU Leuven), Adriana Hildenbrand (Universidad de Lima / Pontificia Universidad Católica del Perú), Jozef Corveleyn (KU Leuven), Lucia De Haene (KU Leuven), Rudina Jasini (University of Oxford), Jacques Haers (KU Leuven). Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

How conventional and experimental prototypes and series created an architecture for all. Mass housing and prefabrication shaped global modernist architecture like no other aspect of industrialised construction. This book offers a comprehensive exploration of how both conventional and experimental prototypes and series gave rise to an architecture for all, often responding to crises, the imperatives of nation-building, and housing shortages by rapidly developing, distributing, and assembling structures. The book's contributions, with a geographical emphasis on Europe and Israel, offer innovative approaches to the history of prefabrication. Some explore partially unearthed empirical ground, such as cases from Finland and Sweden, while others offer a fresh interpretation of prefabrication's role in the history of global architecture and planning after WWII, notably in the USSR and Italy. The chapters encompass a broad spectrum of topics, including colonial expansion, international collaboration, and the achievements and setbacks of industrialised design. The authors scrutinise the cultural impact of mass housing and prefabrication, tracing this influence through exhibitions, memory culture, and typologies, ultimately concluding with an outlook on the preservation and repair of structures and their adaptation for the future. Within the broader context of transnational and regional research, Between Conventional and Experimental presents novel and forward-thinking approaches to prefabrication and mass housing. Drawing from transnational architectural history, construction history, housing studies, monument preservation, and exhibition studies, it effectively highlights the profound relevance of prefabrication history to our understanding of the cultural and material history of the built environment. Contributors: Mia Åkerfelt (Åbo Akademi University, Turku), Yael Allweil (Technion Israel Institute of Technology), Inbal Ben Asher-Gitler (Sapir Academic College, Ashkelon/ Ben Gurion University of the Negev, Beer Scheva), Angelo Bertolazzi (University of Padua), Tamara Bjažic Klarin (University of Zagreb), Tzafrir Fainholtz (Technion Israel Institute of Technology), Alberto Franchini (Technical University Munich/Polytechnic University of Milan), Ilaria Giannetti (Sapienza, University of Rome), Regine Hess (ETH Zurich), Silke Langenberg (ETH Zurich), Daphna Levine (Technion Israel Institute of Technology), Stefania Mornati (Sapienza, University of Rome), Uta Pottgiesser (TU Delft), Maryia Rusak (Oslo School of Architecture and Design), Liat Savin Ben Shoshan (Technion Israel Institute of Technology), Maria Tassopoulou (Technical University of Athens), Anna Wilczynska (Estonian University of Life Sciences/ Warsaw University of Life Sciences). Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Although truth occupies a central position in philosophy and the philosophy of science, there is much debate about its actual role in scientific practice. Truth and Suffering explores different conceptions of truth and their profound influence on our understanding and approach to suffering. By discussing how different definitions of truth shape distinct ways of producing knowledge, the analysis prompts reflection on the impact of knowledge production on people's lives.Drawing on the work of authors from psychoanalysis and the philosophy of science, this book challenges dominant mental health paradigms, particularly the hegemony of biologic psychiatry. It resists attempts to naturalise symptoms and emphasises the need for ethical and political factors to be consistently taken into account when addressing suffering.Offering a clear and original approach to an important and complex debate, Truth and Suffering is of interest not only to specialist readers in a variety of fields, ranging from philosophy of science to psychoanalysis, but also provides an introduction to newcomers interested in these discussions.Paulo Beer is a psychoanalyst, professor and researcher in São Paulo, Brazil.This is a very accomplished piece, which manages to stay focused and offer an important contribution to matters of 'evidence', 'truth' and what that means epistemologically and politically. The work is inviting, fluid, well-written and helpful to many scholars of related fields. - Ana Minozzo, University of Essex

Unique cross-cultural and multimedial approach to class identity and precarity in literature, theatre, and filmContemporary culture not merely reflects ongoing societal transformations, it shapes our understanding of rapidly evolving class realities. Literature, theatre, and film urge us to put the question of class back on the agenda, and reconceptualize it through the lens of precarity and intersectionality. Relying on examples from British, French, Spanish, German, American, Swedish and Taiwanese culture, the contributors to this book document a variety of aesthetic strategies in an interdisciplinary dialogue with sociology and political theory. Doing so, this volume demonstrates the myriad ways in which culture opens up new pathways to imagine and re-imagine class as an economic relation, an identity category, and a subjective experience. Situated firmly within current debates about the impact of social mobility, precarious work, intersectional structures of exploitation, and interspecies vulnerability, this volume offers a wide-ranging panorama of contemporary class imaginaries. Contributors: Magnus Nilsson (Malmö University), Christian Claesson (Lund University), Christoph Schaub (University of Vechta), Olaf Berwald (Middle Tennessee State University), Valeria Pulignano (KU Leuven), Lander Vermeerbergen (Radboud University), Markieta Domecka (KU Leuven) Deborah Dean (Warwick University), Sula Textor (Potsdam University), Irene Husser (University of Tübingen), Katrin Becker (University of Siegen), Marissia Fragkou (Aristotle University of Thessaloniki) Sarah Pogoda (Bangor University), Daniel Brookes (University of Worcester), Tim Christiaens (Tilburg University), Joeri Verbesselt (KU Leuven), Syaman Rapongan (writer). Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

The question of whether to disclose that a text is a translation and thereby give visibility to the translator has dominated discussions on translation throughout history. Despite becoming one of the most ubiquitous terms in translation studies, however, the concept of translator (in)visibility is often criticized for being vague, overly adaptable, and grounded in literary contexts. This interdisciplinary volume therefore draws on concepts from fields such as sociology, the digital humanities, and interpreting studies to develop and operationalize theoretical understandings of translator visibility beyond these existing criticisms and limitations. Through empirical case studies spanning areas including social media research, reception studies, institutional translation, and literary translation, this volume demonstrates the value of understanding the visibilities of translators and translation in the plural and adds much-needed nuance to one of translation studies' most pervasive, polarizing, and imprecise concepts.Peter J. Freeth is senior lecturer in translation at London Metropolitan University. Rafael Treviño is a sign language interpreter at the U.S. Department of State and is completing his doctoral studies at Gallaudet University.In this excellent collection, Freeth and Treviño offer a long overdue perspective on the in/visibilities (in plural) of translation and translators, challenging prevailing conceptions of visibility. The importance of this volume lies in its critical approach questioning the assumption of invisibility, as well as how desirable it is for translators to be visible. This book certainly has the potential of reshaping the discourse on a topic ubiquitous in Translation Studies.- Rafael Schögler, University of Graz

The saxophone is a globally popular instrument, often closely associated with renowned players such as Charlie Parker, John Coltrane, or more recently, Kenny G. Less well known, however, is the historical presence of women saxophonists in the nineteenth century, shortly after the instrument's invention. Elise Hall (1853-1924), a prominent wealthy socialite in Boston at the turn of the twentieth century, defied social norms by mastering the saxophone, an unconventional instrument for a woman of her time. Despite her career's profound impact, Elise Hall remains relatively obscure in broader music communities. Her untiring work as an impresario, patron, and performer made a significant mark on the history of the instrument. Yet these contributions have been historically undervalued, largely due to gender bias.This collection of essays, written by mainly women saxophonists/scholars, re-evaluates Elise Hall's legacy beyond a discrete history, updating the narrative by highlighting the ways in which her identity and the saxophone itself have influenced historical accounts. By analyzing the sociocultural factors surrounding this innovative musician through a contemporary lens, the contributors challenge previously held narratives shaped by patriarchal structures and collectively affirm her place as one of the pioneers in the history of the saxophone.Kurt Bertels is a postdoctoral researcher at LUCA School of Arts (KU Leuven), Koninklijk Conservatorium Brussel, and Royal Conservatoire Antwerp, Belgium, where he works on nineteenth- and early-twentieth-century saxophone history and performance practice.Adrianne Honnold is an assistant professor of Music at Lewis University in Romeoville, Illinois, USA where she teaches saxophone and music history courses.This is a timely collection of research to help all saxophonists and musicologists rethink the cultural assumptions of the past, and opens up many new ideas and methodologies for future research. I highly recommend this text make its way onto every saxophonist's bookshelf. - Matthew Younglove, Tennessee Technological University

In medieval and early modern natural philosophy, very few issues were as controversial as the nature of the elements. From the thirteenth up until the sixteenth century, European thinkers discussed this problem with growing interest. Defining the nature of the elements was key to deciphering the very structure of the universe and the essence of things. Along with four primary texts, here edited for the first time, this book discusses one of the most original contributions to this debate, that of Renaissance philosopher Pietro Pomponazzi (d. 1525). Pomponazzi's account, developed in university lectures, holds significance for two reasons. First, it provides a thorough description of the most influential doctrines on the elements presented by medieval scholars, opening a window onto three hundred years of prior discussions on the topic. Second, Pomponazzi also develops his own views on the issue, explicitly defining them as 'heretical' to emphasise his departure from all opinions expressed before him.Luca Burzelli is postdoctoral researcher in History of Philosophy at the Department of Philosophy of the University of Siegen, and member of the De Wulf-Mansion Centre at the KU Leuven. He received the Thomas Ricklin International Award 2024 for his book 'Pietro Pomponazzi and the Renaissance Theory of the Elements: A Study with Editions of Unpublished Texts'.

The challenges and limits for musicians dealing with texts. To perform a musical score implies the transformation of a symbolically coded text into vibrant sound. In Performing by the Book? a carefully selected cadre of artist-researchers dissects this delicate act in critical ways. Offering first-hand insights into the notational, structural and interpretative challenges faced by musicians in dealing with texts of all kinds, the chapters traverse the spectrum between the Middle Ages and the age of Stockhausen. In a harmonious blend of scholarly allure and individual artistry, free from academic obfuscation, the contributors keep a keen eye on the limits of interpretation, both in terms of the interpretative process itself and of the balance between textual faithfulness and artistic autonomy. This comprehensive volume is an indispensable guide for everyone interested in the relationship between musical performance and texts. Contributing authors: Niels Berentsen (Haute école de musique de Genève-Neuchâtel (HES-SO) / conductor of Diskantores), Björn Schmelzer (artistic director of Graindelavoix / independent researcher), Jonathan Ayerst (freelance organist and improviser), Elizabeth Dobbin (Le Jardin Secret / Haute école de musique de Genève (HES-SO)), Camilla Köhnken (freelance pianist-researcher / Bern Academy of the Arts), George Kennaway (cellist, conductor, teacher, publisher and musicologist / University of Leeds), Kate Bennett Wadsworth (cellist / Guildhall School of Music and Drama), Nir Cohen-Shalit (conductor and independent researcher), Xiangning Lin (pianist / Yong Siew Toh Conservatory of Music, National University of Singapore), Clare Lesser (independent performer, musicologist and composer). Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

First English-language book on the history of commercial sex in BelgiumIn 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe ¿ and the second globally ¿ to abandon the hypocrisy of tolerance. Yet this was not the first time paid sex in Belgium gained international notoriety. The bathhouses of the fifteenth-century `frows of Flanders¿ were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Although Belgians were then accused of forcing white women into prostitution, they were also free to include any suspect women in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers and their interactions with authorities, clients and pimps. Pushing beyond stereotypes, this history of commercial sex offers a nuanced understanding of the difficulties and opportunities associated with paid sex for women, men and trans persons past and present.Contributors: Elwin Hofman (Utrecht University), Magaly Rodríguez García (KU Leuven), Pieter Vanhees (former researcher KU Leuven), Jelle Haemers (KU Leuven), Amandine Lauro (Université libre de Bruxelles), Maarten Loopmans (KU Leuven), Ilias Loopmans (MA history student at University of Antwerp), Sonia Verstappen (former sex worker).