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This book provides the first detailed study of healthcare during the period of the Troubles in Northern Ireland (1968-1998). While there have been some studies of the effects of conflict in the context of Northern Ireland, to date there have been no in-depth histories of the impact of the Troubles on healthcare and the experiences of healthcare professionals. Ruth Duffy's work combines analysis of archival research and oral history interviews to reveal the widespread impact of the conflict on healthcare facilities, their staff, and patients, as well as the broader societal implications of providing services during the Troubles. The book allows the voices of those who worked on the frontline to be heard for the first time, as well as exploring important issues such as medical ethics and neutrality. It offers new and valuable insights into the cost of the Northern Ireland conflict and its legacy today.

The battle of Maldon in 991 AD was a defeat. The Old English poem about it that survives, The Battle of Maldon, celebrates the extreme valour of Byrhtnoth, the leader of the defeated Anglo-Saxons, and commemorates the heroic deaths of his followers who stand by him and who stay to the end against a horde of piratical Vikings. Though lacking both beginning and end, enough survives of the main narrative of the battle to show the poet's skill and power in conveying his message that loyalty to one's word and to one's lord matters more than life. Maldon is the only substantial late Old English heroic poem to survive and provides unique testimony to the poetics of its period: close re-analysis of it shows it to be a striking mix of old and new, combining features found in much earlier verse with others only otherwise attested in Middle English alliterative poetry. This new critical edition responds to the enormous range of critical views that the poem has excited: the introduction is, accordingly, substantial, and includes sections on language, prosody, style, and narrative, as well as a new and full consideration of the reliability of the sole surviving transcript. There is a detailed literary commentary and a full glossary.

Migrant Emotions explores the interrelationships and tensions between mobility and immobility, emotions, affects and experiences, inclusion and exclusion, as well as narratives and representations in both local and global discourses. The overall objective of the volume is to underscore the significance of emotions in the analysis of mobile lives in the past and the current socio-political climate. The book provides a new framework that brings together the study of emotions and migration by focusing on the feelings or emotions of exclusion and inclusion through a range of theoretical lenses. Specifically, it offers a series of complex, interconnected studies on diverse experiences, responses, and voices of migrants (including, refugees, asylum seekers, undocumented, and others on the move) both in the twentieth and the twenty-first centuries, and across the continents, including Europe (Molesini, Daniel, Stock, Castillo Gonsalves, Cancian, Leese), Africa (Cancian, Kilpeläinen and Zechner), Asia (Mutiara, Paul, Ridgway), and Oceania (Heckenberg). Integral to the volume's original objective is an emphasis on the global diversity of contributors and studies and the global reach of readership for purposes of comparison.

The Stanley Kubrick Archive is a collection held at the University of the Arts London that contains material related to the life and work of Stanley Kubrick. But even though the archive has been branded as being about one man - Kubrick - its contents are much more diverse. There are records and objects about the wider industrial, cultural, and social history of film production in the latter half of the twentieth century; records and objects about the histories of fashion, stationery, photography, communication and media technologies, and urban development; historical resources pertaining to events such as the Holocaust, the life of Napoleon, and the American Civil War; and ephemera that has no immediately obvious research use.Media historian James Fenwick argues that the Stanley Kubrick Archive has been misunderstood as being solely about Kubrick and that it has much greater interdisciplinary potential. Fenwick opens up the discussion of the meaning and purpose of the Stanley Kubrick Archive by considering its material realities via a critical survey and archaeological analysis of its contents. By undertaking such an analysis, Fenwick moves beyond the mythic status of the archive being Kubrick's archive and instead foregrounds the wider cultural value and significance of the collection and uses the archive to excavate histories, stories, and ideas beyond a focus on Stanley Kubrick, proving that the Stanley Kubrick Archive doesn't just have to be about Stanley.

An exciting new contribution to the expanding but still largely uncharted territory of collaboration studies, Late Victorian Literary Collaboration is the first book-length study of the trend for collaborative writing that emerged in the last decades of the nineteenth century.As a result of the rapidly growing literary market, the years between 1870 and the turn of the century witnessed an unprecedented flow of collaboratively written novels. In the 1890s, co-authorship became a craze, with literary partnerships multiplying and fiction co-written by twenty and more authors appearing in the pages of popular magazines. By 1900, however, the trend had already reversed, and it quickly slipped into oblivion. Late Victorian Literary Collaboration investigates the factors that made the period so conducive to collaboration, tracing the reasons for its success and subsequent decline. Drawing on a vast range of original sources, the book discusses and compares different models of collaboration, from life-long, exclusive partnerships to one-time, widely-advertised collaborative ventures between best-selling novelists. It deals with authors such as Walter Besant, Somerville and Ross, Andrew Lang, H.R. Haggard and Rhoda Broughton, all favourites of the Victorian public but subsequently neglected and only recently reevaluated. By unpacking the debate that developed around co-authorship in the periodical press of the time, the book also sheds light on how collaborative authorship was imagined by the general public, and illustrates how the trend effectively - if temporarily - challenged Victorian assumptions about the author as a solitary genius.

Addressing the history, impacts, and legacies of the Indian Residential School system, the Canadian Truth and Reconciliation Commission is one of the few commissions to have been established in a Western, long-standing liberal-democratic reality such as Canada's. It thus becomes paramount to examine the extent to which the TRC's core principles of truth-telling, restorative justice, and reconciliation engage in productive dialogue with the settler-colonial context of Canada and, particularly, with Indigenous philosophies and epistemologies. Good Medicine Stories does exactly that through the lens of fiction. Interweaving Indigenous, settler colonial, trauma and gender studies on the one hand, and intersecting literary, political, historical and cultural approaches on the other, Good Medicine Stories explores the capacities of Indigenous fiction for challenging and amplifying the work carried out by the Canadian TRC. Through analysis of a unique selection of Indigenous contemporary literary texts that were produced during and after the completion of the Canadian Commission, the book shows the role of fiction in keeping the dialogue on truth, justice, and reconciliation between Indigenous and non-Indigenous peoples open and relevant to our present and our future. It also demonstrates the role of Indigenous fiction in foregrounding Indigenous healing, spiritual regeneration and resurgence.

In this book Michele Speitz assembles the first full-length scholarly study of the British Romantic technological sublime, addressing a significant gap in scholarship on Romantic literature, technological aesthetics, and the history of science and technology. Speitz shows that it is through a study of technology, and by putting British Romanticism's representations of sublime nature and technology in dialogue, that the broader history and present-day implications of the British Romantic sublime can best be understood.This innovative study foregrounds representations of Romantic machines and tools both aged and new: from the lever and the teacup to modern marvels including the steam engine and the seismograph. Surveyed as well are built environments and vast mechanical and infrastructural systems: mines, canal works, roadways, modern suspension bridges. By grouping together this set of ancient and novel inventions -- sourced from accounts penned by Erasmus Darwin, John Keats, Anna Seward, Robert Southey, Mary Godwin Shelley, Percy Bysshe Shelley and more -- Speitz demonstrates how a comparative study of these technologies relative to their aesthetic presentation and reception uncovers an overlooked iteration of the Romantic sublime, one that reveals fresh accounts of Romantic nature that have a bearing on twenty-first-century debates about the environment. The Romantic Sublime and Representations of Technology is essential reading for literary and aesthetic theorists, historians of science and technology, literary and art historians, and scholars of ecocriticism and literature and the environment.

The Journal of Beatles Studies is the first journal to establish The Beatles as an object of academic research, and will publish original, rigorously researched essays, notes, as well as book and media reviews.The journal aims are; to provide a voice to new and emerging research locating the Beatles in new contexts, groups and communities from within and beyond academic institutions; to inaugurate, innovate, interrogate and challenge narrative, cultural historical and musicological tropes about the Beatles as both subject and object of study; to publish original and critical research from Beatles scholars around the globe and across disciplines.The Journal of Beatles Studies establishes a scholarly focal point for critique, dialogue and exchange on the nature, scope and value of The Beatles as an object of academic enquiry and seeks to examine and assess the continued economic value and cultural values generated by and around The Beatles, for policy makers, creative industries and consumers. The journal also seeks to approach The Beatles as a prism for accessing insight into wider historical, social and cultural issues.

This book examines coverage of the Spanish Civil War by the leading French and British newspapers, and agencies like Havas and Reuters. Their foundational reporting created a bedrock of 'shared news', which reverberated in places as geographically and ideologically remote as Moscow or Berlin.It focuses on how key events like the mass killings in Badajoz, the siege of the Alcázar of Toledo, the Battle of Madrid, and the bombing of Guernica broke as immensely impactful news stories. By returning to first news, we can view familiar events with fresh eyes. For example, reporting on the siege of the Alcázar was shaped by Republican control of Toledo and had little in common with later Nationalist triumphalism. Guernica is studied as a breaking news story, but also as the culmination of a series of destructive aerial bombardments, including Madrid and Basque towns, which all fed into Picasso's masterpiece. This essay charts the links and transitions between day-to-day reporting, journalistic reportage, and transformative mythmaking.The book utilizes a wide range of material from newspaper libraries, digital resources and extensive archival research. The author draws on his interviews and correspondence with Sir Geoffrey Cox (1910-2008), News Chronicle's Madrid correspondent in November 1936.

This book compares fiction and non-fiction written by two generations of the Vietnamese diaspora, the so-called 1.5 and second generation in France and Canada, namely, Kim Thúy, Doan Bui, Clément Baloup, Hoai Huong Nguyen and Viet Thanh Nguyen (USA) as they grapple with their positionality as refugee(s') children and the attendant problematics of loss. How they recuperate this loss by deploying notions such as home, hauntings and hunger is central to this analysis. Refugee Afterlives identifies the tools deployed by the 1.5 and second generation, tests their limits while understanding that these writers' creations are constantly changing and shifting paradigms and will continue to be so over the next decades. Each writer is finding their own voice and pathway(s) and while these may sometimes overlap and contain commonalities, afterlives by default imply plurality and differences. This book offers ways of examining these texts, juxtaposing them, contrasting them, putting them in dialogue with each other, underlining their differences, but ultimately demonstrating that there is much to be gained in seeing how 1.5ers and the so-called second generation Vietnamese refugee writers contribute to a wider discussion of Vietnamese refugee(s') children and what happens to them after resettlement.

This book argues that literary production in Portuguese-speaking southern Africa has developed distinctive aesthetic idioms that critically respond to crises of global capitalism and related failures of post-colonial governance. Drawing from recent research at the intersection of world-systems analysis and materialist theories of world literature, it identifies and evaluates two generic trends in the post-independence literatures of Mozambique and Angola. From the mid-1980s to the early 1990s, there is a marked tendency in Mozambican literary production towards fictional representations of ghosts, spectral effects and gothic narrative techniques. In Angola, there is an analogous outburst of literary expression from the mid-1990s onwards, in which writers increasingly turn towards dystopian images of apocalypse, ecological crisis, and the disintegration of existing modes of social reproduction. Away from a restricted focus on the decline of the post-independence Marxist-Leninist state, the book contends that the upswing in these two genres of writing functions to critically register a world-systemic horizon that both surpasses and includes locally determined, national realities. The patterned repetition of spectral and dystopian forms in Portuguese-speaking southern Africa occurred at a time of heightened capitalisation, in which the region was subjected to newly expropriative forms of accumulation and ecological enclosure via integration into a reconstellated world-system headed by neoliberal finance capital. Through close readings of texts by authors such as Mia Couto, Suleiman Cassamo, Ungulani Ba Ka Khosa, Pepetela, and Ondjaki, this book asks: What factors drove literary production towards the figure of the spectre in Mozambique and towards dystopia in Angola? What emerging energies and social contradictions found shape in these generic idioms in ways that existing vocabularies were unable to express? What does the geo-temporal passage from spectrality to dystopia tell us about the history of capitalist development in southern Africa, and about the restructuring of political-economic parameters across the globe?

Recent research has revealed that the borrowings in Yambo Ouologuem's epochal novel Le Devoir de violence (Bound to Violence) are far more extensive than was previously thought. Accused of plagiarism, Ouologuem quit the Parisian literary world and returned to a definitive silence in Mali. This book attempts to provide both a complete table of the borrowings in Le Devoir de Violence and a new theory of their meaning. Miller dispels the myth that the borrowings are minor, negligible, or criminal; he argues that they are artful "thresholds," openings to a profound reconsideration of African history. Ouologuem set up this system of borrowings as a way to invite readers down unexpected paths of meaning. The borrowings are not mere stunts; they are inseparable from Ouologuem's radical revision of African history and his rejection of Negritude. The table of borrowings in part three of this book will serve as a resource for readers and scholars.

Best known for his sexually provocative Poems and Ballads (1866), Algernon Charles Swinburne (1837-1909) was much admired throughout the 19th-century for his daring subject matter and superb poetic craftsmanship. After a decline in popularity in the twentieth century, his reputation has steadily recovered, and he is now becoming more widely read and studied. This book introduces the reader to the work for which Swinburne is most famous, concentrating on three major collections - Poems and Ballads 1 (1866), Songs before Sunrise (1871) and Poems and Ballads 2 (1878), as well as a number of his most influential essays. Representative close readings of selected poems and essays reveal the often complex webs of reference and allusion which give his work depth and richness. Throughout, special emphasis is placed on the ways in which Swinburne challenges and compels his readers to move beyond their regular viewpoints to experience new insights and perspectives.

Change and transformation are central to the action, themes and language of A Midsummer Night's Dream. This book will show how the play participates in a widespread 1590s concern with mutability; often, as here, expressed through moon-imagery, and associated with representation of the ageing Virgin queen. However, it is also very much a play about procreative change, set at one of the 'green hinges' of the year, to use Angela Carter's phrase. The happy ending is marked by multiple marriages; and yet, these marriages have been achieved through conflict and force. Comedy veers close to tragedy, and vice versa in the inset Pyramus and Thisbe performance, illustrating Shakespeare's sense of the innate indeterminacy of genres. It is also Shakespeare's most Spenserian play in its depiction of a supernaturally animated natural world, providing the grounds for the characterisation of Shakespeare as a poet of nature which was to prove so influential for Milton and the Romantics.

The Boke of Gostely Grace is a Middle English translation of the Liber specialis gratiae by the German visionary Mechthild of Hackeborn (1241-1298), a Benedictine/Cistercian nun at the convent of Helfta. This new Companion will add momentum to the current interdisciplinary and theoretical debate surrounding Latin texts and their translations into the vernacular, including a number of issues regarding women's literary culture. It complements and supplements the new critical edition of the text, The Boke of Gostely Grace, edited by Naoë Kukita Yoshikawa and Anne Mouron with Mark Atherton, published by Liverpool University Press in 2022.A comprehensive introduction is followed by three parts. Part 1 examines vernacular translations of the Liber specialis gratiae from the late medieval and early modern periods in German, Dutch, Swedish, Italian and French. Part 2 explores a wide-range of critical issues in The Boke of Gostely Grace, and in particular aspects of the spirituality of Helfta. The volume concludes in Part 3 with aspects of the Last Things at Helfta, more specifically purgatorial piety and the theme of the dying and the dead. The volume as a whole provides a new and nuanced understanding of how the mystical literary output of Helfta circulated and was received in the late medieval literary culture of England and Europe.

Empresses-in-Waiting comprises case studies of late antique empresses, female members of imperial dynasties, and female members of the highest nobility of the late Roman empire, ranging from the fourth to the seventh centuries AD. Situated in the context of the broader developments of scholarship on late antique and byzantine empresses, this volume explores the political agency, religious authority, and influence of imperial and near-imperial women within the Late Roman imperial court, which is understood as a complex spatial, social, and cultural system, the centre of patronage networks, and an arena for elite competition. The studies explore female performance and representation in literary and visual media as well as in court ceremonial, and discuss the opportunities and constraints of female power within a male dominated court environment and the broader realms of imperial activity. By focusing on imperial women, the volume not only addresses questions of gendered rhetoric and agency but throws into relief general dynamics in the exercise of imperial power during a period in which the classical Mediterranean world at large, as well as the Roman monarchy, underwent crucial transformations.

Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative.Since the 1950s, film production in Ireland has evolved into a mature industry creating high-profile film, television drama, documentary and animation for both the domestic and international markets. This book traces that evolution through a history of the screen production industries on the island of Ireland. More specifically, the book is concerned with the people who work in these industries - how they have shaped the work they do and the conditions under which that work is carried out. The book therefore highlights the vital contribution of film and television workers to screen policy and labour relations in Ireland, north and south.The book presents a local history that explicates the development of the screen industries in Ireland and their relationship to the global Hollywood production system. While the emphasis is on film and television workers, the book acknowledges the essential producer contribution to building the industry as it exists today. However it also emphasises producer obligations towards the screen workers they employ. The result is a local history of Irish screen production told mainly from a labour perspective, using previously unused records from the trade union archives and other labour history sources.

Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative.Female agency in the ancient world has long been implicitly, and on a few occasions explicitly, examined in classical scholarship, but few of these studies begin with a unified theoretical framework or set of approaches (with some notable exceptions). Female Agency in the Ancient Mediterranean World departs from these important studies by beginning with a definition of the aforementioned concept of 'female agency' that acknowledges that all social agents, female and otherwise, were and are relational and multidimensional beings, and that agency was and is relational. This volume's conceptual points of departure allow contributors to consider women as social agents in ancient cultures and as relationally embedded and integrated in various cultural systems, even under conditions of oppression, by providing contextualised examples of women acting on their varying degrees of agency.Contributions are organised broadly chronologically in order to trace the breadth and shifting patterns of female agency throughout the ancient Mediterranean world from the 7th century BCE to the 6th century CE. Case studies include Katherine McDonald on the dynamics of female agency in pre-Roman through a close examination of the epigraphic record; Karolina Frank on women's oracular inquiries at Dodona and Brenda Longfellow on how Pompeian women, through their funerary inscriptions, can show, from different angles, the needs, desires, and agency of women from a range of social circumstances.

Birmingham is a city with an extraordinarily diverse achievement in fields as varied as science, industry, politics, education, medicine, printing and the arts. Labels such as the 'first industrial city', 'city of a thousand trades', 'the best-governed city in the world' and 'the youngest city in Europe' have been applied to the town. This new publication, the first major history of Birmingham since the 1970s, is published to commemorate the 850th anniversary of Birmingham's market charter in 1166, an event which marked the first step in the rise of Birmingham as a commercial and industrial powerhouse. Authored by scholars, but written for a general readership, this detailed, accessible and richly illustrated book is both a definitive reference work and a readable account of a diverse, culturally rich and high-achieving city. Many aspects of the history of Birmingham are presented for the first time outside academic publications: its diverse people's history, a rich prehistoric and Roman past, the rise of Birmingham in medieval and early modern times, the evolution of an innovative system of education, a varied experience in art and design and an extraordinary printing history. The book covers economic and political themes and new approaches to the history of society and culture. It is illustrated with many images which have never before been published either in books or on the web. The result is a visually stunning and factually illuminating book which will appeal to many kinds of people.

This book draws together the different aspects of Margaret Drabble's narrative practice, and looks at the increasing flexibility of her narrative methods, both in terms of the kind of narrator used and in the structuring of plot events.

Concentrating mainly on the novels from 1960 to the present day Amanda Greenwood contests critical perceptions of O'Brien as a narrow chronicler of women's inner lives, arguing that O'Brien's writings are not only radical but deeply revealing of the position of women under patriarchy in Ireland and beyond; the later texts suggest the need for revisions of the social and symbolic orders.

An illuminating and lucid study which examines the psychological and stylistic aspects of Djuna Barnes's work, including her modernist classic Nightwood, providing a stimulating introduction to a bold and enigmatic writer in the literary Paris of the 1920s and 1930s

The book's focus is the major satires upon which Swift's literary reputation principally rests, including A Tale of a Tub, Gulliver's Travels, A Modest Proposal and the infamous scatological poems.

In this study Emma Smith teases out instances of doubleness, duplication and paradox in Othello.

Concentrating on her most recent collections, this introduction to Canada's greatest short-story writer shows how Munro uses fluid concepts of time to subvert notions of a single fixed reality.

This book is a concise introduction, drawing on the latest research, to the life and work of the most celebrated English poet of the late seventeenth century.

This close and sensitive study shows Christopher Smart (1722-1771) to be one of the finest and most important English religious poets between George Herbert and Gerard Manley Hopkins.

This literary study is an exploration and a celebration of a writer who for the last half century has been at the forefront of modern African writing.

Colin MacCabe's study places T.S. Eliot's poetry in the context of his journeys from philosophy to poetry and from modern scepticism to traditional Christianity, and uses Eliot's life to illuminate his poetry.

This study offers a close reading of each of Swift's novels, exploring the innovative formal strategies and identifying such recurrent themes as the presence of the past in the present, the blurring of distinctions between 'history' and 'story', fact and fiction, and the possibilities of redemption in a contemporary social and emotional wasteland.