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This volume focuses on the role played by working people and their initiatives in the dissolution of the British Empire, both in the metropole and in the colonies. Exploiting rare primary sources and adopting a transnational approach, our collection makes an original contribution to both labour history and imperial studies.

Keeping the Ancient Way provides a wealth of up-to-date scholarship and close readings across the spectrum of the poetry and prose of a major seventeenth-century writer. Its ten chapters open up topics that are central to the understanding and appreciation of a poet whose life was turned upside down by civil war and religious persecution.

These comic interludes highlight the politics, social commentary, and brilliant comedy of Spain's classical theater period. With many appearing for the first time in English, the anthology includes discussions of the performance and historical, cultural, and social context for the plays, making the collection valuable for both classroom and stage.

This volume represents the first to examine the influences, intersections, and developments of understandings of death and the afterlife between poetic, religious, and philosophical traditions in ancient Greece in one resource. The papers in it demonstrate the full richness, complexity, and flexibility of these ideas in the ancient Greek world, illuminating the free exchange of ideas concerning eschatological matters.

Britain experienced continual crises from the 1970s to Brexit in 2016. This innovative and comprehensive study pays special attention to three combined crises: the development of neo-liberal globalisation from the 1970s; the financial crash and its systemic effects from 2007 to 2009; and the "present crisis" beginning in 2010.

This two-volume edited collection illuminates the valuable counter-canon of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners.

This two-volume edited collection covers three hundred years of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Volume One looks at the period from 1716 to 1992, exploring such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.

The first women's football book on Latin America centring the perspectives of players brings rare interview material uncovering the lived reality of women footballers beyond the clichÃ(c)-ridden mass media discourse. It brings the first large-scale survey of South American women footballers? views into dialogue with institutional and media perspectives.

While being the first known standalone chronicle of England in Dutch, it shows a remarkable sophistication and adeptness in negotiating English and Dutch sources, as well as Dutch and English interests, and presents a determinedly Lancastrian view of English history to its Dutch audience.

Originally a courtly art, ballet experienced dramatic evolution (but never, significantly, theprospect of extinction) as attitudes toward courtliness itself shifted in the aftermath of the French Revolution.

This book locates the frequent expressions of shame in sub-Saharan African literature and shows how its diverse literary representations underscore shame's function as a fulcrum in the mutual constitution of subject and community on the continent employing both African and Western conceptions of the emotion.

Post-Millennial Palestine: Literature, Memory, Resistance confronts how Palestinians have recently felt obliged to re-think memory and resistance in response to dynamic political and regional changes in the twenty-first century, and asks: in what ways do contemporary Palestinian writers critically and creatively consider the possible future(s) of their nation?

This book offers an interdisciplinary exploration of anti-colonial thought in its existential, Marxist, religious, and ethnophilosophical manifestations. Past Imperfect directly employs time - in its different guises (history/historiography, memory, temporality, and historicity) - as a tool to understand the decolonization of the humanities in Francophone Africa in the immediate post-WW2 era.

The origins of Judaism's regional 'subcultures' are poorly understood, as are Jewish identities other than 'Ashkenaz' and 'Sepharad'. Through case studies and close textual readings, this volume illuminates the role of geopolitical boundaries, cross-cultural influences, and migration in the medieval formation of Jewish regional identities.

Continuing his major contribution to medieval Jewish intellectual history, Haym Soloveitchik focuses here on the radical German Pietists and their main literary work Sefer Hasidim, and on the writings and personality of the Provençal commentator Ravad of Posquières. In both areas he challenges reigning views and sets a new agenda for research.

This is the first monograph of George Edmund Street, a prolific High Victorian architect of churches and other buildings, the best known of which is the Royal Courts of Justice (the Law Courts). He was born in Essex and, after being articled in Winchester, worked in the office of George Gilbert Scott before setting out on his own account. His earliest works were in Cornwall, but he went on to design many churches, parsonages and schools in Oxfordshire, Berkshire and Buckinghamshire, having been appointed Oxford diocesan architect. Moving to London opened up commissions far and wide, as far north as Aberdeenshire, and also abroad. He paid great attention to the fittings and furnishings of his churches, taking a particular detailed interest in stained glass and embroidery. He was renowned for always completing all his own drawings personally, to the frustration of his pupils and assistants, including Philip Webb and Norman Shaw, who successively became his chief assistant before>Geoff Brandwood, who died suddenly in November 2021, was the author of monographs on Sharpe, Paley & Austin and on Temple Moore. He was a former chairman of the Victorian Society.

Focusing on black literary and visual art of the Black Arts Movement, this collection highlights artists whose work diverged from narrow definitions of the Black Aesthetic and black nationalism.

We are all now entering into a new region of the world, which designates its sites on all the given and imaginable expanses, and of which only a few had been able to foresee in the distance its wanderings and obscurities. [] This region itself, we soon foresee, as difficult as it may seem to formulate its partition, is mixed in time as much as in space, a common site which hides another gap. Time has changed and space has changed. A steep separation of time and space, overwhelming one another. A new region that is an epoch, mixing all times and all durations, an epoch also which is an inexhaustible country, accumulating expanses, which are looking for other limits, in incalculable but always finite number, as has been said of atoms. []we are entering into this new region of the world, of totalized space, of relativized time, where everyone already admits that differences are determinant, but most often they refuse to recognize that their sum, their realized quantity, sketches another Relation, quite different because we have so long ignored it, but we know that it is made and brewed from inextricable and propitious contaminants. [] And we enter into the Whole-World, which always for us covers the totality of the world, but here it is that this Whole-World is also in our actuality another region of the world, a whole new region, and the world is there, it is right-here, it is ahead of us, who say it without saying it while saying it again, undertaking a new category of literature. None of the regions of the world is really unknown, the explorers have driven their trains to their endpoint, yet there is another region of the world in the world, which we have not traveled so much, for we will have to cross it alltogether, it is this very improbable Whole-World, and a few had knowledge of it. Well then, the world is completely recognized, and the Whole-World covers entirely the world, however and for us the Whole-World is to be discovered and known. It is a part of the world, which right-here transcends the world and designates it.

Ibn Saud made strenuous efforts to preserve the socio-economic ties that united the communities of southern Iraq with the Najd and, in turn, those efforts helped encourage a wave of Sunni Arab migrants from Iraq who helped build the Saudi state.

The two romances translated in this volume, the Roman de Thebes and the Roman d'Eneas, form, along with the Roman de Troie by Benoit de Sainte-Maure, a group of texts that are of considerable importance within French and European literature and culture.

Sir George Beaumont is a key figure in the history of British art. As well as being a respected amateur landscape painter, he was a prominent patron, a collector, and co-founder of the National Gallery. William Wordsworth described Beaumont's friendship as one of the chief blessings of his life, and this edition reveals that the two men became collaborators as well as companions. In addition to documenting unique perspectives on social, political, and cultural events of the early nineteenth century (providing new contexts for reading Wordsworth's mature poetry), the letters collected here chart the progress of an increasingly intimate inter-familial relationship. The picture that emerges is of a coterie that - in influence, creativity, and affection - rivals Wordsworth's more famous exchange with Coleridge at Nether Stowey in the 1790s. The edition includes an extended study of how Wordsworth and Beaumont helped shape one another's work, tracing processes of mutual artisticdevelopment that involved not only a meeting of aristocratic refinement and rural simplicity, of a socialite and a lover of retirement, of a painter and a poet, but also an aesthetic rapprochement between neoclassical and romantic values, between the impulse to idealize and the desire to particularize.

This book is a study of the social and legal consequences of mixed marriage in England by class, religion, race, and nationality between 1837 and 1939. Using a wide variety of sources, such as government documents, marital litigation, poor-law records, and autobiographies, it explores the reaction of the family, neighbourhood, and state to those who chose exogamous matches. The major factor in these marriages was gender. Wives did the emotional work to overcome divisions, and they also had more legal problems than husbands over property, divorce, and custody of children. Wives who would not or could not adjust to differences exposed the gendered power relations normally hidden in the fiction of separate spheres. Such spouses included wives who had property than their husbands, those who refused to convert to their husbands' religions, and those who could not adapt to a foreign country Timing was also crucial. Class and religion were bigger factors in the nineteenth century, while race and nationality were more prominent in the twentieth. During economic downturns or war, mixed families could face hostility, but this was not invariable. In poor neighbourhoods, especially, acceptance was the norm, with blending of religions, races, and nations common. Overall, England had a long history of welcoming immigrants that blunted some of the prejudices also common to this age.