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This is the first full-length study of the effect of the American Civil War on Britain's raw cotton trade and on the Liverpool cotton market.

The Culture of "The Culture" defines Banks's creation as culture: autopian way of doing, of being, of seeing: an approach, an attitude and alifestyle that has enabled, and is evolving alongside, utopia, rather than animage of a static end-state.

An Open Access edition of this book, supported by the LUP OA author fund, is available on the Liverpool University Press website, the OAPEN library and our Digital Collaboration Hub. In the 1968 local elections the Liverpool Conservatives won 62 percent of the vote and 78 percent of the seats on Liverpool City Council. By 1972 the party had held a majority on Liverpool's municipal government for 85 of the previous 100 years. But in 1983 they lost their last two MPs, and in 1998 they lost their final councillor. The Conservatives have not won an electoral contest in the city since. Whatever happened to Tory Liverpool? Success, decline, and irrelevance since 1945 explores the history of Conservative electoral performance in Liverpool from the end of the Second World War to the present day, and challenges a number of myths regarding the city's political history: Conservative post-war success was not due to sectarian tensions or false consciousness, and neither was Conservative decline due to Margaret Thatcher. The book takes a multi-method approach to the study of Conservative Party history in Liverpool. It proposes a tripartite framework, which separates the periods of success (1945-1972), decline (1973-1986), and irrelevance (1987 onwards), and argues that each period should be explained by recourse to different phenomena. Only in this way can the complex post-war history of the Conservative Party in Liverpool truly be understood.

The slogan that launched the tourist industry in the 1960s, Spain is different, has come to haunt historians. This book tackles a number of key themes in modern Spanish history: liberalism, nationalism, anticlericalism, the Second Republic, the Franco dictatorship and the transition to democracy.

Messengers of Empire examines how news and information moved across the Atlantic world during the Age of Sail. It provides a ground-breaking look at how the French Revolutionary Wars impacted the development of communication channels, such as the creation of regular postal services in the Caribbean and increased reliance on local printers to produce print matter faster and more effectively.

Published in his centenary year, this book celebrates the life and work of the British architect Peter Womersley (1923-1993). From Farnley Hey near Huddersfield, his award-winning first building completed in 1954, to the angular, look-no-hands concrete structure of the Fairydean football stand in Galashiels, Womersley continuously pushed the frontiers of architectural design. Working from a small office in the remote Scottish Borders village of Gattonside, he claimed a place on the world stage: nowhere was this more apparent than in the California-inspired High Sunderland near Selkirk, the 'See-Through House' built for Bernat Klein. Six of Womersley's buildings in Scotland are now listed, three at the top-rate of Category A, while Farnley Hey is listed Grade II. Yet, despite such success, Womersley's work is at risk: the Category A Bernat Klein studio is derelict while the Category B Garlton Admissions Unit at Haddington, is boarded-up and the site deserted. The intention of this new book is to draw attention to the significance of his work, placing it in its national and international context. With plans and illustrations of all his buildings and projects, as well as a catalogue raisonne including a bibliography by buildings, this book will secure Womersley's reputation.

Published here for the first time, Maura Laverty's plays Liffey Lane, Tolka Row and A Tree in the Crescent form a lively and moving trilogy about Dublin in the 1950s- its housing crises, its class divisions, and its family struggles for a secure future.

This volume traces the history of the TGWU from its zenith in the period of the Labour Government to its nadir in 1992. It easily divides itself into two distinct periods. The first from 1974-79 saw a reforming Labour government which, recognising trade union strength, was determined to 'bring about a fundamental and irreversible shift in the balance of power and wealth in favour of working people'. It marked the zenith of the TGWU in which the union played an important role, overseeing the repeal of anti-union Industrial Relation Act, and the enactment of a raft of pro-worker legislation. But this was insufficient to sustain the 'Social Contract' between the Labour Government and the Trade Unions -- leading to the 'Winter of Discontent' and the Tory election victory of 1979. The second period, 1979-92, witnessed the nadir of the TGWU. A right wing Conservative government led by Margaret Thatcher, was determined to reverse all the gains of preceding Labour administrations. Anti-union legislation and the cruel tool of unemployment created the economic and political conditions to decimate trade unions. Defensive struggles could not stop the defeats suffered by car workers, miners, printers and dockers. Trade union membership declined in the Thatcher years, leading to a bleak period of industrial defeat and union retrenchment, characterised by mergers and reorganisation - mitigated only by positive moves to tackle endemic racism and sexism in an attempt to involve previously disregarded women and black workers.

Steel City Readers makes available, and interprets in detail, a large body of new evidence about past cultures and communities of reading. It has a distinctive focus on reading for pleasure and its framework of argument situates that type of reading in relation to dimensions of gender and class.

Kubrick and Control is an examination of authority, order, and independence in the films directed by Stanley Kubrick, as well as in his personal life and working habits. This study explores the ways in which these central preoccupations develop and reformulate through the course of Kubrick's career, as he moved from genre to genre and shifted stories, locations, time periods, scope, and technical facilities. Separating the productions in accordance to their wider filmic classifications, the individual chapters examine a variety of productions, allowing for a categorical as well as a developmental approach to the works. In addition, following concurrently with each individual film discussed, details about Kubrick's life and evolving directorial practice are recounted in relation to these same concerns. In studying the stylistic and narrative features of his work, examples illustrate how Kubrick took these themes and applied them consistently yet with significant variation, manifest in relation to mise-en-scène construction (how Kubrick composed his images); characterization (individuals establishing, exerting, seeking, and/or abusing their authority); narrative (stories about characters and situations dependent upon order and control); and the actual filmmaking processes of the director (Kubrick was both praised and damned for his authorial management and obsession with order and perfection).

Epiphanios the Monk's Lives of the Virgin Mary and of the apostle Andrew offer original interpretations of early Christian legends surrounding both holy figures. This volume offers the first English translation and commentary of both texts, which reflect the theological and spiritual controversies of early ninth-century Byzantium.

Paris 1759: a campaign to radically redefine the public dimension of all 'imaginative' arts is underway. This study examines the clash between Diderot and Rousseau, frères ennemis, in a dispute that was above all else political, despite revolving entirely around forms of artistic expression.

Standing in the Forest of Being Alive looks unflinchingly at painful realities, posing the question 'What isn't hell?' and finds the answer in a powerful eros, letting a loved one pull laughter out of the narrator's reluctant mouth like a red violet cerulean handkerchief.

Steam pumping stations are exceptional buildings, a rousing, eloquent architecture designed by engineers, and an industrial edifice intended to express civic pride. They were invented, perfected and superseded in barely a century during the determined struggle to overcome the historic threat to urban life posed by industrialization. Of the buildings of the industrial period only train stations can compete with waterworks for stylistic bravura, carried over into the cool, tiled interiors and the sparkle and warmth of the cherished steam engine. This first comprehensive account of a remarkable fusion of machinery and structure weaves together architectural fashions, shifting social conditions and engineering inventiveness to show why such care was taken by the communities that commissioned them and by the men who built them, and what makes us take such pleasure in them today. British waterworks heritage is a global reference, for the historical significance of the sites themselvesbut also for the conservation of the many preserved waterworks, often extending to the reanimation of historic steam engines. No prior knowledge of architecture, sanitation or steam technology is required to enjoy this spirited and richly-illustrated account of a singular British building.

Emily Hasler's second collection exposes the dailiness of disaster and charts the constantly shifting courses of rivers and lives. Local Interest maps the friable and slippery landscapes of Suffolk and Essex. This is a book of threatened habitats teeming with life. Here is poetry that wallows at the muddy edges of things.

Jodie Hollander's compelling second collection charts the emotional journey of the daughter of a professional classical pianist. These bold and arresting poems, rich with musicality, and fierce in their emotional honesty, chart the complicated repercussions of family dysfunction and musical obsession while traversing the landscape of the human condition.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. A City Against Empire is the history of the anti-imperialist movement in 1920s Mexico City. It combines intellectual, social, and urban history to shed light on the city's role as an important global hub for anti-imperialism, exile activism, political art, and solidarity campaigns. After the Russian and the Mexican Revolution, Mexico City became a space and a symbol of global anti-imperialism. Radical politicians, artists, intellectuals, scientists, migrants, and revolutionary tourists took advantage of the urban environment to develop their visions of an anti-imperialism for the twentieth-century. These actors imagined national self-determination, international solidarity, and an emancipation from what they called "the West." Global, local, and urban factors interacted to transform Mexico City into the most important hub for radicalism in the Americas. By weaving together the intellectual history of Mexico, the urban and social histories of Mexico City, and the global history ofanti-imperialist movements in the 1920s, this books analyses the perfect storm of anti-imperialism in Mexico City.