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Features a series of short lyric poems, contemplative vignettes of daily life that examine friendship, marriage, and family with a veneer of playfulness. These poems take us into a space where a year is compressed into minutes and a small trickle of memory floods the mind.

Betty Adcock brings fierce insight to her seventh poetry collection, Rough Fugue. Her elegant stanzas evoke bygone moments of beauty, reflection, and rage. "Let things be spare," she writes, "and words for things be thin / as the slice of moon / the loon's cry snips."

The percussive poems of Stripper in Wonderland move from birth to death, funk to hip-hop, and racism to religion as Derrick Harriell explores the life of a modern black man transplanted from the American Midwest to the Deep South.

Brings together a selection of poems from nine previously published books, along with a generous assortment of new work. At the heart of this collection are investigations of the role of eros, language, and creative life, and of the wonder and anxiety of their absence.

The horrific 1955 slaying of fourteen-year-old Emmett Till marks a significant turning point in the history of American race relations. The eleven essays in this volume examine how the narrative of the Till lynching continues to haunt racial consciousness and to resonate in our collective imagination.

Provides a sample of the enormous documentary record on the domestic population of the Confederate states, offering a glimpse of what it was like to live through a brutal war fought almost entirely on southern soil.

First published in 1930, the essays in this manifesto constitute one of the outstanding cultural documents in the history of the South. In it, twelve southerners defended individualism against the trend of baseless conformity in an increasingly mechanised and dehumanised society.

Tells the remarkable story of William Johnson, a slave who rose to freedom, business success, and high community standing in the heart of the South, all before 1850. Based on Johnson's diary, letters, and business records, this biography reveals the complicated life of a freedman in Mississippi and a new perspective on antebellum Natchez.

Meghan Kenny's debut collection, Love Is No Small Thing, gives readers an assembly of keenly drawn characters each navigating the world looking for an understanding of love in its many forms and complexities, be it romantic, parental, elusive, or eternal.

This biography of Huey P. Long captures the atmosphere of public life in the Pelican State. It analyzes Long's control of Louisiana and his role in national politics.

Debra Spark's fourth novel, Unknown Caller, tells the story of a brief, failed marriage and its complicated aftermath. Spark's candid, intricate novel highlights the near-impossibility of truly knowing another person, the pain in failing relationships, and the joy in successful ones.

Presents poems that delve deep into a life reimagined through a mythologized past. Moving from childhood to the present, weaving through the Italian immigrant streets of Pittsburgh, to his parochial school, from the ballpark to church and home again, these contemplative poems present a situation unique to the poet but familiar to us all.

native Alison Pelegrin gives us poems that describe the terrible power of nature even as they underscore the state's beauty. The poet moves from the familiar gaudy delights of life in New Orleans to immerse the reader in the vastly different experience of living north of Lake Pontchartrain.

A book-length poem addressed to an unborn child lost in miscarriage. Beginning with the hope and promise of springtime, poet Matthew Thorburn traces the course of a year with sections set in each of the four seasons.

Atmospheric and reflective, these poems travel with equal ease through the world of fine arts and the places where we live, highlighting the vivid sights and sounds of each in turn.

Former civil rights activist James Marshall tells the complete story of the quest for civil rights in Mississippi. Using a voluminous array of sources as well as his own memories, Marshall weaves together an astonishing account of student protestors and local activists who risked their lives for equality.

In Haunted by Atrocity, Benjamin Cloyd deftly analyses how Americans have remembered the military prisons of the Civil War from the war itself to the present, making a strong case for the continued importance of the great conflict in contemporary America.

Offers the first English-language translation of the memoirs of General Maximo Castillo of Chihuahua, a pivotal figure in the civil war that consumed Mexico between 1910 and 1920. Castillo's role in the Mexican Revolution, in which he emerged as an influential leader, was largely forgotten by history until the discovery of his memoirs.

Julie Funderburk's debut poetry collection, The Door That Always Opens, braids together poems of sharp lyrical imagery and experimental narrative focused frequently on houses: houses under construction or demolition, inhabited, abandoned, and vandalized.

In lyric poetry with the dramatic sweep of a historical novel, Jay Rogoff's Enamel Eyes, a Fantasia on Paris, 1870 reimagines "the terrible year" when the Franco-Prussian War shook the City of Lights. Using multiple voices and poetic forms, Rogoff skilfully recreates the wonder and horror of these months of siege.

Greg Alan Brownderville's third collection of poetry employs inventive phrasing and vivid imagery to construct a particular life marked by religion, confused by desire, dulled by alcohol, and darkened by death. But Brownderville also skilfully uses humour to soften the disquieting images that haunt these stanzas.

In her third collection, From Nothing, Anya Krugovoy Silver follows a mother, wife, and artist as illness and loss of loved ones disrupt the peaceful flow of life. Grounded in the traditions of meditative and contemplative poetry, From Nothing confronts disease and mortality with the healing possibilities of verse.

The stories in History of Art examine the definitive, yet paradoxical, preoccupations of humankind - namely art-making and war - and the emotions that underpin both: passion and sentimentality, obsession and delusion, ambition and insecurity, fear and envy.

In Galaxie Wagon, Darnell Arnoult navigates the territory of middle age to find humor, heartbreak, and wisdom in a phase of life where the body begins to betray itself, yet romance is still possible and childhood dreams are still attainable.

Grounded in wonder and fueled by an impulse to praise, the poems in James Davis May's debut collection, Unquiet Things, grapple with scepticism, violence, and death to generate lasting insights into the human experience.

St Paul writes "the foolishness of God is wiser than men." The poems in William Wenthe's God's Foolishness mine the feelings of human uncertainty in matters of love and desire, time and death, and uncover difficult truths with transformative insights.

In her beguiling new collection, Katherine Soniat invites the reader to celebrate the unfinished and unsure. The poems in this volume do not demand or offer certainty, existing instead in the spaces between the real and the imagined, between past and present and future.

The existing scholarship on Robert E. Lee is so voluminous, complex, and contradictory that it is difficult to penetrate the inner Lee and appreciate him as a general. Peter Carmichael has assembled an array of Civil War historians who rigorously return to Lee's own words and actions in interpreting the war in Virginia.