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This book assesses the paintings of Tal R (b. 1967), an Israeli-born Danish artist whose enigmatic work offers intersections of personal experience and wider history through a visual jigsaw, finely balanced between representation and abstraction, of what the artist has termed 'Kolbojnik', a Hebrew term for leftovers.
Kurt Jackson's Sea captures the beauty of the artist's constantly evolving relationship with one of nature's most challenging subjects.
This is the definitive account of the life and work of Edward Seago (1910-1974), the highly popular, versatile and talented British painter whose work was inspired by John Sell Cotman, John Constable and Alfred Munnings.
Sculptor and printmaker Kim Lim (1936-1997) had a lifelong fascination with space and its relationship with two- and three-dimensions. This important new publication explores her outstanding body of work. In a series of fascinating chapters, leading art-world specialists survey the artist's rich career and legacy across four decades. Exploring Lim's profound contribution to the development of modern British abstract art, her marginalisation in the histories of sculpture since her death is questioned. Through reproductions of Lim's work in wood, metal, stone and paper, the artist's shape-shifting oeuvre, which continually probed relationships between space, light and form, is rightfully brought centre stage. Including discussion of Lim's Asian heritage and its connection to her work, this publication is essential reading for all those seeking new perspectives on both Lim and British art history more broadly.
As the twenty-first century unfolds, notions of our cultural past and how our history has influenced our present shift almost daily. Within this, accepted artistic trajectories are being questioned and new connections made. In this wide-ranging and thought-provoking publication, experts in their field address specific aspects of British art of the twentieth century. Presenting new perspectives on established narratives, subjects range from British Surrealism and the rise of corporate and private patronage, to nationality and British identity. Complemented by a range of striking images, this publication succeeds in showing the strength of the British artistic tradition while also encouraging the reader to rethink and explore the existing narrative.
"Since the global financial crash of 2008, artists have become increasingly engaged in a wide range of cultural activism targeted against capitalism, political authoritarianism, colonial legacies, gentrification, but also in opposition to their own exploitation. They have also absorbed and reflected forms of protest within their art practice itself. The Art of Activism and the Activism of Art maps, critiques, celebrates and historicises activist art, exploring its current urgency alongside the processes which have given rise to activism by artists, and activist forms of art. Author Gregory Sholette approaches his subject from the unusual dual perspective of commentator (as scholar and writer) and insider (as activist artist), in order to propose that the narrowing gap separating forms of activist art from an aesthetics of protest is part of a broader paradigm shift constituted by the multiplying crises within contemporary capitalism and democratic governance across the globe."--
Beautifully illustrated with photographs and architectural drawings, this book documents and critically analyses three of Kay Fisker's seminal housing projects in Copehagen: Hornbaekhus (1923); Vestersohus (1935-39); and Dronningegarden (1943-58).
Featuring previously unpublished material from Lobdell's studio and archive, this book looks at the role of artist Frank Lobdell in the formation of Abstract Expressions in California.
The first book on Swedish designer Greta Magnusson Grossman, this monograph examines her significant contribution to the canon of interior design.
Architecture Through Drawing examines architectural drawings as objects which encapsulate complex spatial and cultural ideas.
This is the first comprehensive monograph on the innovative abstract paintings and expansive painting installations of German artist Katharina Grosse.
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones - and, in doing so, shows them coming to terms with the past, and in the process, inventing different modes of being modern.
This is the first major monograph on the paintings of Jim Shaw (b. 1952), whose work blends the reflected cultural climate of his adopted home, Los Angeles with the multi-layered world of American popular culture to create rich dream-like worlds.
This newcollection of poems, paintings, drawings, sculptures and printmaking by renownedartist Kurt Jackson, celebrates the staggering diversity of the plantkingdom.
American artist AmySillman works in many media but painting has remained always at the very heartof her practice. This comprehensive monograph covers two decades of production,from the late-1990s to the present.
Abrams's thoughtful book, the first full monograph on the artist, highlights Whitney's commitment to abstract painting over four decades of consistent practice.
The expressive paintings of Rose Wylie (b.1934), mix styles and subject matter, high art with low and kitsch to create bold depictions of modern life. This monograph, the first of its kind, follows the artist's fascinating artistic journey celebrating her achievements to date while also examining her current practice.
The paintings executed by Kurt Jackson (b.1961) do not reveal his day-to-day working practice. Behind his finished canvases are hundreds of sketchbooks borne out of his continual routine of making drawings, marks, notes, poems and scribbles. This book, newly available in paperback, examines the importance of the sketchbook to Jackson.
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