Bøker utgitt av Madville Publishing, LLC

An Englishman in Texas is a memoir by Ron Kenney, an English jockey who came to the United States in 1960. His autobiographical account begins with his childhood in the northeast of England during WWII. He goes on to describe how, with no knowledge of horses, he was sent four hundred miles from home at 14 years of age to apprentice as a jockey. He'd been turned away by the foreman at the coal mine because he was too small. The story follows Kenney through his coming of age to his coming to America when he was 30. It follows his fortunes in pursuit of the American Dream. Kenney tells of riding horses for some of the wealthiest and most famous horse trainers in Texas. He tells of his loves and his betrayals, and he introduces the people who helped him along the way.

Set in contemporary Colorado, The Autobiography of Francis N. Stein: The Last Promethean is a hell of a story about the last imagined descendant of Dr. Frankenstein's wretch-the spurned monster. It offers struggle and pathos, pain and absolution, deception and deliverance. Reminiscent of Neil Gaiman's Shadow Moon from American Gods, Francis Stein is a slow thinking giant of a man who attracts attention wherever he goes. Stein seems cursed with bad luck, and trouble waits for him around every turn in spite of his good intentions.

No Evil is Wide is the linear and violent story of an unnamed narrator, the prostitute he is tasked to "find," and Carpenter Wells, the man that makes that return impossible. The remembrances of the narrator revolve around sexual awakening, family distance and dissolution-how they crumble to common and inevitable animalism. It is filled with philosophical epistles to the reader that concretize the themes of the work. The narrative that allows the reader purchase within the text begins with the narrator locating the unnamed girl while the world devolves into a chaotic madness of bombings and destruction not dissimilar to contemporary existence. This chaos serves as an uncanny reminder of the everyday violence we overlook.

Rick Campbell's latest collection reads like an extended elegy for the poet himself, for his lost loved ones, and for the changes in the wider world. In this way, it is reminiscent of Hardy. This is the work of a man wise in the ways of the world and not afraid to be what we all are: flawed. His voice is personal and vulnerable . . . The book consists of very detailed and compressed poems, both focused on the natural world and on an inner landscape described with a consistent tone and voice throughout.-George Drew, author of Fancy's Orphan, Pastoral Habits, and Down and Dirty