Bøker utgitt av Manchester University Press

This is the first comprehensive analysis of the Middle East political economy in response to the oil price decline in 2014. Based on a heuristic framework inspired by rentierism, the volume contains original studies on Bahrain, Egypt, Jordan, Kuwait, Lebanon, Oman, Qatar, Saudi Arabia, and the United Arab Emirates.

This book utilises theoretical models to analyse the defence conditions and preparedness of Eastern Europe. It considers the transition from Cold War to post-Cold War democracies, the stability of the East-Central European States, the precarious defence positions of the Baltic states and the uneven defence preparedness of the Balkan states.

This collection brings together scholars from disciplines including Children's Literature, Classics, and History to develop fresh approaches to children's culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.

Through innovative readings of seven novels, Creating character demonstrates how the Victorian sensation authors Mary Elizabeth Braddon and Wilkie Collins employed, challenged and explored diverse, and sometimes contradictory, theories of character formation in their fiction -- .

This volume is the first to study the phenomenon of early medieval militarisation from a wide geographic and disciplinary perspective. It explores the impact of an enhanced role attributed to warfare and the military as characteristic features of a European world in the process of becoming medieval.

This monograph takes a unique archaeological approach to the investigation of innovation and the innovation process. Case studies span the breadth of human history, from our earliest hominin ancestors to the contemporary world. The emphasis is on the social context and temporality of invention, adoption, creativity and resistance. -- .

A person who is not recognised as a citizen anywhere is typically referred to as 'stateless'. Statelessness, governance, and the problem of citizenship redirects focus away from legal analyses of statelessness to uncover a more fundamental 'problem of citizenship', and interrogates how citizenship is used as a governance tool around the world.

With original case studies of a more than a dozen countries, Monarchies and decolonisation in Asia offers new perspectives on how both European monarchs who reigned over Asian colonies and Asian royal houses adapted to decolonisation. As colonies became independent states (and European countries, and other colonial powers, lost their overseas empires), monarchies faced the challenges of decolonisation, republicanism and radicalism. These studies place dynasties - both European and 'native' - at the centre of debate about decolonisation and the form of government of new states, from the sovereigns of Britain, the Netherlands and Japan to the maharajas of India, the sultans of the East Indies and the 'white rajahs' of Sarawak. It provides new understanding of the history of decolonisation and of the history of modern monarchy.

Transplantation is a boundary practice unsettling distinctions between self and other, life and death. This book identifies a Gothic mode in representations of the practice in literature, film and science from the nineteenth century to the present, considering hybrid bodies and precarious lives under neoliberal late capitalism. -- .

This innovative volume harnesses the interdisciplinarity and flexibility of 'encounter' to provide dynamic readings The Book of Margery Kempe in the twenty-first century. Incorporating thirteen original chapters and a critical introduction, it offers myriad exciting approaches to this important and ever-surprising medieval text.

This collection explores the presence within television of the epic and the everyday, with reference to a range of fictional television programming, including episodic series and serial dramas, sitcoms, science-fiction, spy dramas, children's TV and detective shows.

Questioning what the term 'Chinese art' means in the era of global art, this book situates Chinese contemporary art in the matrix of global expositions and political transnationalisms. Its case studies explore the changing political concept of Chineseness by examining performative, body-oriented video and eco-feminist works. -- .

The aesthetic exception critically re-evaluates the relation between art and politics by challenging longstanding assumptions surrounding political 'effect' in art and the problem of art's autonomous status. Drawing on examples from visual art and theatre, it offers a new approach based on a conjunctural understanding of how art becomes political.

The collection brings together theoretical discussions and rigorous empirical analysis by key scholars in order to move Urban Political Ecology into current debates about urbanization and climate change.

This book develops a novel framework for studying relational peace and applies it to several empirical cases. It contributes to a more nuanced understanding of peace, beyond the absence of war, by recognising peace as a web of multiple interactions across time, space and levels of analysis.

This book analyses the normative avoidance of cyber-espionage, arguing that it is neither prohibited nor authorised by international law. This situation did not emerge by chance but through the purposeful silence of States, leaving them free to pursue cyber-espionage themselves at the same time as they both try to prevent and fall victim to it.

How do pictures tell stories? This ground-breaking book analyses visual narrative in nineteenth-century history and genre paintings across Europe. It reveals how artists constructed plots via objects, managing the tension between narrative and style and prompting viewers to weave their own tales.