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The Swiss Reformation was a seminal event of the 16th century and the source of a distinctive Protestant culture whose influence spread across Europe from Transylvania to Scotland. This book provides the first comprehensive study of the subject in any language. The author argues that the movement must be understood in terms of the historical evolution of the Swiss Confederation, its unique and fluid structures, the legacy of the mercenary trade, the distinctive character of Swiss theology, the powerful influence of Renaissance humanism, and, the roles played by the dominant figures, Huldrych Zwingli and Heinrich Bullinger.

Refugee crises are one of the gravest problems facing the modern world. This book explores the paradox of why countries such as Britain pride themselves on their past treatment of refugees yet are suspicious and hostile towards asylum seekers trying to gain entry. It explores the contemporary treatment and representation of refugees ranging from the Huguenots in the sixteenth to eighteenth centuries through to the many groups that have gained entry more recently. Was the treatment of refugees such as Jews escaping Tsarist and later Nazi persecution as welcoming as politicians and others now make out? Why have some groups been remembered positively, whilst others have been forgotten? Remembering refugees plays particular attention to how historians and those in the heritage industry have dealt with the refugee presence. By adopting an original and critical framework, it asks why a variety of academic disciplines, as well as politicians, the media and the general public, have difficulty with refugees. A richly textured book that utilizes a huge range of sources from parliamentary debates through to novels, films and autobiographical writing, it argues that the current panic about refugees and asylum seekers says more about the moral failings of contemporary society than it does about those fleeing persecution.

This book examines the response of American society to the My Lai massacreand its ambiguous place in American national memory. The author argues thatthe massacre revelations left many Americans untroubled. It was only whenthe soldiers most immediately responsible came to be tried that oppositionto the conflict grew, for these prosecutions were regarded by supporters ofthe war as evidence that the national leaders no longer had the will to dowhat was necessary to win.

Andrew Davies is the creator of the British TV programs" Pride and Prejudice, Othello, " and "The Way We Live Now." Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies's work, and assesses his contribution to British television.

This is the first general comparative study of health policy and politics to focus on major countries of Western Europe: France, Germany, Italy, Sweden and the UK. The book begins by identifying differences in arrangements for the finance, delivery and regulation of health care in different countries, explaining how health systems are to be understood as political entities. The book describes and accounts for the evolution of state intervention in the health sector before comparing and contrasting different kinds of systems. It examines recent changes in the organization of health care as well as recent challenges to public health, including policy responses to AIDS.

This book offers readings of Barker's innovations in narrative form, her revisionist perspectives on history, class and gender, and her preoccupation with themes of trauma, haunting and terror. It also analyzes the reasons for her success and significance as a novelist. The chapters draw on contemporary theories of critical realism, gender and social identities, memory and narrative, in order to outline the debates with which Barker's work has consistently engaged.

This is the most comprehensive study to date of Amy Tan's work, offering close readings of her texts in the context of broader debates about the representation of identity, history and reality. In contrast with Tan's own American-born narrator, and mainstream critics, Bella Adams looks beyond the stereotypes which appear in Tan's books, and explores the ways in which Chinese immigrants and their American relatives struggle to understand each other's "best qualities" via the Chinese tradition of the "talk story." She emphasizes Tan's American narrators' process of becoming Chinese and discovering "real China," and the significance of the ironic staging of these moments.

In Europe, popular representations of the US often fall back upon crude caricature. Although there is admiration for the scale of the country's resources, and its technological and economic abilities, US society and the American character have won few sympathetic portrayals. "American Society Today" provides a counterweight to these by offering a balanced introduction to the defining features of contemporary American society. The book's coverage includes the ways in which the US can be considered 'exceptional', the character of the 'American dream', the role of ethnicity and race, and the differences between the regions.

We are, all of us, intimately familiar with inequalities. Whether finding somewhere to live, walking in the street, following the news, negotiating international travel, or in our working and personal lives, subtle and crude hierarchies shape our lived experience. How the other half lives contributes detailed, multidisciplinary and qualitative explorations of the everyday social and spatial realities of inequality, drawing new lines from Manchester to Milan, from Brighton to Bologna. How the other half lives is a resource to navigate an unequal world, oriented around three key understandings of inequality as contingent, as intersectional and as interrelated. The book focuses attention on the differences, similarities and in-between points where 'the other halves' meet, to provoke new and useful perspectives on inequalities. It considers the connections between the accumulation of profound wealth and impoverished communities, the banal decisions by those in the seats of power and increasing levels of violence in austerity-wracked neighbourhoods, and between a world of smooth mobility and oppressive borders. How the other half lives is uniquely structured as a series of oppositions between peaks and troughs, with each chapter focusing on a specific subject, including: housing, urban design, place-making, the state, cultures of inequality and transnational mobility. With a preface from the Guardian's Zoe Williams and concluding remarks from Professor Rowland Atkinson, this book will appeal to undergraduates and academic readers in the social sciences who are interested in contemporary social and spatial inequalities.

Muslim men are often portrayed in academic and popular discourses as violent patriarchs and/or as terrorists. Against the backdrop of an increasingly hostile environment within the UK, the experiences of Muslim migrant husbands in the Pakistani and Kashmiri diaspora are explored. The uncertainties of migrant journeys tethered to cultural and religious marital norms intersect with gendered experiences of masculinity across space and time. In depth interviews with sixty-two migrant husbands shed light on the precarity and vulnerability migrant husbands experience. Their aspirational masculinities often stem in the home country with collective familial dreams of migration, but often turn sour through the exposure of domestic and employment power dynamics when in the UK. The ethnography highlights experiences of domestic violence experienced by migrant husbands. The development of in-between or liminal masculinity becomes a lived reality for these men on the move, ultimately resulting in novel ways in which reasserting masculinity is sought through religious Sufi and musical forms. The book weaves together transnational dynamics between people and place along the contours of colonial legacies, showing self and other power dynamics present within a single group identity. Violence is inflicted to incoming migrants by British-born or British citizen counterparts through the immigration system. The book shows how citizenship can be weaponised as a performance of whiteness, namely white power.

Deirdre Madden: New critical perspectives is a landmark study of this important and highly regarded Irish novelist. It underscores the range, imaginative complexity, and enduring relevance of Madden's fictions. The essays collected in this volume explore her crucial Troubles and post-Troubles fictions, Hidden Symptoms, One by One in the Darkness, Molly Fox's Birthday, and Time Present and Time Past and draw out their interconnected portrayals of violence, grief, time, trauma, and memory. Madden's dexterous use of the novel form is highlighted, especially her bending of the conventions of realism to encompass searching philosophical and existential themes. Revealingly, she is shown to be a foremost practitioner of the artist novel or Künstlerroman. Through the figures of the writer, the painter, the photographer, and the actor, she examines the ability of art to remake and distil reality and to shed indirect light on emotional cruxes that cannot otherwise be fathomed. These essays provide an overview of all of Madden's work, including her children's novels, and uncover its inquiring and multidimensional qualities. Her overarching themes are drawn out, amongst them the familial, states of dislocation, resonant objects, the haunting aftermath of the past, the transnational, and the regenerative function of art. Making use of a wide variety of approaches, these essays persuasively elucidate the compelling subtleties of Madden's fiction. Readers are invited to discover the work of this accomplished Irish writer who across all her novels engages thought-provokingly with contemporary life, politics, and art.

Interventions on behalf of Armenia and Armenians have come to be identified by scholars and practitioners alike as defining moments in the history of humanitarianism. This volume reassesses these claims, critically examining a range of interventions by governments, international and diasporic organisations, and individuals that aimed to 'save Armenians'. Drawing on perspectives from a range of disciplines, the chapters trace the evolution of these interventions from the late-nineteenth century to the present day, paying particular attention to the aftermaths of the Genocide and the upheavals of the post-Soviet period. Geographically, the contributions connect diverse spaces and places - the Caucasus, Russia, the Middle East, Europe, North America, South America and Australia - revealing shifting transnational networks of aid and intervention. These chapters are followed by reflections from leading scholars in the fields of refugee history and Armenian history, Peter Gatrell and Ronald Grigor Suny. Aid to Armenia not only offers an innovative exploration into the history of Armenia and Armenians and the history of humanitarianism, but it provides a platform for practitioners to think critically about contemporary humanitarian questions facing Armenia, the South Caucasus region and the wider Armenian diaspora.

Rereading Chaucer and Spenser: Dan Geffrey with the New Poete is a much-needed volume that brings together established and early career scholars to provide new critical approaches to the relationship between Geoffrey Chaucer and Edmund Spenser. By reading one of the greatest poets of the Middle Ages alongside one of the greatest poets of the English Renaissance, this collection addresses questions of poetic authority, influence, and the nature of intertextual relations in a more wide-ranging manner than ever before.The chapters respond to the concern that we have not fully understood what Chaucer meant to Spenser. The contributors analyse the values that Chaucer represented for Spenser and, more literally, the meanings that were made available to Spenser by Chaucer's works via the forms in which Spenser encountered them. By addressing the ways in which previous critics have read the relationship between these writers, this book offers rereadings and new insights that are in dialogue with current and emerging preoccupations in contemporary scholarship: renewed interests in literary form, book history, garden history, and animal studies. With its dual focus on authors from periods often conceived as radically separate, the collection also intervenes in current debates about periodisation. This approach will engage researchers, academics, and students of Medieval and Early Modern culture.

At the heart of the book is a departure from the obsession with "modernity" that has been so prominent in nineteenth-century cultural studies. -- .

'In this major contribution to the burgeoning canon of interdisciplinary critical work in surrealism studies, Noheden and Susik have gathered together exciting new essays by leading scholars in the field, offering analyses of key films and directors which will recalibrate our understanding of post-war developments in surrealism and its cinematic expressions.'> 'Surrealism and film after 1945 makes a compelling case for post-1945 as truly the movement's "age of cinema" and a golden one at that. Sharpening our understanding of surrealist engagements with cinema and cinematic engagements with surrealism, the essays in this collection provide a wondrous set of "enchanted wanderings" through postwar cinema, film culture, and aesthetics.'>Interest in the surrealist movement is stronger than ever, but surrealist film is still little studied compared to art and literature. Looking beyond the canonical period of the 1920s and 1930s, this volume breaks new ground by situating surrealism as a major force in postwar cinema. The book presents new analyses of renowned figures such as Leonora Carrington, Maya Deren, Alejandro Jodorowsky, and Jan Svankmajer, showing how these artists helped to shape a vibrant and distinctive surrealist film culture. In doing so, it expands the scope of both surrealism and film studies, while demonstrating the benefits of an interdisciplinary approach that looks to art, literature, and ideas. Challenging predominant narratives about the attributes of surrealist film, the book will be of interest to students and scholars of art history and film, as well as a broader audience of curators, film programmers, and art aficionados.

Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other. -- .

EcoGothic gardens in the long nineteenth century: Phantoms, fantasy and uncanny flowers draws together expert scholarship from across the fields of ecocriticism, Gothic, garden history, Romantic and Victorian studies and environmental humanities to explore how the garden in nineteenth-century Europe could be a place of disturbance, malevolence and haunting. Fresh approaches to contemporary ecocritical and environmental debates synthesise ecoGothic ideas and entities to provide compelling insights into material relationships between vegetal and human beings. Through eleven radically diverse essays, the collection demonstrates how unseen but vital relationships among plants and their life systems can reflect and inform human behaviours and actions, for good or ill. Gardens represent key areas for research into biodiversity loss and anthropogenic damage; this collection offers unique perceptions of nineteenth-century anxieties about rapid environmental and social change and how they could be reflected in ecoGothic vegetal-human interaction. In these entertaining essays, human and vegetal agency is interpreted through ecocritical and ecoGothic investigation of uncanny manifestations in gardens - hauntings, psychic encounters, monstrous hybrids, fairies and ghosts - with plants, greenhouses, granges, mansions, lakes, lawns, flowerbeds and trees as agents and sites of uncanny developments, leading to disaster and death, radical life-changes, wisdom and sorrow. The essays contain important ecocritical research by distinguished scholars in Romantic and nineteenth-century environmental studies, including Paul Evans, Heather I. Sullivan and Jonathan Smith. The collection represents the forefront of ecoGothic critical debate and will be welcomed by specialists in environmental humanities at every level, as a timely, innovative inclusion in ecoGothic studies.

There should no longer be any doubt: drones are here to stay. In civil society, they are used for rescue, surveillance, transport and leisure. And on the battlefield, their promises of remote protection and surgical precision have radically changed the way wars are fought. But what impact are drones having on our identity, and how are they affecting the communities around us? This book addresses these questions by investigating the representation of civilian and military drones in visual arts, literature and architecture. What emerges, the contributors argue, is a compelling new aesthetic: 'drone imaginary', a prism of cultural and critical knowledge, through which the complex interplay between drone technology and human communities is explored, and from which its historical, cultural and political dimensions can be assessed. The contributors offer diverse approaches to this interdisciplinary field of aesthetic drone imaginaries. With essays on the aesthetic configurations of drone swarming, historical perspectives on early unmanned aviation, as well as current debates on how drone technology alters the human body and creates new political imaginaries, this book provides new insights to the rapidly evolving field of drone studies. Working across art history, literature, photography, feminism, postcolonialism and cultural studies, Drone imaginaries offers a unique insight into how drones are changing our societies.

Beckett's afterlives is the first book-length study dedicated to posthumous reworkings of Samuel Beckett's oeuvre. Contextualised against the backdrop of the author's developing views on adaptation and media specificity, it challenges the long-held belief that he opposed any form of genre crossing. Featuring contemporary engagements with Beckett's work from the UK, Europe, the USA and Latin America, the volume does not approach adaptation as a form of (in)fidelity or (ir)reverence. Instead, it argues that exposing the 'Beckett canon' to new environments and artistic practices enables fresh perspectives and enhances the texts' significance for contemporary artists and audiences alike. The chapters explore a wide variety of forms - from prose and theatre to radio, television, film and webseries - focusing on the period from the early 1990s to the late 2010s. The concept of adaptation is broadly interpreted, including changes within the same performative context, spatial relocations or transpositions across genres and media, and even creative rewritings of Beckett's biography. The collection offers a range of innovative ways to approach the author's work in a constantly changing world and analyses its remarkable susceptibility to creative responses. Beckett's afterlives suggests that adaptation, remediation and appropriation are forms of cultural negotiation that are essential for the survival and continuing urgency and vibrancy of Beckett's work in the twenty-first century.

History beyond apartheid explores post-apartheid developments in history writing on South Africa, offering a corrective to charges that South African historiography has seen little in terms of innovation in the years since apartheid. With contributions from scholars involved at the cutting edge of research, the book highlights innovative approaches that have re-shaped the field, situating them in the context of the extant literature. In addition to offering fresh perspectives on the traditional themes of race, class and nation, the book covers histories of the environment, women, creative literature and the fine arts, and of South Africa's global connections and transnational entanglements. The book offers critical reflections on the theoretical and methodological aspects that guide the contributors' work, looking simultaneously backwards at the intellectual traditions on which their scholarship builds, and forward to potential future areas of inquiry informed by unresolved questions. The resulting collection offers an essential resource for emerging and established scholars involved in the practice of South African historiography.

With the military seizing overt power in Egypt, Cairo's grand and dramatic urban reshaping during and after 2011 is reflected upon under the lens of a smaller story narrating everyday interactions of a middle-class building in the neighbourhood of Doqi. -- .

Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century, focusing on new types of cultural work by women and establishing Duval as a unique but exemplary figure in a transformational period of the nineteenth century. -- .

Every Siddal poem is close read alongside works by Rossetti, Swinburne, Ruskin, Tennyson and Keats and with reference to prevailing cultural, political and religious contexts to give the most comprehensive analysis yet of this enigmatic, previously undervalued poetic voice. -- .

Birth controlled analyses the world of selective reproduction - the politics of who gets to legitimately reproduce the future - through a cross-cultural analysis of three modes of 'controlling' birth: contraception, reproductive violence and repro-genetic technologies. It argues that as fertility rates decline worldwide, the fervour to control fertility, and fertile bodies, does not dissipate; what evolves is the preferred mode of control. Although new technologies like those that assist conception or allow genetic selection may appear to be an antithesis of other violent versions of population control, this book demonstrates that both are part of the same continuum. All population control policies target and vilify women (Black women in particular), and coerce them into subjecting their bodies to state and medical surveillance; Birth controlled argues that assisted reproductive technologies and repro-genetic technologies employ a similar and stratified burden of blame and responsibility based on gender, race, class and caste. To empirically and historically ground the analysis, the book includes contributions from two postcolonial nations, South Africa and India, examining interactions between the history of colonialism and the economics of neoliberal markets and their influence on the technologies and politics of selective reproduction. The book provides a critical, interdisciplinary and cutting-edge dialogue around the interconnected issues that shape reproductive politics in an ostensibly 'post-population control' era. The contributions draw on a breadth of disciplines ranging from gender studies, sociology, medical anthropology, politics and science and technology studies to theology, public health and epidemiology, facilitating an interdisciplinary dialogue around the interconnected modes of controlling birth and practices of neo-eugenics.